Cokin
139 creative works found
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Sydney, Long Reef is a protected marine reserve with rock shelves that extend out about 200m into the sea. We were lucky to have a beautiful cloud and still water reflecting of it. Shot with Cokin Z-Pro Tobacco Filter to give it a mood. The normal image tho looks good are just to wash out and unattractive, so i strap a filter on. Gum Boots is essential for early Sydney Sea Side shoot – unless you want wan mild frostbite at the end of the morning…eiei. Mind you i usually go shoe less in Summer…ahhaha…feel the water. 0.04 sec (1/25) | f/6.3 | 10 mm | ISO: 100 | Bias: 1 +EV | Shade WB / www.hangingpixels.com
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Rock formations at low tide. Taken with my 5D and the EF 16-35mm f/2.8L II USM lens. This is a 82mm lens and I am currently using Cokin Filters (handheld).....uuuuurrgh. I am very keen to get a Lee Neutral Density Filter set. If you have this setup I would be very interested to hear from you what experiences you have made in regards to vignetting and what Lee components you have mounted on your lens. Thanks heaps
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The SS Dicky was washed ashore onto Dicky Beach in 1893 during a cyclone. It was re-floated, but again, heavy seas turned the ship about and back onto the sand where it remains to this day. / / The suburb and beach was named after the ship. The beach is an unspoilt stretch of sun-drenched sand, on Queensland’s magnificent Sunshine Coast. Taken with my 5D and 16-35mm lens and I was so lucky to have a nature spectacle as the fog rolled in from West creating a mystic ambience I have also written a photographers guide if you are interested in knowing more about this site
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That’s my son on the end of the jetty with the world at his feet.
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After arriving at the beach after work I started walking to the point but couldn’t resist taking a snap of this bucket that just happened to be sitting on the shore. There wasn’t even any people around so I wondered how it had got there… Processed in Adobe Lightroom 2 only, experimented with the new adjustment brushes which are coooool! Used Cokin ND4 grad and circular polarising filters, taken with a Canon 400D Click here for my other seascapes Featured in the Selective Colouring Group in January 2009 Featured in the Canon DSLR Group in January 2009 Featured in the All About Water group in January 2009
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A corolla winding its way down the Lake Mountain Road back towards Marysville in Victoria’s Yarra Ranges. Taken with my Canon 40D… finally! Processed in Adobe Photoshop CS and Lightroom 2. Sales 1 Matted Print Featured in the Transport group on the 15th of April 2009 On Saturday the 7th of February my family lost our home away from home at Marysville, as well as our two Rhodesian Ridgebacks and our Abyssinian cat. My condolences go to anyone who also lost family, friends or property on this terrible weekend, and I know deep down that Marysville will be back and better than ever, in the near future… Click here for my other photos of cars! Click here for my other images of the Yarra Ranges
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Tonights Sunset at Warners Bay, Lake Macquarie, NSW. Long exposure: f/22, ISO100, 124sec. FEATURED in the “Light & Reflection” and the “Dawn & Dusk Light” groups
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This image, and the one following are identical in composition and subject. However, i changed what Cokin filters were used: / “This image has cokins at top only – pink and mauve” Canon 40D 12-24mm 13mm f22 1 sec and over exposed 1.5 stops / Tripod and WR / AS IS / FEATURED IN RIVERS, LAKES AND DAMS 3 FEB 2009 / Shot of the week – Rivers, Lakes and Dams 17th Feb 2009 / Featured in #1 Artists of Redbubble 19th Feb 2009 / Featured in MASTERS OF THE SCENIC March 2009
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Neutral Density Filters
by Mel BrackstoneI can’t talk about these filters in any sort of technical way, but I can explain what I bought, and how good they are at allowing you to …
