Coast lighting 

486 creative works found

  • Champagne
    by Meach

    US$4.28–US$114.00

    We lay up on the golden sands – I got my equipment out

  • Climate Shift
    by Cliff Vestergaard

    US$4.84–US$129.20

    Repost I Fixed this one up a bit from my first posting on redbubble of Climate Shift art work

  • Brighton Beach Houses
    by Melinda Kerr

    US$4.84–US$129.20

    ICON #4 The beauties of melbourne bayside. I love ‘em. They get into your bloodstream when you’ve grown up by the beach. I hope you like ‘em too! ICON Series / / / / /

  • Taken at the Waterrun, Royal National Park just south of Sydney. The rainbow is from some wave spray and that’s a little waterfall off to the left. / This shot was taken about an hour before Poetry of Chaos. It was amazing watching the storm come in and the colours changing and the sea swell growing. One of the great privileges of living in this park is watching the same landscapes in a myriad of different moods depending on the weather and time of day. Canon 30D / Tv: 1/6sec / Av: f/25 / ISO: 100 / FL: 18mm Poetry of Chaos:

  • Sun and Stone
    by Sam Sneddon

    US$4.28–US$114.00

    After shooting the early light of the morning down at Cape Schanck I thought I’d take a quick shot of the sun light reflecting off the large boulders in this little cove. I love the warm colours and shapes of wet boulders in the sun. If you ever go down to this place when the tied is high and the weather a little on the wild side, the massive waves that come crashing in to this little space throw these boulders around making an awesome rumbling sound. A must see if you live close enough to the Mornington Peninsula.

  • Ancient Land
    by Globalphotos

    US$4.28–US$114.00

    Beautiful South Australian coastline, well worth a visit :) . / 18 km south west of Adelaide. / . / . / ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.

  • The Cloch
    by davidmilne

    US$3.42–US$91.20

    Sited at Gourock on the Scottish West Coast, / Cloch point is the home of this lighthouse, / Which was first lit in 1797.

  • Tempest Brewing...
    by Kevin Kroeker

    US$3.56–US$95.00

    I took this shot of a very hazardous stretch of coastline on the very southern tip of Newfoundland just below a lighthouse. The winds were so high that day and the sea was whipped into such a boiling cauldron, my imagination was taken away. As I stood there and watched I could almost visualize a ghost ship emerging from the fog, the lighthouse that stood just above me was blowing its foghorn which added a sense of eerieness to the already somber scene. The winds lashed at me attempting to pluck me into the sea as a offering of peace for disturbing this epic battle between land and sea. / / Visit my website On The Rock Photography / /

  • Australia Rock
    by Darren Stones

    US$4.28–US$114.00

    Australia Rock is located in the seaside town of Narooma in New South Wales, Australia.

  • beam of light
    by Tony Middleton

    US$4.28–US$42.75

    I took this photograph whilst on a morning beach walk in central Qld in 2007. I feel this photo is symbolic to many who struggle with illness in life – The beam of light resembling a ray of hope. I’d think that it would be pretty rare for anyone viewing this to not have a family member or friend or perhaps even themselves battling or battled cancer…The Anti cancer council does an amazing job and it is this organisation that I would gladly donate any profits made from this photograph to. I urge anyone effected to find some time to donate to the Anti cancer council / / / Canon EOS A2, Velvia 50. / ©T.Middleton2008 / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / OR buy a card and I’ll do the donation /

  • apostle dawn - Victoria
    by Tony Middleton

    US$5.70–US$152.00

    Taken on the spectacular Victorian west coast – a place that I never tire of frequenting… Each visit evokes new and old excitement and humbles me into the awe of nature. / / / / Canon EOS A2, Velvia 50. / ©T.Middleton2008 / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— /

  • last light - Nth Qld
    by Tony Middleton

    US$5.70–US$152.00

    faintly shimmering off the Coral sea the final light on the horizon glows through the colour spectrum as Venus also descends in the sky. / / / EOS A2, Fuji Velvia 50. / ©T.Middleton2007 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / / see more photographic works from North Qld. by clicking on the preview below

  • A bit of a different colouring to my original. Add Daniel Fitzgerald to your watchlist

  • Real estate speak from the Brisbane News Moeraki Beach, NZ / Canon 5D w 16-35mm lens at 16mm. Three shots bracketed with photomatix REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / INFRARED / BEACH / INDUSTRIAL / PANORAMAS / LANDSCAPES / SPAM PHOTOS

  • Early morning by the beach. My profile /       /       /            

  • Light em up!!
    by Mel Brackstone

    US$6.27–US$167.20

    BEACH / INDUSTRIAL / PANORAMAS / LANDSCAPES / SPAM PHOTOS / REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / PLASTIC PEOPLE / PEOPLE / DICKY BEACH

  • Tidepool
    by Deborah Fuller

    US$5.13–US$136.80

    My dad asked me to paint seagulls on his painting, because he liked the bird I painted in the past. / Animals / Birds / Drawings / Flowers / Water / Holiday / Paintings / Sunsets / Autumn

  • Fylde coast sunset
    by Jason Connolly

    US$3.71–US$98.80

    Shot off the fylde coast in Cleveleys lancashire just before Sunset , another one for the collection…

  • Mercury Pool
    by Stuart Chapman

    US$3.85–US$102.60

    January 2008 St Margarets Bay, Kent, England The calm stillness of the water is offset against the crashing waves against the rocks. Taken just before sun up in the January, the middle of winter. It was a cold day and the tide was far out meaning that I could walk a mile or so from the car park.

