Coast photographer
343 creative works found
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The Twelve Apostles in the Port Campbell National Park, Victoria, Australia.
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The Wreck of the SS Dicky, Caloundra 2am start yesterday morning meant I was up at Dicky beach in time to see the sun rise…..had such a great time I didn’t make it to college, soz guys….next week :) Canon 5D with 16-35mm at 21mm, f/16, 1/2 second, ISO 50, two Lee ND Grey grad filters, 0.9 and 0.6. Tripod, cable release, and totally wet daks. Another from the SS Dicky Series Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Another from the SS Dicky Series Canon 5D w 70-200mm at 73mm, f/29, 2.5secs, ISO 100, tripod, cable release, can’t remember if I had the lee filters on but I think I did. Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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The Wreck of the SS Dicky, Caloundra Canon 5D with 16-35mm at 16mm, f/10, 3/5 second, ISO 50, two Lee ND Grey grad filters, 0.9 and 0.6. Tripod, cable release. OTHER BEACH SHOTS Dicky Beach Series
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The Wreck of the SS Dicky, Caloundra Canon 5D with 14mm, f/8, 8 seconds, ISO 100, Tripod, cable release, and totally wet daks. OTHER BEACH SHOTS Dicky Beach Series:
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This has all the things wrong with it…lens flare being the major problem, but it illustrates why I ended up so so wet….they sneak up when you’re looking through the viewfinder. scream up the beach at a hundred miles an hour and slap you across the back….. You can also see the way the sky changed….Dicky dawn was shot before the sun came up, and those dark clouds were behind us….they moved over quite quickly as the sun rose. SS Dicky / Canon 5D, 16-35mm at 16mm, f/14, 4/5sec, ISO 50, two Lee filters ND grad 0.9 and 0.6, tripod, cable release Another from the SS Dicky Series Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Others from the Dicky series I have a million of these, all different, but all quite compelling viewing, especially full screen. Such a fabulous subject, even if I do say so myself….lol Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Best viewed LARGE Also available as a Tshirt / [click on image to take you to Tshirt options] / Image copyright © 2008 Kitsmumma / Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited.
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Another from the SS Dicky Series Canon 5D with 16-35mm at 20mm, f/22, 1.3second, ISO 50, cable release, tripod, not sure I had lee filters on at this stage…..probably just the 0.6 ND soft grad if any Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Others from the Dicky series Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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After shooting the early light of the morning down at Cape Schanck I thought I’d take a quick shot of the sun light reflecting off the large boulders in this little cove. I love the warm colours and shapes of wet boulders in the sun. If you ever go down to this place when the tied is high and the weather a little on the wild side, the massive waves that come crashing in to this little space throw these boulders around making an awesome rumbling sound. A must see if you live close enough to the Mornington Peninsula.
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Coolum Other Beach scenes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Another from the SS Dicky Series / Canon 5D, 16-35mm at 16mm, f/10, 1/2 second, ISO 50, tripod, cable release, two Lee ND grad filters 3 and 6 Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Sometimes a girl just needs to get wet Another from the SS Dicky Series Canon 5D with 16-35mm at 31mm, f/8, 3.2seconds, ISO 100, cable release, tripod. Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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One more seascape to keep me going for another few days until I can get back to the beach, hope you like it Others from the Dicky series Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People / Plastic People
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Merimbula is on the east coast of Australia between Sydney and Melbourne.
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Australia Rock is located in the seaside town of Narooma in New South Wales, Australia.
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On a moody Spring evening, dense but scattered clouds roll across the bay threatening to open up and pour on anything that falls their path. The setting sun casts its light across the clouds making them glow in a way that makes them appear to be on fire. The stunning colour of the sand comes up through the shallow water in unusual blues and greens while at the same time mixing with the oranges and reds of the sky.
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This is an early evening shot I took on Christmas day 2006 down at one of the many small beaches along the Mount Eliza stretch of coast.
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Byron Bay, late afternoon, The Pass.
