Coast landscape
3668 creative works found
-
Coastal teatree slowly being overtaken by shifting sands in the Thurra Sandpatch. Croajingalong NP. Victoria
-
My first attempt at HDRI – shot at the coast of Norway in 2006.
-
Yaroomba dawn – More in the Seascapes Group 5000+ views! Canon 5D, 16-35mm at 16mm, f/22, 1/3second, ISO 50. This is the under-exposed by one stop image from the AEB set of three. This has sold quite a few times on redbubble, most recently a laminated print. Other Seascapes /
-
A gnarled stump washed up on the beach as a storm drives the normally calm waters ashore at Neptune Beach in Northern Washington.
-
This was my first RedBubble post and one of my personal faves. / I shot this at Jervis Bay, the day after a cyclone up in Queensland created some amazing sea swell even this far down the coast. The cliffs they were breaking against are 100m high and these were going halfway up so were pretty spectacular I can tell you. The day before they were going all the way up the cliffs and then some but I didn’t realise I had the camera on autofocus and they all came out blurry in the low light – very, very frustrating as I’ve never seen waves like them. Taken with a Canon 30D
-
A golden beach near Lahaina glowing in the light of the setting sun as a gnarled Banyan Tree appears to reach for drink in the rising tide.
-
I was driving along a road in a seaside town at Jervis Bay National Park, just 2.5 hours south of Sydney Australia when I glimpsed this moon through some trees with a pathway of silver light across the water. A lucky moment, in that all the elements were there but tricky in putting them together because it was so dark I couldn’t see anything through the viewfinder and had to keep taking pics, viewing them on the LCD display and then moving the tripod to get the composition I wanted. / It looks to me like the trees on either side of the moon are partners about to dance onto the floor of some enchanted ballroom. Canon 30 D / Tv: 10 secs / Av: f/4.5 / ISO: 100 As of 12/11: / 17 Sales / 330 Comments / 227 peopleFavorited by / 13,823 Views Information for Sold! Group – Sold as a framed print to a work colleague and a laminated print to a mystery buyer off RB plus 9 cards off RB.
-
Sunrise Currimundi Lake
-
It fascinates me how creation myths and evolutionary thought seem to converge around the possibility of a spark such as this igniting life. / Taken off the “Balcony” – a beautiful section of coastal cliffs in Royal National Park just south of Sydney Australia during a spectacular storm. I’ve shot about half a dozen storms here this year. The others all drifted out to sea which made them nice and safe and easy to photo so I got lulled into a false sense of security with this one. It decided to head straight up to where I was photographing and at one stage I had to hide under a rock overhang with bolts going off all around – deeply scary but wouldn’t have missed it for anything – a magic night of biblical proportions I can tell you and one I’ll never forget. More in this series coming shortly. / Canon 30D / Tv: 30s / Av: f3.5 / ISO: 100 / FL: 17mm
-
The SS Dicky was washed ashore onto Dicky Beach in 1893 during a cyclone. It was re-floated, but again, heavy seas turned the ship about and back onto the sand where it remains to this day. / / The suburb and beach was named after the ship. The beach is an unspoilt stretch of sun-drenched sand, on Queensland’s magnificent Sunshine Coast. Taken with my 5D and 16-35mm lens and I was so lucky to have a nature spectacle as the fog rolled in from West creating a mystic ambience I have also written a photographers guide if you are interested in knowing more about this site
-
south view of garbage beach. Dawn
-
Taken at the Waterrun, Royal National Park just south of Sydney. The rainbow is from some wave spray and that’s a little waterfall off to the left. / This shot was taken at dusk about an hour before Poetry of Chaos. It was amazing watching the storm come in and the colours changing and the sea swell growing. One of the great privileges of living in this park is watching the same landscapes in a myriad of different moods depending on the weather and time of day. Canon 30D / Tv: 1/6sec / Av: f/25 / ISO: 100 / FL: 18mm Poetry of Chaos:
-
I know your all a getting sick of them but oh well, i’ve run out of shots i like so this will be the last post till i get some more shots. so thought i’d get this last one out the way.