I can’t talk about these filters in any sort of technical way, but I can explain what I bought, and how good they are at allowing you to shoot dawn and sunset without losing all your sky detail. I started off with a set of Cokin P filters. The filters sit in a plastic holder, that attaches to the front of your lens by way of an adaptor ring. The ring needs to fit the front element of your main landscape lens. When I used the Canon 20D the Cokin P was fine, with no vignetting, but once I bought the full frame Canon 5D, my lens had to be closed down to 24mm wide. This was unacceptable to me, since I like wide landscapes. Looking into various other filters meant spending quite a bit more money, however, all the reviews showed Lee filters to be ideal. There are a couple of companies here in Oz that sell them, and after wasting time ordering and paying in advance to an overseas company, only to find that they were out of stock, with no idea of a delivery date, I asked for a refund and contacted Mediavision in Sydney. Geoff was very helpful, and gave me a quote for a foundation kit, wide angle adaptor ring, a set of 3 neutral density soft graduated filters, and a full 0.6 ND filter. Postage was only slightly extra, and I had them in my hot little hands within the week. Geoff also sent a Lee catalogue. / Mediavision Australia / Sydney Office:- 4 Monash Road,Gladesville NSW 2111 / Phone:(02) 9816 4055 Fax: (02) 9816 1661 / Melbourne Office :- 22 Yertchuk Avenue,Ashwood Victoria 3147 / Phone:- (03) 9807 5133 Fax:- (03) 9807 7814 When I go to the beach, I take a bag with just filters and holder. They all have their soft cloth or soft vinyl bags, and it’s easier to slip them in and out of there without having to take off my backpack. Before dawn I’ll generally just have the adaptor ring and holder on the lens, with no filter. As the sun gets closer to jumping up from under the horizon, the filters are brought into play. Usually I’ll add the 0.6 first, if there’s not much cloud around, and once the sun has risen, the 0.9 will be added on top. The soft graduation means that you can slide the filter up and down, even slightly below the horizon, and it doesn’t leave a solid line. I haven’t been in a situation where I think I’d need the hard grad, to be honest. The holder turns easily if you wish to switch to portrait mode, just remember to turn it back when you go back to landscape mode! Because I live in Queensland where the sun is especially bright, all year round, it’s important to have these filters to make the most of a good sky. It’s near impossible to capture sky detail AND foreground detail without them. I don’t shoot in the daytime if I can get away with it, usually we pack up and leave the beach within 30mins after sunrise. I believe that you can still make good use of the ND grads all through the day, but I don’t have any real experience of that. Even shooting waterfalls can be easier when using ND filters, because it cuts out some of the light that might otherwise over-expose your image if you’re trying for silky water. The only problems we’ve all had is when the sea mist is particularly bad. In that instance we are constantly looking for ways to clean the filters, and still haven’t come up with a satisfactory solution. If anyone can help, we’d be much obliged! I hope this helps, as I said, not techy, but may be helpful for anyone looking to know what to buy….. cheers This has also been added to the tips and advice forum of All Seascapes Group forum
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Calm Water
by DiadoBrighton beach at sunset. RAW conversion and curve adjustment in Photoshop CS2 (and a little other post-processing to bring out the colour of the water a little better). Filters used: Cokin P164, P671, P121S Camera: NIKON D80 / Shutter Speed: 6/1 second / F Number: F/11.0 / Focal Length: 18 mm / ISO Speed: 200
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Taken at Rhyll early in the morning when the tide was way out. On the way back from Cowes to Woolamai I thought I might stop by Rhyll as I had never been there before even after all the years we had a house there. I spotted this boat tied up in the mud and couldn’t resist a shot. My shoes sank into the mud real deep and had to give the tripod a good clean. Taken with my Canon 40D with polarising and graduated filters. Featured in the All About Boating group on the 19th of April 2009 One of the photos in my Phillip Island series, please click here to see the rest of my images in the series
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Under the pier at Cowes, Phillip Island, Victoria, Australia at Dawn. Taken at the same time as Beginning of a new day for something a little bit different. It was pretty chilly, windy and way too early in the morning for me, it’s amazing how much lens distortion you get with a wide angle lens! / Settings Canon 40D, 10-22mm EF-S. FL: 10 mm 25 seconds @ f16, ISO 100 No filters Adobe Lightroom 2 & Adobe Photoshop CS4 Sales 1 Greeting Card Featured in the Wall Art section of RedBubble on April 14th 2009 _ Featured in the Technical Photography Group on the 11th of May 2009_ One of the photos in my Phillip Island series, please click here to see the rest of my images in the series
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Sunset at Newcastle Beach.
