Corporate
317 creative works found
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Click on the images below for a more detailed close-up / / “Finches On Parade” is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing 16 X 60 inches / 41 X 153 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ..................................................................................
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The sound of birds early in the morning. Best music of all… Oil on Stretched Canvas – No Airbrushing 37 X 42 inches / 94 X 1107 cm Original : / $3000 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ....................................................................................
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The lyrically fluid movement of the ocean against the sand on a calm quiet day. . . Oil on Stretched Canvas – No Airbrushing, etc 36 X 55 inches / 92 X 140 cm Original : / Sold / contact my Agents at Gallery 112 / ...............................................................................................
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Images from Australia / Architecture / Images from Japan / Sunsets / Water Scenes
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Click on the image below to see the entire artwork / Excerpt Two is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / .........................................................................................
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Taken in the bush near Alice Springs. Waiting for the sun to come up and saw this dead tree and just had to take a shot with all the colours behind it.
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This is not really a satire anymore. . . This is how a lot of artists really are, instead of how they’d like to be Color Pencil and Pen & Ink on Watercolor Paper 16 X 16 inches / 41 X 41 cm Original : / Sold / contact my Agents at Gallery 112 / ................................................................................................
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Soul sucking corporations! Hooray! With a little advertising thrown in!
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No time ? no problem ! this shirt is for you
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Protect Your Copyright - URGENT ACTION REQUIRED
by Helen Bascom KMAIf you are an artist or photographer in the United States PLEASE TAKE HEED: you may loose all rights to your work very soon. A bill is b…
If you are an artist or photographer in the United States PLEASE TAKE HEED: you may loose all rights to your work very soon. A bill is before Congress which will essentially make all works of art ever created orphaned works and send them to the public domain. Essentially what this bill will do is force artists and photographers to pay fees to commercial registry companies to register a copyright on every single work you have ever created or ever will create. The current law protects your copyright without registration. Registration with the United States Copyright Office merely sets statutory damages in the event of copyright infringement. The new law will REQUIRE registration NOT WITH THE COPYRIGHT OFFICE but with COMMERCIAL REGISTRIES. The purpose of this bill seems to be the enrichment of corporations to the impoverishment of the people. If this bill passes and you want to protect your work, you will be required to pay a fee FOR EVERY SINGLE WORK OF ART ALREADY CREATED and EVERY SINGLE WORK YOU WILL EVER CREATE. Additionally, you will be required to register with more than one commercial registry to secure your copyright protection. Now let’s see, I have just on RB 250 works. If I have to pay $5 USD per photo to three different registries to protect my copyright that will cost me $3,750. This is just the cost to protect the work I have uploaded to RedBubble. What about the other 8,399 photos on my computer? If I ever print them, upload them, show them in a gallery, I have to pay for each of them as well. / Folks, this is serious. EDIT – URGENT UPDATE The Orphan Works Bill is out of committee. Now is the time to zealously advocate for defeat of this bill. Please go to the Illustrators Partnership of America Legislative Action Center for more information and useful links to contact your Senators and Representatives. This Bill will substantially limit your ability to recover financially if your work is infringed, even if your work was registered with the U.S. Copyright Office prior to infringement. So registration with the U.S. Copyright Office is a waste of your money if this Bill passes. Important elements of the HOUSE BILL Coerced Registration • The Orphan Works Act would force artists to risk their lives’ work to subsidize the start-up ventures of private, profit making registries, using untested image recognition technology and untried business models. These models would inevitably favor the aggregation of images into corporate databases over the licensing of copyrights by the lone artists who create the art. International Impact • Because an unmarked picture cannot be sourced or dated, works by artists outside the U.S. will be as vulnerable to infringement in the U.S. as work by domestic artists. • Presumably the Copyright Office and Congress expect non U.S. artists to register all their past and future art with the new hypothetical U.S. databases, or see their work exposed to commercial infringement under U.S. law. • It is a violation of the Berne Convention for the Protection of Literary and Artistic Works for any country to impose registration on a rights holder as as a condition of protecting his copyright. Please take this opportunity to protect your rights under the current copyright law by speaking out against this proposed legislation. Go here and read this journal entry by Crockpot The Orphan Works Act of 2008 ~ RELEASE FROM THE ILLUSTRATORS’ PARTNERSHIP The Orphan Works Act of 2008 will be officially released momentarily. The language in the draft confirms our warnings. If this bill passes, you’ll be forced to clear all your secondary licensing rights through at least two government certified databases – or risk orphaning your art. Despite its masquerade as the “last resort” to search for a rights owner, these databases will likely become the only source many users will rely on for finding a rights owner. Reason: it will give users the legal right to infringe any copyright not in the databases. ERIN JAY’S JOURNAL ENTRY CLICK HERE FOR FULL TEXT OF THE SENATE VERSION CLICK HERE FOR FULL TEXT OF THE HOUSE VERSION CLICK THIS LINK FOR MORE INFORMATION CLICK THIS LINK FOR EVEN MORE INFORMATION CLICK THIS LINK FOR ADDITIONAL INFORMATION CLICK THIS LINK FOR REGISTRATION PROBLEMS Below is a sample letter I sent to my senators and