Contemporary gallery
457 creative works found
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Monochrome image of the modern art museum in Christchurch New Zealand. The building itself is art never mind the contents! Rollei IR film / Nikkor 20 mm lens
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Digital Illustration Submission for MTV Urban Gallery Competition (c) REO 2007
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steve like this one (bodymechanic). I will hang it in the next Gallery 26 show. It’s very textured, layered, and it has sparkles.
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm contact my Agents at Gallery 112 / .....................................................................................
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The path to enlightenment - otherwise known as the pathway to the Baltic Centre for Contemporary Art in Gateshead.
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A good look at the general “Who cares, let’s party” attitude towards the Earth’s overall plight. . . Pen & Ink and Color Pencil and Photoshopped Globe
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Woods
by Anne StaubAll photographs and artworks in this portfolio are copyrighted and owned by the artist, Anne Staub. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from myself is prohibited. All rights reserved.
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Tweed Heads Northern NSW. HDR photography, no additional filters etc.
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These columns were found on the Art Gallery of South Australia building in Adelaide, South Aust, Australia. This was taken with a Canon DSLR EOS 350D camera.
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All photographs and artworks in this portfolio are copyrighted and owned by the artist, Anne Staub. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from myself is prohibited. All rights reserved.
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“Lilies in Window” is an original, signed acrylic painting on a gallery-wrapped canvas by artist Michael Arnold. This painting was a commission piece done for a client. The design was made from a picture the client had found in a magazine. The painting was created in grays and white with a pop of color added to the tops of the lilies. Michael Arnold Art /
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Mixed drawing media, acrylic, collage, banana fibre basketry on canvas. Work exhibited and sold Cairns Regional Gallery, Postcard Exhibition. / Artist Statement / The basket/vessel imagery used is a symbol-metaphor for our being, how we fill ‘with meaning’ (open, receptive, upright form) and empty, pour out (upside down image) our ’’thoughtful’’ thoughts in words and deeds! The colours used and ‘x’ shapes imply one’s physical and spiritual ‘connections’ and ‘relationships’ as we keep transforming as humans ‘being’. I also relate the vessel images to the music symbol shapes of the ‘U’ and its inverted – ‘upside down U’ (which I cannot type literally). They relate to processes of how much we are open/receptive/for transcending our physical ‘barriers’ to beyond and closed/blocking out/used as a protective barrier/nurture. These two shapes in ‘reflection’ symbolize eg. duality, opposites ie. yin and yan, etc., are a representation of one’s life’s-work and of giving and receiving.
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Memorial Art Gallery, Rochester,NY. ( front entrance) altered ( black&white conversion, color inversion/negative effects)
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Original Artwork Information / Oil on Canvas / 152×122 cm / 2006 About The Artist / Lisa V Robinson is a professional UK contemporary artist, who specialises in abstract, figurative paintings that explore the physicality of paint and the possibilities of what can be achieved with space and colour. / To view more of her unique artwork please visit / her website: www.lisavrobinson.co.uk Print Example / Greeting Card /
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Another non-dereliction picture from me, dont worry, normal service will be resumed soon :P A picture of arguably the three most famous bridges that span the tyne, namely the Swing Bridge, Tyne Bridge and the Millennium Bridge, from front to back. Also on the right can be seen the top of the Sage, Gateshead, a world renowned concert hall and the Baltic Contemporary Art Gallery can be seen above the centre of the Swing Bridge.
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Medium: Mixed-media: acrylic, pastel, linen thread, banana fibre, fabric – hessian, tarlatan; butterfly wing, leaf, rice paper, paper. / Support: Canvas / Techniques: Collage, painting, drawing, banana fibre basketry, stitching. / Size 8” x 6” / Original sold at Postcard Exhibition, Cairns Regional Gallery. / SYMBOLISM: Abstract, Archetypal Expressionism Acknowledgement of transitional states and the work of the spirit through the repetition of the X’s reflecting time, movement, physical attachment – stitching, threads. The X’s: also vortex symbol, “As is above, so is below”, spirit/matter, heaven/earth realms, parallels, thoughts, manifestation, mesh, grid, lattice, interconnections, signifying realms of planes – a particular level of existence, mental activity, achievement. Channels, layers, stitching, butterfly wing, leaf – passage, transit, conduit, levels, parallels, planes, carriers. Vessels – embodiment of your ‘being’, container, inner alchemy processes, all is one; open, receive, filter, give and take, shelter, nurture, protect, shadow self, dualities. Colours/fabric, rice paper collage – Primal, energy/chakra levels, alchemies, signifying realms of existence, of various planes – worldly, spiritual.
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Year 2007 / Medium: mixed – acrylic, fabric, linen thread, rice paper. / Support: Canvas / Techniques: painting, stitching, collage, / Height 1016 mm x Width 1016 mm x Depth 37 mm / / From the Exhibition Elevating the Spirit. / Exhibited: 2007 Cairns Regional Gallery, Sugarama Gallery (Mourilyan); 2009 Umbrella Studio (Townsville). Abstract symbols portrayed: / - upright/upside-down vessels, for containment, alchemy / - a superimposed collaged grid layer of squares, made up of personal fabric remnants with inlaid diagonal leaf and abstract vessel shapes for transitional states; / - large X’s (X = As is above, so is below; bonding/attachment) are stitched in a spirit channel/passage line; / - linear boundaries, primal colours and contrasting tones define dualities; / - parallel lines create spatial depth, layers, veils of 3D illusions and hidden/secret passages; / - title/numbers also reference hidden symbology. /
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Tribute to Charles Simic’s poem “Lone Tree” / ........... / and then again the quiet. / The birds too terror-stricken To make their own comment. / Every leaf to every other leaf An apparition, / A separate woe. / Bare twig: A finger of suspicion. Featured in “Trees” group. / Featured in “Out of the Past” group. / Featured in “Digital art compilations” group.
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I visited the Norman Lindsay Gallery yesterday & have come away feeling so inspired. / A beautiful gallery in the Blue mountains, where you can wander amongst the grounds, surrounded by Lindsay’s statues, sit in the gallery as you gaze in awe upon his paintings, or marvel at the detail in his etchings…... I won’t even mention his wonderful children’s stories or his model ships (just a hobby of his apparently)....... This Magnolia was blooming in the garden behind his studio. / Magnolias & Norman Lindsay….... my life is good…... [canon 1000D, tamron 18-200mm]
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This is a new version of an old composition that I made several years ago. It is a bunch of cylinders in a wall at slightly varying degrees and each is planted at a slightly different depth in the wall. / This was made with Blender and rendered with YaFray / Featured in Art in Math Group, August 27, 2009 / Featured in All Abstract Art, October 10,2009 / Featured in Shapes & Patterns – Limit of 2 images per day, October 30,2009
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Influence of nature. Graceful curves. The wispy lines resambles branches and leaf motif on this piece. Enjoy it!
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abstract digital art, a multi-layered coloured texture of vibrant colour that lie atop one another and across the picture field, creating a sense of depth by layering.
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Charcoal study for a painting highlighted with white pastel. 30×38 cm.
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National Portrait Gallery, Canberra, Australia
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