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D700 / 17-35mm @ 35mm / f5.6 1/30 sec Tripod and WR / pattern metered / -0.5 / ISO 100 / Cokins: Blue bottom; Light Mauve top / Shot – 10/05/2009 17:01 pm Featured in Dawn & Dusk Light Group 2/06/2009. / Featured in All Countries ~ Wetlands, Ponds, lakes and Rivers 09/06/2009 /
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Canon 50D / 40mm / 5.6 / 1/750 sec / ISO 400 / Cokins: Emerald and Blue top. / WB Shade / -1 under ex / AS IS / Featured in Trees / Featured in AS IS SOLD AS A GREETING CARD / Thanks so very much:)) / :)) /
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AS IS / Canon 50D / Tamron SP 10-24mm@18mm / f9.5 / 1 sec / WB- Shade / Spot metered / ISO 100 (Tone priority disabled) / Cokins: Blue bottom & Grad Grey (121s) top / Tripod and WR / 7:15am 22/07/09 / Featured in Canon DSLR (One Image Per Day) / Featured in Art by Bubble Hosts /
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I love rainy, overcast, windy days. Someone has to, I suppose. The pink/purple of the fireweed has yet to reach its full splendor. As Alaskan legend has it, when fireweed blooms all the way to the top of its spire – the six-week countdown to winter begins. Some of us can hardly wait. It felt great to get out in the elements! Featured in DSLR Users Only – An honor. Thank you. Featured in Alaska ~ Beyond Your Dreams – An honor. Nikon D200, Nikkor 70-300mm, 70mm, F/11, 1/200, -0.67 exposure compensation, ISO 200, manual exposure mode, monopod, rain snood. Converted from RAW (12 bit) to jpeg using Nikon’s Capture NX 2.1.1. Cokin two-f/stop ND grad filter. / Fireweed, genus Epilobium, especially E. angustifolium, has long, terminal, spikelike clusters of pinkish-purple flowers. _A moment alone (early spring) /
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AS IS / Canon 50D / Canon 24-105mm@95mm / f5.6 / 1/180 sec / EV +1 / ISO 100 / WB- Shade / Cokins: Emerald top; Blue Bottom / Shot: 05/09/2009 / 6:57am /
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Canon 50D / Canon 24-105mm@24mm (Stabiliser turned off) / f16 / 20 sec / WB- Preset / Cokins: P001 & P154: P121m (top) / Tripod and WR / Shot in mono – Straight from the camera Featured on Red Bubble’s Homepage – 18 October 2009 – thank you / /
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Canon 50D / Canon 24-105@40mm / f5.6 / 1/350 sec / ISO 100 / WB – shade / Cokins: Emerald; Blue (top); Blue (Bottom). / Straight from the camera / Featured in AS IS / Featured in Light and Reflection / / /
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Canon 50D / Canon 24-105 L IS USM@ 32 mm / f8 / 1/125 sec / ISO 100 / WB- Cloudy / Cokins: Emerald top…Blue bottom / Straight from the camera Thanks to the Hosts of Silhouette for Featuring this work /
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Canon 50D / Canon 24-105 L IS USM@58mm / f8 / 1/250 sec / ISO 100 / EV-.5 / WB-Shade / Cokins: Tobacco top; Light blue bottom / Straight from the camera /
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Canon 7D / Canon 24-105@70mm / f5.6 / 1/45 sec / ISO 200 / Cokins: P121f; P121s(top);P001 (Yellow) / Shot in mono – straight from the camera /
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