Collage canvas
301 creative works found
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Watercolour and pastel. Mixed media collage. / Original is ACEO trading card size. Copyright Celia Coulter 2006. This experiment was the result of failed pieces from watercolour and pastel works which I rearranged in a collage to make a complete new work of art. And am very pleased with the result.
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40cm x 45cm acrylics and collage on canvas. As yet another art course project for tafe, our imaginative lecturer wanted us to take 2 masterpieces by high profile artists and imagine, metaphorically if they’re were to be married and to have a child, paint what that child would look like! We could either make them not work together purposely to make a statement or blend them into a new image. This is man ray’s woman with cello ‘f’ holes and one of Kurt Shwitters’ collages (mostly painted but also collaged). At first i didn’t like this too much but after I got stuck into it I fell in love and this has been my favorite painting of mine ever since.
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Medium: Multi/mixed-media – charcoal, pastel, gesso, watercolour, acrylic, oil, collage, leaves, fabric, papers – himalayan rice paper, cartridge, Arches 300 gsm rag paper. / Triptych: H.122 x W.170 / This work is from the curated group exhibition ‘Remnants of Presence’ Exhibition. Innisfail, Far North Queensland. / One of the conceptual challenges for each artist was to approach a work with subject matter in-two-parts to show recent practice/new work development and be shown together. Visible Traces represents renewal, journey of experiences and time passage. Part A – Of recent practice (the two outer side panels) makes reference to the initial inspirations from: the natural environment, the human figure, various motifs including banana fibre made receptacles/vessels, lino prints and evolved symbology. Part B – The new work (centre) Prior artwork imagery & object ‘remnants’ were used for the initial stimuli and also represents my ‘presence’. All is fused into an abstract multi-layered composition. It is a collective tribute to the tropical shapes, forms, patterns, and textures etc that were the initial inspirations, the visible signage. Organic, gestural and spontaneous in feel (energy), with collage and mixed media processes mingled with personal symbolism. The work provides the viewer with facets and moments. Although ambiguous, there are sufficient visual markers to draw them in to discover further information and help them to intuitively and conceptually complete what they may perceive in the work and to sense the presence of the artist (spirit).
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Work exhibited in the Visual Arts Association Group Exhibition ‘Four Seasons’, held Cairns Regional Gallery, Qld. / The exhibition theme was inspired by the Vivaldi’s music ‘The Four Seasons’. Mixed media – archival black ink, acrylic, collage – paper painted, mono & screen-printed, drawing, photo; screen-printed cotton fabric, carpet material; on canvas. Background: I had been working individually on art compositions relative to my passion to interpret music, rhythm, movement and energy through the use of formal visual art elements ie. line, colour, tone, shape, texture and art media. The interpretation of any music requires one’s senses to hear and feel, absorb sound and energies, to internalize and contemplate, as apposed to recording information seen/perceived through the eyes from the physical ‘outer’ world. One has to create and interpret a visionary abstract, from a pure transitional and spiritual sensual state, from one’s own internal environment, the knowledge, understanding and experience one brings to canvas for the moments of manifestation. I jumped at the chance when this exhibition theme came up. Also I am much inspired by Kandinsky and his work, a long time favourite art philosopher and mentor. ....................................... /
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Collage, acrylic paint and conte pencil on canvas. 30×63cm
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Mixed mediums: Acrylic, rice paper, linen thread, pigment powder on canvas. / Size: 613×917 x 42 mm; Framed size: 970×665 x 50 mm Concept: Practically stitches bind, attach, and connect materials and/or surfaces together and is a metaphor for human bonding. The stitch becomes the ‘thread’, linking and connecting to the human psyche. Using a needle and thread by hand to stitch is a slow, methodical and sometimes painful process, of pushing and pulling through materials. The process reveals the two sides (dual nature) and the in-between to this affair. / / Abstractly worked, the stitch is used metaphorically for relaying energies and relationship formations. / Spirit Matter Cosmos abstractly references and resonates concepts of duality, the conscious and unconscious, complexity and simplicity, the spirit and alchemy of ‘relationships’ (blood & gold symbolism), transitory formations (the faded) illusions to connections and perceived realities. Always within, is the ‘spirit’, the centre, a voice of wisdom that guides and directs us in and through and beyond the ‘matter’. From the Exhibition/s: Sense of Attachment & Elevating the Spirit Exhibition at Cairns Regional Gallery, Qld (& toured Townsville April 24- May 31, 2009) ABC ARTPOST slide shows here ................................................................................ / FEATURED IN ABSTRACT ART DIMENSIONS
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Illustration to the Scandinavian fairy tale ‘East of the Sun, West of the Moon’. Acrylic and collage on canvas, 15×40cm. For more, see my website, http://www.matthewrogers.moonfruit.com.
