Cloud photoshop
444 creative works found
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Canon Powershot with IR filter “As Is” / Brandywine Falls Ohio / —-—-—-—-—-—-—-—-—-—-—-—-— / I have been waiting for this kind of shot for a long time. The storms were fierce with a ton of rain last night. I decided to take of work and spend the day at the falls near my house. I must have snapped 200 pictures today. What a great day!! I found a new toy its my infrared lens. Of course I have many different shots just like this :-) I posted a photo in color as well at a different time called – Approaching / Autumn / ....................................................................................................................... / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Click to View By Category: / -—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / - Waterfall Photos / - Selective Coloring / - Infrared Photos / - Black and White Photos / - Animal Photos / - Downtown Cleveland ............................................................................................................... / ................................................................................................................ /
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Infrared Shot Click to View By Category: / - Infrared Photos / - Black and White Photos / - Animal Photos
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/ —-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Click to View By Category: / -—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / - Waterfall Photos / - Selective Coloring / - Infrared Photos / - Black and White Photos / - Animal Photos / - Downtown Cleveland ...............................................................................................................
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Click to View By Category: / - Waterfall Photos / - Infrared Photos / - Black and White Photos / - Animal Photos / - Halloween Cards / - Christmas Cards
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photoshop work Original:
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Done with an ancient, secret and mystic Welsh lomo technique graciously handed down to me by Matthew Norman
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/ ...................................................................................................... / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- A little photoshop fun to an old Infrared Shot / Northfiled Ohio Infrared Shot / Canon Powershot S3 IS / IR Filter / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Click to View By Category: / -—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / - Waterfall Photos / - Selective Coloring / - Infrared Photos / - Black and White Photos / - Animal Photos / - Downtown Cleveland ............................................................................................................... / ................................................................................................................
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All work in this portfolio is © Stephanie Rachel Seely. / These materials (images and poems) may NOT be edited, copied, reproduced, printed, distributed, displayed, performed, or used in any way, in whole or in part, without my written permission. Please respect copyright and do not save or upload any images or poems to Photobucket, Flickr, Myspace, Facebook etc. These creative materials are NOT public domain. This work was featured in Rain Drops, The Love of Eerie and Enchanting Artwork, Sold! and Music Inspired Art This work was featured on the Homepage. Twice :D “Anyone who says that sunshine brings happiness has never danced in the rain”. This pretty much sums up how I feel about it! / 100% Photoshop This tutorial was a big help! Inspired by Summer Rain by ATB Fairy brush from Obsidian Dawn. Info for Sold! Group / Sold a small canvas print to an RB member. A follow-up to this piece can be seen here
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/ / Winter Woolies also available as a shoe design at zazzle / / / Winter Woolies / A mixed media production on brown paper / using white acrylic gesso, pastels, charcoal, / NOW available printed on a tshirts too!! /
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This image is a compilation of two photos (silhouette of bird in tree and a sunset) with various filters added in Photoshop / / / / © Shelley Heath (aka Soul Creates), Copyright 2008, All rights reserved.
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Slowly you will ascend these stairs, / A bundle of sun-colored leaves on your skirts, / And once you will look, crying, at the skies… The waters blanch.. as your face pales curtain-like, / As evening comes—observe the reddened air… / Ahmet Haşim This work sold as canvas prints and mounted prints http://freaky665.deviantart.com/ / http://causticstock.deviantart.com/ / http://night-fate-stock.deviantart.com/ / © Manolya F 2008. All rights reserved. / You may not reproduce, modify, distribute, publicly display or perform, or prepare derivative works by using my works.
