Creative photography
900 creative works found
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FUSIONartPHOTOGRAPHY.com Feature artist for the GROUP:EXPERIMENTAL PHOTOGRAPHY and EDITING. This creation is about my return to Melbourne after eight exciting and event filled years living in Japan and China . Regular trips home to see family and friends had not really prepared me for that emotional roller coaster ride that many experience after the conclusion of an overseas assignment. / Initially, when living in countries where the language is foreign ,one delves deep inside oneself and adjusts by becoming more observant to compensate. The experience is beyond description. / Upon returning home ones’ city has become a mystery. Eye contact/ a smile meant so very much in the re-adjustment period as after such a long period away ,one really belongs nowhere and maybe the heart will always now remain in 3 places and so we have “Mysterious Melbourne” / “ A journey of a thousand miles begins with a single step” / Essence of Ancient Wisdom/ Asia
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This image got second place in the Colour Class of the Isle of Wight Digital Imaging Group competition in 2006 and first place in the creative/electronic section of the VAPS competition in 2006. This got accepted into the Altered Reality section of the APDA competition in 2007.
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Words of love and lust
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The words of truth and the images of love.
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The glory of the sunflower and the wonder of the sunset!
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The symbols in this image are the tree of life with the rabbit representing birth and the raven representing death. The trees roots are wrapped around the figure of a woman; the soul of nature in her endless labor, toiling and eroding in her cyclical eternity. Photo Montage.
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View All Art » / Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 / / Haunted is a self-portrait taken from artist, Jaeda DeWalt’s, Haunting Hands series and is a part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / Image featured in First Things group on 7-23-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / About This Image / Image originally photographed using a self-timer and Kodak CN400 film (black & white film that’s processed in C-41 chemistry). / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s Surrealities calendar. / / / / View All Calendars » / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Haunted The eyes do not lie / Weakening the surface of the social masks we wear / A bruised and battered soul can betray the prettiest smile / As the pain seeps through to the surface / Speaking volumes to our emotions and life experience © Jaeda DeWalt listen to Jaeda recite Haunted / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / This image is featured in Jaeda’s Artography Book! / / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- / You might also like . . . / View All Art » / Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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/ / Reflection is a self-portrait taken from photographic artist Jaeda DeWalt’s Infusion of Color series and is a part of the DeWalt Gallery collection. About this image / Reflects that quiet place inside, that is hidden underneath the chaos of everyday life. That sacred space where dreams are born, wisdom breathes and love is experienced, from the inside out. It is serenity, peace, love, light and the bliss of simply BEING. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / Image featured in Self as Other on 8-4-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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View All Art » 1 2 3 4 5 6 / / Belted 1 is a self-portrait taken from photographic artist Jaeda DeWalt’s Belted series and is a part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Matted Prints, / Posters, Mounted Prints, Canvas Prints and Framed Prints / / Featured in The Community of Erotic Submission group on 10-30-2009 / Featured in The Blue Room on 7-20-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s Erotique calendar / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / about this series / The Belted series came about when my stability ball burst. I use it to do my stomach crunches and sit-ups. I remembered the movie, “The Professional” and decided to belt myself to the edge of my bed to do my sit-ups, the way Leon did in the movie, until my new stability ball arrived. I ended up hooking a bunch of belts together and thought to myself “Hey, that would make an awesome photo prop!” and the Belted series was conceived. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / visit the rest of this series . . . / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / View All Art » 1 2 3 4 5 6 browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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The rock is sacred to the local Anunga Aborigines. Ayers Rock is the popular English designation (named after Sir Henry Ayers, a 19th century Australian governor). However, the rock’s official appellation is Uluru, the one given by the Anunga Aborigines. dinner out in the desert, watching the full moon rise Digital photography / Composition of three images
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The Sea Venture was one of the first ships to arrive in Bermuda. It was thrown accidentally off course by a hurricane and landed on the reefs intact. Its original course was with a fleet from England headed towards / Jamestown, Virginia to aid in the colonization. From being shipwrecked, the crew and passengers of the Sea Venture settled in Bermuda and benefitted from its tropical paradise and set up a small colony. This painting is a Mixed Media piece, combining original digital photography taken in Bermuda by SBC, painting, and drawing. It is intended to capture the natural and surreal beauty of Bermuda. It won an Honorable Mention Award in the Rowayton Art Show in 2006 and First Place in the Darien Art Show in 2007. Thank you for your interest, comments and purchases!
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In Berlin Spandau (Germany)...
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“DARE TO BE DIFFERENT” makes the perfect gift for the independent individual in your life. Could that be you? The image features a photograph of a real White Raven (also known as a “Spirit Raven” by local Haida people) born in May, 2008 on Vancouver Island, B.C., Canada. He is one of two rare white and 3 black Ravens born to 2 accepting (black) parents. The two rare birds are not albino which is what makes them so unusual. Their eyes are quite blue. All 5 siblings are getting along extremely well and all are thriving. White Ravens are very rare and hold sacred meaning for many groups and cultures throughout the World, including Native American Indian, Celtic, Norse and Wiccans. This artwork is another tribute to these remarkably intelligent and friendly birds. 50% proceeds from all sales go to the Mountainaire Avian Society in the beautiful Comox Valley on Vancouver Island.
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Goddess woman with core power mudra expressing strength and inner resolve. Photo based illustration.
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Bird out of cage. Photo based illustration with textures and patterns.
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For MERGE Magazine, May ‘09 Issue [out now]. Editorial [Fashion] supplement using PROOF Cosmetics. Proof Website Concept/Styling/Hair/MUA/Art Direction: Stephanie Mountzouris / Photography/Editing: Moi Models [L-R]: Rose, Jackie, Bianca, Annalisa, Jessie & Moira MERGE website / MERGE on MySpace / MERGE on Facebook Copyright 2009 Harmony Nicholas & MERGE Magazine btw the shot got shrunk by RB so if you want to see a larger version check it out here
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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Model – Liona Kitsune ◇ Tierney / Photographer – Lisa Preece – www.lisabellaphoto.com / Equip – Nikon D80 w. 18-135mm / Location – LONDON ONT. TO SEE MORE FROM THIS SHOOT PLEASE CLICK HERE
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Amsterdam in Autumn, October 2009 / Nikon D300 / Tamron 10-24mm, handheld on rail / HDR (-2,-1,0) in Photomatix Pro3.2 / PP in PS CS3
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