Countryside field
1010 creative works found
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Spanish country-side near Toledo, taken through amber-tinted train window
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A pic I took in June of country landscape- barn, dark sky, etc., after a huge, wonderful thunderstorm.
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Photography, zoom filtered. / By Gina Signore. / Dahlia House Studios. / The Sunflower Patch.
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We went to the Forest of Bowland for a drive out yesterday and it was beautiful sunshine!
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Location: / Boughton, Kent, England Map: / Google Maps Date and Time: / 12 April 2008, 11.25 a.m. Camera details: / ISO 200 : f/9 : 1/250 second : 18mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / This field caught my eye as i’d just pulled off the M2 motorway for Canterbury. Fortunately there was a bus stop in the layby (see map above) that I could pull in to and stood up on the door frame of the car to see over the fence. Fortunately the clouds were just right as I was driving past.
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Location: / Barham, Kent, England Map: / Google Maps Date and Time: / 17 June 2008, 7.59 p.m. Camera details: / ISO 200 : f/10 : 1/40 second : 18mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / I had driven past this eye catching field a few times, before going out one summer’s evening with the camera to capture it in a lovely light.
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This was one of my rewards, that morning for rising early and driving in thick fog to a little town just West of Geelong, called Shelford.
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Location: / Barham, Kent, England Map: / Google Maps Date and Time: / 17 June 2008, 7.44 p.m. Camera details: / ISO 200 : f/22 : 1/5 second : 18mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / After passing these red fields a couple of times whilst working I knew I had to come back with my camera on a perfectly lit summer’s evening.
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Taken a few miles east of Leicester, near Allexton. Its that time in the UK, just before the wheat gets harvested – heavy heads beginning to nod gently under the weight of the grain, and the weather unable to decide whether it is summer or not, threatening to flatten the crop, just it is ready. Leicestershire is full of distant horizons like this, and the Barley is all but in now, much of the ground already having been put under the plough in readiness for the next crop.
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Young Holstein cows on top of a hill. Azores islands, Portugal. / This photo was awarded an Honorable Mention in Popular Photography & Imaging magazine 2005 Annual International Contest, and was later published in that magazine.
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Summer in the Irish countryside. This is a HDR version of an earlier image I uploaded. I think it has a different impact, but I like both versions. / Nikon D50 18-55mm lens
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Poppies in the Kent Countryside. The title is for Graeme who insists I ought to try and keep away from the water! Photographs from Chartham, Kent
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Rural Landscape The last strokes of the digital brush. / There, finished. Beautiful. ...Why aren’t I … / ouside? / soaking in the diffused sunlight, / picking off the little buglets that / crawl on my legs, looking for a bite to eat. Why is my name under the glorious green tree, / and not me? —F.A. Moore Digital Fine Art: oil painting style, by F.A. Moore, June 30, 2009. First in series on “The New American Landscape” Special thanks to stock providers who provided images that helped inspire and enable this creation: ITOL-stock, TudorxRose, and CAStock. FEATURED 2009-06-30 Rural Landscape in Freedom in Words and ART / 2009-06-30 Rural Landscape in ImageWriting / Card for “hello” note See also next in series, New Americanl Landscape
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3200 ISO is a brave new world for me. As a self confessed low ISO junkie, one who used Ektar 25 film whenever and wherever he could for many years because I wanted tight grain, the tighter the better, I would pull out all the stops I could to use that amazing ISO 25 film! For sure I’d never gone above ISO 1000 and then only to shoot indoor sporting events. Low ISO was(?) a hang-up for me! But I wanted to try astral photography and high ISO can get you there! However as we all know high ISO leads to increased noise which is something fairly new to me. You can use software and Photoshop plugins but I’ve been considering, one way to control noise would be to minimize or eliminate it by keeping the ISO as low as possible and that’s one way I‘m leaning. So in that regard it looks like a fast 50 prime is in order! It’s fun to be experimenting and learning, eh! Camera Model Canon EOS 50D / Tv( Shutter Speed ) 30 / Av( Aperture Value ) 3.5 / ISO Speed 3200 / Focal Length 18.0mm / Flash at 1/16 power and about 12 or 13 paper towels for diffusion. “One Night Under the Milky Way” was shot at Flamber Head on Newfoundland’s East Coast Trail For more information please visit Brian’s Homepage or on Flickr
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Wax, watercolour, natural pigment, acrylic on very smooth thick Italian printing paper
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The quiet hours of the Harvest reminds us Summer will fade away soon. Somewhere near Verdun – Meuse – France
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Sutton Bank is a high vantage point at the very edge of the Hambleton Hills and the North York Moors with extensive views over the Vale of York and the Vale of Mowbray. Because of its location and high elevation, Sutton Bank is popular with gliding and flying enthusiasts. Predominant landmarks include Whitestone Cliff and Roulston Scar, the former overlooking the mysterious (and reputedly bottomless !) Lake Gormire. Close nearby are the villages of Sutton-under-Whitestonecliff, and Kilburn (famous for the White Horse of Kilburn, and Robert Thompson – the “Mouseman” of Kilburn). / Sutton Bank is one of the most spectacular inland cliffs anywhere in Britain, and carries one of the most hair-raising main roads in the country. The near vertical drop from top to bottom is around 140 metres, and crosses at least two major geological boundaries. / The Sutton Bank National Park Centre is on the western edge of the fabulous North York Moors National Park – home to the largest expanse of heather moorland in England. It provides the perfect introduction to the National Park, its people, history and wildlife. Nikon D60 / HDR in Photomatix & pp in PS CS3 / Lens: Nikkor 18-200mm / 1/160 f/9.0 ISO200
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THE WINNER of the challenge Autumnal Equinox Nikon D60 / hdr in Photomatix & pp in PS CS3 / one shot, hand held, / Lens: Nikkor 18-200mm / f/14.0 1/200 ISO800 / North Yorkshire, UK
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Snowdonia, Wales, UK / Nikon D300 / Fused in Photomatix / PP in PS CS3 ( OE) / 18-200mm / 1/250 f/10.0
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Snowdonia, Wales, UK !http://images-2.redbubble.net/img/art/framecolor:black/framestyle:flat30/mattecolor:off%20white/product:framed-print/size:small/view:preview/3953684-2-the-rock.jpg
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A Beautiful Orange colour October tree / and a beautiful little poem from MarieAngel / Tree stand tall …been through all….seasons and reasons to stand. / Crisp autumn leaves fall in the breeze, ready for snow to cover its land. / Then comes the spring the buds it will bring …amidst flowers of sweet perfume / Tree stands tall admired by all whatever the season it blooms…. / Angel Hamilton Copyright October 2009 Nikon D300 / Tamron 10-24mm / One shot HDR in Ptotomatix Pro3.2 / PP in PS CS3
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A beautiful view of the pond in Filey, North Yorkshire, UK / Nikon D300 / Tamron 10-24mm / HDR based on RAW one shot, handheld / Photomatix Pro3.2 / PP in PS CS3
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The cattle in a paddock late spring with the grasses already drying off, creating a sea of different textured browns and golden colours.
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