Colourful night
1775 creative works found
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Pencils and ink / ‘O then, I see, Queen Mab hath been with you. She is the fairies’ midwife…Her wagon spokes made of long spinner’s legs: The cover, of the wings of grasshoppers; Her traces, of the smallest spider’s web; Her collars, of the moonshine’s watery beams…And in this state she gallops, night by night, through lovers’ brains, and then they dream of love.’ Bits from Romeo and Juliet: Act 1, scene 1V
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Acryli on canvas, 2007
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The Gateway to Melbourne
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I took a heap of photos of rubics cubes on 5 exposures and played with some light and editing… tell me what you think! I’ll put up a couple… if you’re keen to see more just say the word!
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S.A.R. 500 class loco 504 at the N.R.M.
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I took this photo at Coffs Harbour, the main commercial center for the New South Wales Mid North Coast. Photo Taken: 17-Oct-2007 / Time: Just after dark, about 6pm / Conditions: Blowing a gale, cold and even light drizzle.
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/ . / © Copyright 2007 David Iori Photography, All Rights Reserved. / . / Taken From Mrs Macquaries Point Mrs Macquaries Chair, otherwise known as Lady Macquarie’s Chair, provides one of the best vantage points in Sydney. The historic chair was carved out of a rock ledge for Governor Lachlan Macquarie’s wife, Elizabeth, as she was known to visit the area and sit enjoying the panoramic views of the harbour. The point offers a breathtaking view of the harbour with both the Opera House and the Sydney Harbour Bridge providing the perfect backdrop for picture taking.
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/ . / Photo of the Rocks Waterfront in Sydney. This photo was taken on my first night shoot in my home town. I remember the evening well because it was one of the coldest winter nights in Sydney. The rocky sandstone ledge known as The Rocks is where members of the First Fleet stepped ashore on 26 January 1788 and British settlement of Australia was first established. Today it is Sydney’s historic old town quarter, nestled between the famous Sydney Harbour Bridge and Sydney Opera House.
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Eureka Tower, the latest addition to Melbourne’s beautiful skyline. Captured in that awesome period between day and night where you the sky looks at its best and you can still get the lights and reflections looking great too! This image may not be used for any promotional purposes other than for the Victorian University’s School of Architecture until April 3rd 2014 Click here for my other images of Melbourne
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A shot of the Melbourne CBD from across the Yarra River with Birrarung Marr in the foreground. Sales 1 Canvas Print
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© 2008 Anthony Knoblauch
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A difficult painting using a photo from my friend Jerry Alcantara. But the mood captured is exceptional, so I didnt give up. Thanks Jerry.
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YOU MIGHT HAVE TO VIEW LARGER TO GET THE BEST PERSPECTIVE This is a shot I liturally too 30 minutes ago, I just like the amount of light and the way it turned out, i wrote billy my brothers name in the background its faint but its there, hope you enjoy. / THANKS FEATURED IN 15 MINUTES FROM THE TIME IT WAS ADDED ON / FEATURED MORNINGTON PENINSULA GROUP 26/10/2008
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BEST VIEWED LARGER No Filters, No Colour Enhancement, Just a Magic Moment and the wonders of HDR photography and wonderful sunset , great light and clouds . This shot was taken at Newport Wharf which is located on the shores of Pittwater north of Sydney. Easily accessable by car or public transport. Its the kind of place where you can wind down at the end of the day with a cold beer or a glass of Australian Chardonnay and watch the sun set in the west.. This is my neighbourhood about 5 minutes from my home, “Just a Little Touch of Paradise.” we get some great sunsets ! / So if youre visiting Sydney areas like this are within 40 klms of the city Nikon D70 3 bracketted images , hand held, NO FILTERS NO COLOUR MANIPULATION just pure HDR
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Poster version of Melbourne skyline at night by request. This image file dimensions for the original post has been increased here to accomodate the ability to generate the largest poster size without loss of quality
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Lights, lights, LIGHTS! Colourwonderful treelights, streetlamps, car brake and indicator lights, city lights, freeway nightlights, office lights… Melodies of lights. In harmony. In tune. In soul. Truly was an awesome display of colour at Kings Park, Perth. A 10 second exposure shot. MORE WORKS FROM MY PORTFOLIO / - – - / Shot settings: / Body: Canon EOS 350D / Lens: Sigma 10-20mm HSM DC / Shutter Speed: 10 sec / Focal Length: 10mm / Flash: Did not fire / ISO: 800 / Aperture value: f/8 / Additional Filters: Hoya Pro-1 CPL + ND8 filter
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Acrylics on board. For this I literally squeezed paint from the tube straight onto the board on the floor and spread it around where I felt like it. The “details” were added after I spent an age looking at it.