to my congressional representative. Please adapt it for your own use. Click these links to find your state representatives: STATE SENATORS CONTACT INFORMATION STATE REPRESENTATIVE CONTACT INFORMATION Here is an interview with Brad Holland of the Illustrator’s Partnership. He explains how passage of this bill will affect every artist and photographer in the Country. Under current United States and International Law, your copyright is automatic from the moment you create the work. Registering your work provides you with legal fees and statutory damages upon discovering an infringement. If you do not register your work, your are limited to actual damages which are typically far less than provided for in the Statute. International law, and current US Law prohibit forced or coerced copyright registration. Copyright is a longstanding common law right. The proposed legislation is a back door effort to require registration with commercial registries in order to protect your work from being deemed orphaned. SIGN THE ONLINE PETITION HERE SAMPLE LETTER TO YOUR REPRESENTATIVE and SENATOR Congressman Baron Hill / 279 Quartermaster Ct. / Jeffersonville, IN 47130 / Phone: (812) 288-3999 / Fax: (812) 288-3873 Re: The Orphan Works legislation Dear Congressman Hill: My name is Helen M. Bascom and I live in Jeffersonville, Indiana. After reading about the Orphan Works bill, I am outraged that this could happen in my country. This Orphan Works legislation, if passed, will severely impact my income and life as an artist/photographer. Not only will it give license for others to legally steal and use my work for free, it will be virtually impossible for me to afford the time and money to register my creations in all the potential new registries. Commercial registries will be the only organizations that will profit from this legislation. I have thousands of photographs and works of art and I simply can not afford to register my works, even at a few dollars each. This bill, if passed, will force me to close my on line galleries which will destroy my business. Should someone consider my work to be orphaned and take my work for their own use, I can not afford the legal fees to protect my copyright. I demand that you to vote AGAINST the Orphan Works bill and protect my rights, my copyrights, to all that I have and will create. Thank you. Regards, Helen M. Bascom, / Bascom Digital Art
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. . . I finally did it. / The most addictive substance on earth Oil on Stretched Canvas – No Airbrushing 48 X 48 inches / 122 X 122 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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I have tried to keep the butterfly and its shadow to scale to give the impression of a real butterfly about to land on someone’s T-shirt
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There is a type of quiet peaceful solitude that one can only experience in a park Oil on Stretched Canvas – No Airbrushing 36 X 56 inches / 92 X 143 cm Original : / Sold / contact my Agents at Gallery 112 / .......................................................................................
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Spoon Fed Consumers / A spoon full of consumerism helps the self-loathing go down. / C’mon you can manage another mouthful of global branding! Selected other RubyRed shirts: / / /
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My entry in to Weekend T-Shirt Challenge In the future the corporations will be running the world, instead of governments. For example: the USA maybe renamed “Coca-Cola”, Australia “Burger King”. Thus the corporations will also be at war with each other – like proper physical warfare with real weapons (the Cola Wars we have now are soft in comparison). Perhaps the person depicted here was not towing the party line, works for a rival cola company/country, was a corporate spy, or just showed up to work late… Oh, and it seems people 250 years in the future have lost their genitals too! Available as a print or poster: /
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Canon 20D – 17-40mm L – 17mm – f5.0 – 1/100s The San Francisco Federal Reserve Bank, 101 Market Street between Main Street and Spear Street
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“Tree Line” is about simplifying the landscape and focusing mainly on the procession of trees as they line themselves up along the top of a hill. Their shadows running down the hillside lets your own imagination fill in the details… / Real gravel has been incorporated to enhance the impression of the surrounding rocks, and their shadows Oil on Stretched Canvas – No Airbrushing 66 X 22 inches / 168 X 56 cm Original : / $2000 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ......................................................................................
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Minimalist Landscape study of the Trees & Hills as they are seen far off out on the horizon Oil on Stretched Canvas – No Airbrushing 36 X 66 inches / 92 X 168 cm Original : / $1500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .............................................................................................
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World Trade Center a few months before 9/11, New York, USA
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .....................................................................................
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Took this macro photograph with aperture priority, late in the afternoon, it was getting quite dark so I used a flash on this shot! Just love Palm tree bark, this one had been burnt at some stage creating the charcoal sections. I have a few more fascinating photos which I will be uploading soon! / My passion is macro photograhy. I love to find hidden landscapes and abstract art in the bark of trees or in rocks. I also am quite partial to macro floral photography! / /
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Click on the image below to see the entire artwork / Excerpt One is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / ...................................................................................
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The erotic emotions of a woman deep in her own romantic thoughts Oil on stretched canvas – No Airbrushing 36 X 24 inches / 92 X 61 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Click on the image below for a more detailed close-up / The subconscious delights of nocturnal thoughts Pen & Ink Freehand 36 X 24 inches / 92 X 61 cm Original : / Sold / contact my Agents at Gallery 112 / ..............................................................................
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