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Stocks from Deviantart and sxc.hu / http://myruso.deviantart.com/ / http://pendlestock.deviantart.com/ This work sold as Framed print © Manolya F 2008. All rights reserved. / You may not reproduce, modify, distribute, publicly display or perform, or prepare derivative works by using my works. Selected as RED BUBBLE’S BESTS / THANKS A LOT TO Webgrrl
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Thanks for your help George Lenz / Layers and blends used in PhotoShop… / By using Photoshop, I used 4 different layers here to configure this piece. I took the clouds in one layer, added the egrets in another layer, George Lenz was so kind to help me with the moon layer and I also added a nice flood filter to give the reflections and blending them all in I’m staring out into the night / And trying to hide the pain / I’m going to the place where love / and feeling good don’t ever cost a thing, / And the pain you feel’s a different kind of pain / I’m going home to the place where I belong / where your love has always been enough for me / I’m running from you know I think you got me all wrong / I don’t regret this life I chose for me / But these places and these faces are getting old / So I’m going home / The miles are getting longer it seems / The closer I get to you…. babe / I’ve not always been the best woman and friend for you / But your love remains true and I don’t know why / You always seem to give me another try / I’m going home / To the place where I belong / Where your love has always been good enough for me / I’m running from you know I think you got me all wrong / I don’t regret this life I chose for me / But these places and these faces are getting old / Be careful what you wish for / cause you just might get it all / you just might get it all and then some you dont want / be careful what you wish for cause you just might get it all / You just might get it all / I’m going home to the place where I belong / Where your love has always been enough for me / And I’m running from.. you know I think you got me all wrong / I don’t regret this life I chose for me’ / But these places and these faces are getting old / But these places and these faces are getting old / I’m going home Credits to Chris Daughtry
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5000+ views stocks from / http://blacksockstock.deviantart.com/ / http://mjranum-stock.deviantart.com/ / MCN: C7253-351B9-6B516 © Manolya F. All rights reserved. / You may not reproduce, modify, distribute, publicly display or perform, or prepare derivative works by using my works.
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All work in this portfolio is © Stephanie Rachel Seely. / These materials (images and poems) may NOT be edited, copied, reproduced, printed, distributed, displayed, performed, or used in any way, in whole or in part, without my written permission. Please respect copyright and do not save or upload any images or poems to Photobucket, Flickr, Myspace, Facebook etc. These creative materials are NOT public domain. This work was featured in Live, Love, Dream I’ve been wanting to do this one since I went for a walk in the rain last week. A follow-up to Rain Lust Model stock Background is an isolated section of Enchanted Forest Inspired by Let It Rain by 4 Strings / Stock copyrights remain the property of their respective owners.
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Fine art black and white print – available matted or framed.
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This is one of the power and telephone pole across the road from my house. Being so close to home it has taken me over a year to pick up the camera, walk to my front gate and take a photo of it! Added a viewfinder texture to the shot and three filters, blue, green and cooling. Featured in The Grunge Art Gallery / Featured in Canon DSLR / Featured in Moody Dark & Evocative / Featured in The Male Photographer / Featured in Dimensions / Featured in The Art Of The Mundane Top 10 in the Live & Let Live November Avatar Challenge 30+ Favourites Texture from vin60 free use stock. Canon 50D / 58mm, 18 – 55 / f10, 1/250, ISO 100 MCN:CCWNR-JVBTX-DWMYA More Texture work:
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Stock: / tree
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Sunrise over Folkestone, was taken back in August 2009 at 5am in the morning. It was stunning! This image is HDR and has been PP in Adobe Photoshop.
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Kyleakin is the first village encountered on the Isle of Skye, when you cross over the bridge from Kyle of Lochalsh…....this is where the old Ferry boat used to land, which I don’t miss at all, romantic it might be, but darned inconvenient !! / The old ruin you can see behind the boats is Castle Moil…......a few facts for you….... “The 14th Century Castle Moil has had many names in its long history. Also known as Dun Akyn (Norse for Hakon’s Fort) and An Caisteal Maol in Gaelic, it is now a romantic ruin. Sited at the Skye end of the road bridge in the village of Kyleakin, the castle has Norse connections. Legend has it that a Norwegian princess, otherwise known as “Saucy Mary”, ordered a chain to be hung from the castle to the mainland so that no boat could pass without paying a tax.” / Nothing new under the sun then, eh ??!! LOL !! A three RAW HDR, shot on my Canon EOS 50D, polarising filter fitted, iso 100, f23, Auto WB, processed in Photomatix, then sprucing up in Adobe Photoshop CS3. / I used HDR because of the extreme light / shadow. http://www.redbubble.com/groups/the-women-photographer / AND / http://www.redbubble.com/groups/style-class-elegance MORE FROM MY ISLE OF SKYE SET…..