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Photograph taken at night time on holidays in Kusadasi, Turkey.
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A Victorian Castle Farm in Dunfries & Galloway Southern Scotland / / The Romance music from Witchfinder General. A Confounded Letter. / As nightime therapy then, I listed all the happenings I could not explain. Could not account for in the dreadful, dreary, daily, dumb. Fearful scars across a manic mystery country of my own making. / First across the Camel river then to Lyonesse; to hear the bells under the waves and finding in ivy, hidden Mesopotamian mystery mazes on a rocky valley, carved, cliff wall. A witch body in an old witched blacked stone museum. A big pig, ghost pig, frightening a boy, in Thomas Hardy’s cold boarded, greenwood church. An Adder and a sign Saint under a stone in a river, ending through a fiord. The Once and Future King swimming forever under Tintagel’s sea waterfalls. The light of my stone megalith mystery landscape. The one they call paralis in paradise. Before the moor of excellent dreams. North Grandfather coming into sleep and asking to be aright, all light with his fob and blue Saint golden watch hanging bright. Othneil, Lion of God, my Norman ancestor uncle, haunting me uncertainly with the sad smell of his pipe tobacco in rooms long emptied of memories. The first time I am in Ireland when he dies, in old England and I did not know. A hand touches mine in the Irish peat dark from nowhere. It plays and strokes calmly and then unaccountably leaves. Leaving flowers and the smell of pipe tobacco. A sister asleep with eyes closed at the same time across the widest sea, as Ireland, yet reading aloud and turning pages in an illustrated book.. The Synchronizing of timeless effect and million to one chances happening every tattled tale time I looked around, in and under, in remorseless fogged fear. Finding this music only when I stopped listening and looking in the hiding place of plain sight. A caged cap cavalryman in a Priest hole chimney behind the horsehair and plaster of a friend and ancient farm. The walk across a wooden, yet carpeted floor with spurs a jingle. With his long straight pistol and long straight fluted sword all bright, all blood, all right. The monster sound crashing in the eldrich dark wood of illicit listless love with the girl that ran and ran and ran along the old railway into another woman. The place and line of decapitated Captains of failed industry suicide. All these, still many more, were list listed in the black books of before bright pagan burning, as always. As Sunshine therapy then. Did it work? Oh yes and strangely enough, no. © 2009 Ken Simm.
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To buy this photo just click on the buy/preview button above and you will see the many ways that it can be purchased. Taken during recent session checking out the Vivid Festival. Trying different approaches and pointing the camera at something other than the Opera House for a bit of a change. The contrast between the cave and the city was what struck me to try this image. Nikon D90 and 18 – 200 VR lens.
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Best Viewed LARGE FEATURED in Backyard Macro and Closeups FEATURED in Young Snappers This is my first time in the garden with my new camera! I was just having a bit of a browse on RB and got a bit of a twitch to go and find something to take a photo of and this is the result. I headed down the Garden ( at about 10pm so well and truly dark) and being a bit creative I used the torch (origionally to see where I was going) and a couple of sheets of white paper over the end to paint the light onto the flower from different directions during the 6 second exposure. I did most of the painting with the white paper to diffuse the light however at the end of the exposure changed to pink paper (closest thing to purple) to enhance the colours. DETAILS Cannon 500D (RAW) / 18 – 55mm IS Kit Lens (35mm) / 6 Sec / f 4.5 / ISO 100 Minor adjustments in Adobe Lightroom including enhancement of colours and detail in flower and darkening o fht e background. I really had very little that I had to do to the background. By painting on the light myself the background was hardly visible at all anyway. I just clenaed it up using lightroom’s adjustment brush. Overall I am very happy with the outcome. Better than I expected so it was a good night’s work in my eye’s :-) Any comments, advice or criticism would be greatly appreciated Cheers, / Danny FEATURED in Backyard Macro and Closeups FEATURED in Young Snappers
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