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This for you Terez , my lovely daughter , she died when she was nearly 15 …... Thank you my friends your comments and support mean a lot to me. I had this pain bottled up in me so so long… but I knew and hoped with time passing things will change and turn out good… I was right, things started to unfold last week and I could just see and feel it. Working with this wonderful model just inspired me and brought all those feelings up from my heart, bones and my most inner part. I loved every minutes of it and it gave me a wonderful peace of mind. / The original is 120cmX100cmx2cm , oil on canvas , SOLD !. / You can see this picture in a nice interior here / Hope you like it…? / Thank you dear ANAISNAIS/Anna-Marie for this beautiful writing here. / TURNING OVER / Clock strikes, / every second my heart stabs / another injection of grief, / as streams wash the contours / rushing the valleys of guise. Memories. / All I behold now you have gone, / besides photographs and diaries. / I stare at you and you are there, / besides me once more. Turning over, / another page lets me slowly learn / to accept this new place in time / where I find myself surrounded / by loneliness and sorrow. This is not, / of course how you would want me to be. / Were you with me now you would hold me, / stroke my face and comfort me. / Loving me, happily. Together, / we have shared these memories, / so many times, turning over, / those beautiful pages of times / roaming through contours of life. I recollect, / how we walked valleys and streams, / where we played, picniced and slept. / Turning over the page you stay with me, / through the treasures we have shared. Now at night / when I’m lonely, in those early cold hours, / turning over I’ll remember and cherish / those beautiful gifts given so freely; / and thank God for the time that you lived. / / /
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Mixed media on canvas incl. acrylics, collage, ink
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cOLLAGED SELF PORTRAIT Original Artwork portraying identity Artist: Nicole Whitty Check out my Zazzle Website: http://www.zazzle.com/whittyart* This T-shirt is a popular Nicole Whitty design / Selling all over the world. / SOLD!
