Photo of the S.S. Dicky at Dicky Beach Caloundra Queensland Australia
This is a photo of the sea barrier at the wharf in St. Phillips, Newfoundland. The salt water from the ocean has rusted the bolts and caused this array of rainbow colors to stain the wood. / / Visit my website On The Rock Photography /
Fishing trawlers tied to the wharf in the St. John’s harbour. / / Visit my website On The Rock Photography / /
Mother nature is preparing her assault… / / Canon 400D / / Visit my website On The Rock Photography
I took this shot of a very hazardous stretch of coastline on the very southern tip of Newfoundland just below a lighthouse. The winds were so high that day and the sea was whipped into such a boiling cauldron, my imagination was taken away. As I stood there and watched I could almost visualize a ghost ship emerging from the fog, the lighthouse that stood just above me was blowing its foghorn which added a sense of eerieness to the already somber scene. The winds lashed at me attempting to pluck me into the sea as a offering of peace for disturbing this epic battle between land and sea. / / Visit my website On The Rock Photography / /
Location: Marina Debayeh, Lebanon
The North Sea at Whitby. The Herring boats at misty dawn, / To get the details of the boats correct, I’ve used a Victorian photo as the subject. I liked the very hard pen ink lines of the foreground, contrasting with the soft, misty, wet-in-wet background. 90 lb watercolour, medium rough paper. / 12”x8”
Remains of a sailing vessel washed ashore off Carpenters Rocks, South East South Australia. The boat is submerged in sand and is only visible like this on low tides with slight winds. Slowly being broken down by the ocean waves. Had to wade out to get this shot as it was…
Painted from a very old photo (1857) of a collier brig. Taken from my wonderful book of North East sailing ships on the coast. / And the ship, background and quay, are painted from the fenland port of Wisbech, on the Lincolnshire coast. The rest of the painting is from my imagination. Watercolour on two rivers, hand-made 140lb paper. / 14” x 21”
Sailing boat that ran aground at Carpenters Rocks, Limestone Coast, South East South Australia. Went on a group photoshoot last night, seven of us out in the weather….. This boat is only visible like this on extremely low tides just East of the lighthouse at Carpenters. Canon 400D, 18 -55 lens, polarising filter, HDR 3 shot merge in Photomatix.
My watercolour painting from a 1906 photo of the Mauretania. Luxury liner (the fastest in the world until 1929). She’s being towed by steam tugs, out of the mouth of the river Tyne, and into the North Sea. Watercolour and gouache, 12” 8” / Poundworld 90lb watecolour paper /
Another in the Masters series. / This is the centre part of a long panoramic watercolour. By Thomas Bush Hardy, 1895. I’ve moved some of the boats to be closer together, as my version is a small painting, 10×7 inches, on rough Bockingford tinted cream paper, 140lb. I will be painting the full length seascape in the future.
What else should I call it…If you have been to Fraser Island you have also seen this wreck. The challenge for me were the king tides. / High Tide was at 9am but even before sunrise at 5am the tides were coming in so strong that I had to leave before sunrise. Otherwise I would have been stuck here (but safe) for many hours. / You are not supposed to camp 500m either side of the wreck…well, I didn’t camp. Just had a power sleep in the car as I really wanted to capture the wreck at night and then at dawn. And guess what…I was the only one…haha, no tourists
A re visit today to the shipwrecked sailing vessel, “Pisces Star” that came aground over ten years ago near the Lighthouse at Carpenters Rocks, Limestone Coast, South Australia. Extremely low tide today and great sky’s allowed for some panorama sets with an old tripod sitting in salt water…. Canon 400D – 18-55 with CIR Polarising lens. 5 shot set stitched in Photoshop CS3.
A re visit today to the shipwrecked sailing vessel, “Pisces Star” that came aground over ten years ago near the Lighthouse at Carpenters Rocks, Limestone Coast, South Australia. Extremely low tide today and great sky’s allowed for some close up shots with my backside sitting in salt water…. Canon 400D – 18-55 with CIR Polarising lens.
My version of a Thomas Bush Hardy (1842-97). From an 1895 watercolour of Ramsgate Harbour. A panoramic shaped painting, 23” x 10”. / Hand-made, 140lb rough paper. Over 20 hours work. Multiple layers of semi-transparent and opaque watercolour, and white zinc gouache for highlights. Viewing in larger size is necessary.
Beginning in January 1881, the Mary D. Hume hauled goods between the Rogue River (Gold Beach, Oregon) and San Francisco for ten years. She then started her service as an arctic whaling ship. She was run aground countless times and even sank in Alaskan waters in the ice of Nushagak River and was raised and repaired in Seattle in 1904. She also recorded the longest whaling voyage of six and a half years! The Mary D Hume was named after the wife of the original owner after he purchased the boat in 1881. The Mary D Hume is also credited with the largest catch of baleen whale in history, valued at $400,000, after a 29 month voyage! In 1978, after the longest Pacific coastal service of any boat, The Mary D Hume motored back between the jetties in Gold Beach and was given to the Curry County Historical Society. Crowds lined the banks of the river and cheered as she came in, and she was entered on the National Register of Historical places. This historic vessel is not being preserved in its final resting place along the banks of the Rogue River in Gold Beach. Everything seemed to go wrong after the Mary D Hume was turned over to the Historic Society. It took seven years to rig a sling. When they tried to lift her out for repairs the sling broke. Then the slings structure failed and the boat fell and sank in four feet of water. And there she still remains, being rapidly destroyed by the harsh coastal weather, the swift ocean tides, and the destructive currents of the large river. Nikon D700 w/ 80-200 mm f/2.8 Zoom @ f/11.0 / 1/500th / ISO 400
The future is always beginning now. Mark Strand
Life is largely a matter of expectation. Horace (65 BC – 8 BC)
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