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Portrait of Georgia O’Keeffe. Oil on Canvas / American Artist. Georgia O’Keeffe was raised in Wisconsin, educated in Chicago and Virginia, taught, painted, and lived on the east coast until her early sixties when she moved to Abiquiu, & Santa Fe, New Mexico. Close to one hundred when she died in 1986, living alone and painting in scenery that inspired her famous flowers in closeup with strong sexuality, voluptuous lilies and poppies, stark desert landscapes and animal skeletons. She worked in charcoal, water color, and finally oils, and worked large. I’m not sure her story is known well outside the states. She was photographed, courted, and married (1924) by famed 1920’s photographer Alfred Stieglitz who adored her, left his wife and family for her, and made her more famous than he was. She too, was madly in love with him. His black and white photographs of O’Keeffe filled Stieglitz’s famed “291” gallery in New York and caused a sensation with portraits focused on her beautiful bone structure and striking looks, and spectacular nudity. He took over 300 portraits of her from 1918 to 1937. Stieglitz may have been in love, but smart enough of a businessman to cause O’Keeffe’s work to skyrocket in price, averaging $100,000 a painting, monumental for a living artist and a woman in that time. What he did for her career lasted, interest waned some but revived and her work is priceless now. Every girl painter can use a Stieglitz, few get one. Stieglitz died in 1946 and she moved permanently to New Mexico three years later after cataloguing his work and papers. She was 59, began a new life in a landscape she claimed as her own. “God said I may have that mountain,” she’d written, “if I paint it enough.” So she did. / I painted this from one of Alfred Stieglitz’s famous photographs of Georgia O’Keeffe. / When you do portraits, you start to hear conversations from that time, get a sense of the thinking of the subject, smells and impressions wander through you or assault you inescapably. It’s a fascinating and somewhat dangerous occupation because when you put down the brush and turn away you wonder where the hell you’ve been and question your sanity. I’ve come to accept it as just what happens and there it is. One cannot help but see Stieglitz’s fascination with O’Keeffe’s profound physical symmetry. It bothered me. I thought it annoyed Georgia, too, that he was making more of it than in truth was there. Certainly a thoughtfully bright, introspective & solid woman. But he did not capture the O’Keeffe who stood in the desert in thunderstorms alone in the middle of the night to draw the electricity in the air into her being, which she was notorious for doing. Or the O’Keeffe who lived alone on her Ghost Ranch, and drove in her Model A Ford recklessly to plateaus and mountains of New Mexico to soak in the wilderness. DH Lawrence, Ansel Adams, the Lindberghs were visitors. / It’s not the last portrait I’ll do of her, but I wanted to see more in her than Stieglitz’s precision, no matter how beautiful that is to see. / I think he was incredibly kind and thoughtful about this woman’s life, and helped her reach a financial independence undreamt of for an artist of her time and sex. Stieglitz said of the first drawings of Georgia O’Keeffe that he saw: “Finally, a woman on paper!” He admired her, and he loved her. I can’t blame him for thinking her perfect. I’m just not so sure he saw the savage in Georgia. Other US photographers who did some earlier radical work in b/w, nature, and nudes you might want to visit: Ansel Adams. Brett, Edward, and Cole Weston. Edna St Vincent Millay wrote: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light!” / Which, published in 1918 became an anthem to end constraints on overwatched Victorian girls. A wild, free life… edged with death. / The Hawks Perch
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Smiths Beach, Yallingup, Western Australia Down on the beach on a beautiful winter’s afternoon. Fellow photographer mates were shooting the light and action :)
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Well I have just gotten back from a stint up the East coast on Sunday night, and of course had to stop in Byron Bay for what was supposed to be a night, but turned into 4. Took about a million photographs but only a few were Red Bubble worthy in my own estimation. Unfortunately for me, a very talented Lee Burgess has beaten me to the punch on the lighthouse by about 8 hours…Oh well, pays not to sit on piccies too long huh! For what its worth, this is my take…
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