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collage and acrylic paint on canvas. Original size 60.9cm x50.8cm
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collage, acrylic paint and conte on canvas. Original sixe 76.2cm x 50.8cm
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Materials: Mixed-media – graphite, pastel, fabric, gold thread, acrylic, oil, collage, rice papers. / Support: assembled on canvas / Techniques: drawing, stitching, cutting, gluing, lino-printing, painting, collage, assemblage. / Size: Height 1220 mm x Width 916 mm x Depth 43 mm / Symbolism: Abstract, Archetypal Expressionism ‘Trans’ – acknowledgement of transitional states and the work of the spirit through the repetition of the X’s reflecting time, movement, physical attachment (replica of stitching). The X’s: Vortex symbol, “As is above, so is below”, spirit/matter, heaven/earth realms, parallels, thoughts, manifestation, stitching – attachment, mesh, lattice, interconnections, signifying realms of planes – a particular level of existence, mental activity, or achievement. Channels, layers, gold stitching – passage, transit, conduit, levels, planes Vessels – embodiment of your ‘being’, inner alchemy processes, all is one, facing up – open, receive, filter, give and take, inverted dome – shelter, nurture, protect, shadow self, dualities Colours/fabric, rice paper collage – Primal, energy/chakra levels, alchemies, signifying realms of existence, of various planes – worldly, spiritual This work is from the solo exhibition Elevating the Spirit Cairns Regional Gallery. / Tour Exhibit : 2009 April 24 – May 31, Main Space at Umbrella Studio, Townsville, Qld. FEATURED / (Thankyou to all the dedicated voluntary hosts of these groups) / ABSTRACT ART / FREEDOM TO SHINE / CREATIVE SPIRITS IN QUEENSLAND
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collage, acrylic paint and conte on canvas / original size 60.9×50.8cm (24”x20”)
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Abstract digital mixed media / photographs and flame fractals / / 9.8 megapixels (3840×2560), 2009.02.14th / / This is part of a current graphic project where I hope to design an album cover for a friend’s ethnodrones soundscape music. More details soon. / Although no material I used is directly linked to Peru, and I didn’t know about Paracas culture before researching it from my friend’s track title (‘Paracas’), it seems his music, that I listened to while creating the picture, magically guided me towards this abstraction strangely reminiscent of Pre-Columbian geoglyphs. Hence the name I chose aftwerwards (translating as ‘From here to Paracas’). / / © 2009 by Nodakami / www.nodakami.com
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cut n paste, stencil and acrylic
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“Breeze” Photography & Artwork / by Holly Kempe © Sony a100 camera / Photoshop CS4 artwok Grass reeds swaying in a gentle breeze….. “Exhilaration is the Breeze / That lifts us from the Ground / And leaves us in another place / Whose statement is not found—“ “Returns us not, but after time / We soberly descend / A little newer for the term / Upon Enchanted Ground—“ / ~ Emily Dickinson Breeze was featured in the: Inspired Art group – April 09
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stained and altered paper and acrylic paint on canvas / original size 101.6×76.2cm (40”x30”)
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Photo reference for left and center subjects The Little Girls collage has a special place in my heart. I painted these beautiful little girls to call attention to the cultural aspects of poverty, and the burdens our children bear. / Left: Isolation / Center: Insulation / Right: Exploitation
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This is a commissioned painting I’ve just finished. I used some beautiful Japanese Washi paper in the background for some added deliciousness. currently listening to: Taylor Dayne – Can’t Get Enough Of Your Love ...an excellent remake of Barry White’s classic hit medium: acrylic paint and Washi collage on stretched canvas size: 50cm x 70cm
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Medium: Acrylic, linen & cotton threads, banana fibre on canvas. / Size: 470×762 x 18 mm / Work exhibited in Elevating the Spirit at Cairns Regional Gallery and Sugarama Gallery, Mourilyan, Far North Queensland, Australia. SYMBOLISM / Meditative mantra for strength, balance, stillness, aligning positive energies, reflections; blessings ‘I’ – representing spirit’s presence, rhythm, strength, continuity. Acknowledgement of earthly and spiritual dual realm/existence (colours: red/passion/vibrant external; blue/inner nurturance, higher source; gold/life force). FEATURED in ALTERED ART / (3 Aug.09) / and ABSTRACT ART PLUS in / THE ART OF INTRIGUE (6.08.09) _
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The Fisherman’s Memorial Statue located at Point Pleasant Beach, New Jersey sits along side the Manasquan Inlet facing east in memory of those lost at sea. This composite was created with 5 different images, 4 of which were all taken at this location. / Nikon D80 w/24-120mm VR Featured in New Jersey Scenery – September 2, 2009 1st Place in the challenge “OCTOBER AVATAR” in Digital Art Compilations – October 4, 2009 Group Avatar in Digital Art Compilations – October 2009
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A series of digital collages created for And so this is Christmas…Art Market My titles from this series are all taken from Edgar Allan Poe. (c) Sarah Moore 2009 Stock Used / Brushes and textures / Bird / Other Textures
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