  • Mooloolaba infrared
    by Mel Brackstone

    US$6.27–US$167.20

    Pre-dawn 4.35am – hand coloured infrared / Canon 5D, 16-35mm at 16mm, f6.3, 8seconds, ISO 400 Seascapes / Melbourne / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People

  • Portrait of Georgia O’Keeffe. Oil on Canvas / American Artist. Georgia O’Keeffe was raised in Wisconsin, educated in Chicago and Virginia, taught, painted, and lived on the east coast until her early sixties when she moved to Abiquiu, & Santa Fe, New Mexico. Close to one hundred when she died in 1986, living alone and painting in scenery that inspired her famous flowers in closeup with strong sexuality, voluptuous lilies and poppies, stark desert landscapes and animal skeletons. She worked in charcoal, water color, and finally oils, and worked large. I’m not sure her story is known well outside the states. She was photographed, courted, and married (1924) by famed 1920’s photographer Alfred Stieglitz who adored her, left his wife and family for her, and made her more famous than he was. She too, was madly in love with him. His black and white photographs of O’Keeffe filled Stieglitz’s famed “291” gallery in New York and caused a sensation with portraits focused on her beautiful bone structure and striking looks, and spectacular nudity. He took over 300 portraits of her from 1918 to 1937. Stieglitz may have been in love, but smart enough of a businessman to cause O’Keeffe’s work to skyrocket in price, averaging $100,000 a painting, monumental for a living artist and a woman in that time. What he did for her career lasted, interest waned some but revived and her work is priceless now. Every girl painter can use a Stieglitz, few get one. Stieglitz died in 1946 and she moved permanently to New Mexico three years later after cataloguing his work and papers. She was 59, began a new life in a landscape she claimed as her own. “God said I may have that mountain,” she’d written, “if I paint it enough.” So she did. / I painted this from one of Alfred Stieglitz’s famous photographs of Georgia O’Keeffe. / When you do portraits, you start to hear conversations from that time, get a sense of the thinking of the subject, smells and impressions wander through you or assault you inescapably. It’s a fascinating and somewhat dangerous occupation because when you put down the brush and turn away you wonder where the hell you’ve been and question your sanity. I’ve come to accept it as just what happens and there it is. One cannot help but see Stieglitz’s fascination with O’Keeffe’s profound physical symmetry. It bothered me. I thought it annoyed Georgia, too, that he was making more of it than in truth was there. Certainly a thoughtfully bright, introspective & solid woman. But he did not capture the O’Keeffe who stood in the desert in thunderstorms alone in the middle of the night to draw the electricity in the air into her being, which she was notorious for doing. Or the O’Keeffe who lived alone on her Ghost Ranch, and drove in her Model A Ford recklessly to plateaus and mountains of New Mexico to soak in the wilderness. DH Lawrence, Ansel Adams, the Lindberghs were visitors. / It’s not the last portrait I’ll do of her, but I wanted to see more in her than Stieglitz’s precision, no matter how beautiful that is to see. / I think he was incredibly kind and thoughtful about this woman’s life, and helped her reach a financial independence undreamt of for an artist of her time and sex. Stieglitz said of the first drawings of Georgia O’Keeffe that he saw: “Finally, a woman on paper!” He admired her, and he loved her. I can’t blame him for thinking her perfect. I’m just not so sure he saw the savage in Georgia. Other US photographers who did some earlier radical work in b/w, nature, and nudes you might want to visit: Ansel Adams. Brett, Edward, and Cole Weston. Edna St Vincent Millay wrote: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light!” / Which, published in 1918 became an anthem to end constraints on overwatched Victorian girls. A wild, free life… edged with death. / The Hawks Perch

  • Light, camera, action
    by Louise Cooke

    US$3.99–US$106.40

    Smiths Beach, Yallingup, Western Australia Down on the beach on a beautiful winter’s afternoon. Fellow photographer mates were shooting the light and action :)

  • Beacon of Light
    by Jonicool

    US$3.85–US$102.60

    Old Fort Bayou at sunset

  • The ruins of the Redcliff Radar Station. All the buildings are now crumbling and in ruin. The station has been abandoned since 1961. Radar operators in the AC&W Squadron tracked the movements of aircraft sighted and passed speed, height and direction information to a Direction Centre (DC) and fighter interceptor squadrons. Fighter aircraft could be airborne in minutes after an alarm was given, and they closed in on unidentified planes by means of direction provided by the radar operators. Another of the Red Cliff functions was furnishing navigational aid to friendly aircraft operating in the area. Their detection of May-Day calls contributed to quick search and rescue efforts. / More in this series / / / / / / / / / / / / /

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