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The Easy Guide to Adding Clouds to an Image using Photoshop
by Peter HillThe aim of this Guide is to provide easy-to-follow step-by-step instructions on how to add clouds to an image which has an otherwise blan…
The aim of this Guide is to provide easy-to-follow step-by-step instructions on how to add clouds to an image which has an otherwise blank sky, without the necessity of being a Photoshop guru to achieve it. Many stunning images on RB are in fact composites, with clouds being brought in from another image to add impact. (Sometimes you can’t easily tell!) It works very well and can transform an image. I have only uploaded to RB one artwork which is a composite of two shots, one being clouds: The original image of the building was clear sky – not a cloud in sight – and was thus a bit bland and boring and a perfect candidate for some cosmetic surgery. This tutorial was prompted by a request to explain how I did it. I still call myself “new to Photoshop” and I have found a lot of on-line Photoshop tutorials, including some others on RB, assume a much higher level of knowledge than I have and are not very intuitive. So, I try to explain the steps in easy to understand terms (hopefully!) and, importantly, describe what each step should look like after it’s done. So if you are not seeing the result of each step replicated on your screen, you know you have to stop and try again. If this happens, go to the top toolbar, select Edit then Undo [whatever it is you’ve just done] from the drop-down menu and try again. (Many many tutorials lose me when they fail to include this vital “check back”.) This tutorial is my longest one yet, given the patience I apply, but once you get the hang of the actions, you will find the process rather quick to do. If you have already read and followed my Orton Effect tutorial (now updated and expanded to include thumbnails), you’ll know what I mean, hopefully, so don’t be put off by this one. I explain the steps based on using Photoshop Elements 7, but users of more advanced Photoshop programs will be able to follow the same steps. I also have Photoshop CS2 (v9.0), for example, and there’s only one slight difference from the PE 7 interface from what I can tell, which I will point out where it’s relevant. If you want to refer back to this tutorial at leisure, feel free to favourite it as I never delete my tutorials. (After all, they’re more popular than my images!) In writing this tutorial I just want to point out a few things. First, I have not read a single tutorial by someone else on this particular process, and the words are all mine. I wish to also acknowledge that Tatiana originally showed me this process. She’s so patient dealing with my impatience! And, finally, there is more than one way to skin a cat, and there is more than one way to achieve what I describe. I’m just relating the method shown to me. Another popular method involves masking. There are LOTS of tutorials on masking. If I have the time and the inclination I will update this tutorial later to include the steps for masking as an alternate process – it’s a completely different path to take to achieve the same result. Lastly, please excuse the standard of screenshots. They’re my first ever attempt at including graphics in a tutorial, or anything for that matter! OK, here we go. Ready? Step One Clouds. You need some cloud photos. Beg, borrow or steal some, or better still, shoot some. I have a folder of nothing but cloud photos. Any day the sky puts on a show I will try and shoot the clouds, just to save them for later use. If you shoot some clouds in JPEG, make sure you shoot them in colour – you can always desaturate to B&W if the image you want to use them in is also in B&W, but if you shoot them in B&W in JPEG you won’t be able to convert to colour to match a colour image. Just another reason to shoot in RAW, really. For this tutorial, however, I am going to use a colour image needing a sky and a B&W sky shot. In theory, this will look weird, and it does, but I will also show you how you can then gradually desaturate the colour image after inserting the B&W sky and achieve quite a startling effect when you leave just a touch of colour. For best results, try to have nothing else in the frame of your cloud shot but sky. No trees or power lines! (If that’s not possible then crop the crap out. But note that creates a potential problem because now your cloud shot will be a different size than the image you want to drop the sky into. That can be fixed, but let’s just worry about equally-sized images for now.) Another advantage of having a “clean” cloud shot is that you can rotate it to horizontal or vertical, depending on the aspect of the image you want to use the sky in. Here’s a little cloud photo I prepared earlier: Step Two Your main image. The one without any clouds. The one you want to insert some action into, some drama. Try to select an image with a completely blank sky. It makes it so much easier for the Magic Wand (I’ll explain later) to figure out the portion of the sky you want to replace, ie all of it. Try to also select an image with straight lines, like a building or, even better, a straight uninterrupted horizon of a landscape or seascape. If you’ve got stuff popping up into the sky, like trees, the method I describe is just