-
California’s Big Sur coast. Taken with Toyo 4×5 view camera and Provia 100 film. Approx 3 minute exposure. The 4×5 inch green box of Fuji Provia slide film contains ten unrecorded personal perspectives waiting to be shared with the world. In darkness, I load each precious sheet into individual film holders, feeling the film reference marks to ensure that the emulsion faces outward. The holder will be inserted into my Toyo A2 4×5 large format view camera on location in my garden, at a nearby lake or perhaps the Eastern Sierra Mountains. Nearly a year has past since my friend Gary encouraged me to pursue large format photography. Gary brokered a deal to purchase a camera from another friend, Sam. Along with the Toyo, Sam included 150 mm, 210 mm and 300 mm lenses. It would take some training and practice to learn to use the new camera but I was enthusiastic to learn a new way of studying the world. Held to the light, the details of a sharply focused 4×5 inch slide image capture my attention and even offer the possibility of crafting a mural-sized print. The view camera’s tilt and shift movements enhance creativity. But, there is another reason that I put my 35 mm camera on the shelf and focused on the view camera. The view camera forces me to slow down, to dedicate each shoot to a single image, or possibly two, to tell a story in a special way. My 35 mm camera and zoom lenses provide the ability to move quickly and capture many perspectives of the landscape, maybe too many perspectives. The Toyo’s workflow allows me to interject more thought into a single perspective, to try to tell a story in a special way. I focus on the big picture, the quality of light and color on the land. I find landscape details during hikes and often return to favorite locations. I arrive with the Toyo and merely have a feeling about a spot, trying to prevent preconceptions from tainting my composition. On location, I am ready to shoot. A composition is isolated, my tripod leveled, camera mounted and lens attached. I study the upside down inverted image on the ground glass and focus the bellows mounted lens. Tilts and shift are used to capture desired depth of field. Then I stop down the lens, set the shutter speed, close and cock the shutter and insert the film holder. Finally, I open the sleeve of the film holder and release the shutter to capture the cool blue light of predawn. I capture the moment as I gaze upon a window-like portal in a rock formation along California’s Big Sur coastline. It is not this photographic process that is important for me. Actually it is not even the final image that drives me to photograph with the Toyo. The Toyo simply allows me to interact with the simple details of nature, to imagine and create in a personal and rewarding way by slowing down and enjoying the beauty before me.
-
Gerroa is an idyllic village at the Kiama end of Seven Mile Beach on the south coast of New South Wales … their sunset on Tuesday (6 January 08) was aided by smoke haze from bushfires in the Morton National Forest. After a day in which temperatures reached 40 degrees celsius and beyond, there were plenty of relaxed holiday-makers still enjoying the ambience, the breeze and the spectacular skies. Featured on RB’s Art page, in Live Love Dream Group, A Magic Place and Australian Travel Photography and Writing Groups Jan 09 Voted in the Top 10 of the Sunset Silhouette Challenge Jan 09 My Bubblesite also shows works in categories. Landscapes Trees Cards EOD Rusty Flowers Architecture Macro CatchAll DM
-
Vivonne Bay, Kangaroo Island, South Australia / view large WARNING / ©2009 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.
-
The future is always beginning now. Mark Strand
-
At last! We’ve had four brilliant storms through here in the last few weeks and I’ve missed each of them. Man these have been tricky buggers – short, very violent, straight overhead – and I’ve miss-timed them each time. The problem has been go out too early and the gear gets soaked and you can’t photograph anyway because of the rain. Leave it a few minutes tool late and that’s it – show’s over folks. / Three times I’ve gone tearing out as the rain eases off with huge, spectacular bolts going off all around and then when I get the tripod out EACH TIME (I kid you not) the moment the camera has gone on the tripod that’s it – the bolts stop dead. I have been teased mercilessly! But this time – gotcha! / This is a single exposure. Two bolts on either side and one overhead – doorway or what!! / And to get an idea of the scale of these bolts those lights off to the left are perched on top of 100m cliffs. And the reddish clouds on the left are reflecting the light from Sydney which is just out of shot. / Taken on the track to Bundeena Cliffs, Royal National Park, Sydney Australia Canon 1Ds MkIII / Tv: 30secs / Av: f/5.0 / ISO: 200 / FL: 45mm
-
Black glass magic – I had gone on this shoot with a bad attitude, expecting the sky to be bland and the day to be a waste of time, and therefore I set the camera on large jpg so I wouldn’t waste too much computer space….As it turned out, I’ve managed to drag out some amazing results. This is another straight from the camera image, although I had to take it into PS to straighten the horizon…. Canon 5D Mk II, 16-35mm at 16mm, f/10, 90seconds, ISO 50, Hoya NDX400, Singh Ray 3 stop reverse grad, Lee 0.9 ND grad, tripod, cable release, lots of guessing….I should point out the red sky is enhanced by the Singh Ray filter, which seems to put a colour cast across the ND area when used in conjunction with the Lee filter…. - / SEASCAPES / NEW ZEALAND / PEOPLE
-
Featured in Dimensions – November 2009 / Featured in Light In The Darkness – August 2009 This one was taken on the 22nd of August 2009 from Elephant Rock at Currumbin beach – a sunrise no photograph can describe. Shot using a 450D with a Sigma 10-20 at 10mm. 3 shots – 13s, 2.5s and 1s exposures using F/22 and Iso 100. Exposure blending using Photomatix and processed in CS4. Big thanks to Stef Dunn for the loan of his Sigma lens for the day, and also to Shelley Warbrooke for doing a splendid job on keeping me awake for the drive! 1000+ views! / 50+ favourites! / My Images Do Not Belong To The Public Domain. All images are copyright © Jason Asher. All Rights Reserved. Copying, altering, displaying or redistribution of any of these images without written permission from the artist is strictly prohibited.
-
Jackson Bay, West Coast, South Island, New Zealand. / I spent four days out on the coast, waiting for a sunset. All that happened was rain, untill the last day and there was a small gap in the clouds. / Nikon D200 Views 630 /
-
This image of my wife and daughter was the only print in history to score a perfect “100” score from all juges at the “PPof O” and “PPof A” print competition. The print was also slected to be displayed in the International Traveling Loan Collection, the “Epcot Center” and “The International Professional Photographers Hall of Fame” exhibit. I can vividly remember hyper ventalating and almost passing out when I saw the print scores being displayed during judging. The highlight of my photography career.
-
In October 2009, six photographers joined Tarkine Trails on a 7-day expedition to the coastal section of the Tarkine wilderness in Tasmania’s northwest. / These images tell part of the story of this extraordinary landscape. The Tarkine National Coalition (TNC). The TNC is a not-for-profit environment group that was formed in 1994 and is based in North-West Tasmania. The TNC is a coalition of locals, environment groups and businesses that all work together to protect the Tarkine. All profit from the sale of this calendar goes directly to the TNC to assist their goal of protecting the Tarkines natural and cultural treasures.. Contact Tarkine Trails / info@tarkinetrails.com.au / www.tarkinetrails.com.au / +61 3 6223-5320
RedBubble is a great place to find art, design, photos and writing from over 80,000 talented people.
You can buy their stuff
On stunning greeting cards, awesome t-shirts or beautiful prints to hang on your walls.
Risk Free Returns
It’s really simple. If you’re not happy with your purchase for any reason, we’ll fix it.
About RedBubble
Since February 2007 we’ve shipped over 332,000 items to more than 70 countries around the world.
Join In
Sign up for your free account, upload your work, join some groups and share your creative genius with the world.