made soooo much harder and you may as well stop reading now and go watch TV or a movie. (At this point, the Photoshop gurus are shaking their heads and groaning, because THEY know another method to get around this when doing composites, but we’ll leave THEM on their lofty perches, ok?) Here’s a little image I prepared earlier. You may recognise the building: Cool, but be aware of one important thing: perspective. Unless you are trying to be rather obvious in creating your composite, the perspective of your main image needs to be the same as that used to capture your chosen cloud image. The images I am using for this tutorial were shot from the same perspective, or in other words, with the lens at roughly the same angle for both shots – looking up, at around 70 degrees relative to the ground. If I was to choose instead as my main image a landscape with a horizon, the cloud image I have chosen will not be suitable unless you actually want that abstract feel. Have I explained that well? Tell me if I haven’t. Now, let’s commence cooking our composite. I will refer to my two images in this tutorial as Clouds and Building, just for ease of reference. Step Three You’ve got Photoshop Elements (“PE”) open. Now select File from the top toolbar and select Open from the drop-down menu. Choose your Building shot and open it. Ok, now look across to the right of the screen. See the Layers palette? It should be showing a thumbnail of the Building image, together with the label Background, like so: Now, once again, select File from the top toolbar and select Open from the drop-down menu. Choose your Cloud shot and open it. Look back across to the Layers palette. You should now see a thumbnail of the Cloud image, together with the label Background, like so: Now, left click and hold down the mouse on the Cloud image, and drag it to the side, just enough to show some of the sky of your Building shot. Release the mouse button. Move the mouse over to the Layers palette. Left click and hold over the thumbnail of the Cloud, and drag it over to the sky – anywhere in the sky. Release the mouse button. A copy of the Cloud image should now be “superimposed” over the Building image. Don’t worry if it doesn’t fit. Look back over to the Layers palette. You should now be seeing two thumbnails – the top one called Layer 1 which is the “front” image, and the bottom thumbnail called Background, which is your Building image, like so: Now, ignoring the Layers palette, left click on the Cloud image sitting behind the “superimposed” image. Close it. Step Four Look over to the Layers palette again. See that group of little icons just above the top thumbnail? Hover your mouse slowly over them and their functions should come up, eg the 3rd icon from the left looks like a trash can and when you hover the mouse over it a little word bar comes up saying Delete layer. Well we don’t want to do that. Instead, hover the mouse over the icon on the far left, the one that is a square with an upturned corner. It should say Create new layer. Just remember where that icon is for now. (If you are using Photoshop CS2 or CS3 or CS4, the group of icons is at the bottom of the Layers palette. Hover the mouse over the icons until you find the one that says Create new layer. Remember it.) Now, left click and hold down the mouse over the bottom thumbnail in the Layers palette – it’s the thumbnail of the Building that’s labelled Background – and drag it over to the Create new layer icon. Release the mouse. You should now see three thumbnails in the Layers palette, labelled, from top to bottom: Layer 1, Background copy, and Background, like so: Step Five This is a slightly tricky step. Another click and drag, but best done smoothly and slowly. Left click and hold down the mouse over the Background copy thumbnail in the Layers palette and drag it to just over the top of the Layer 1 thumbnail. Release the mouse. All we are doing here is reversing the order of the top and middle thumbnails, so now your Layers palette should still show three thumbnails, but now in order from top to bottom: Background copy, Layer 1, and Background, like so: Step Six Ok, now the meaty stuff starts. Look over to the left toolbar now (or palette, whatever you want to call it). Hover your mouse until you find the icon labelled Magic Wand. It looks like, um, a magic wand, but don’t confuse it with the Quick selection tool immediately below it. This is the Magic Wand icon: Click on the Magic Wand icon. Your mouse pointer should now have the distinct look of a, um, magic wand. Look up at the little toolbar immediately above the image (which, incidentally, should be of the Building). Make sure the box marked Contiguous is ticked, like so: Now left click once on the sky in the Building image. You should now see marching ants completely around the sky and along the exterior part of the building which protrudes into the sky, like so: (Believe it or not, the technical term for marching ants is …. marching ants.) Step Seven Look closely at the marching ants where they meet the edge of the building. Are there any gaps where you can see the sky? This is important, because if you don’t shift the path of the ants so that they align to the edge of the building, your new sky won’t cover that gap. Enlarge the image if you are not sure. If you see a gap, it is easily fixed. First, press and hold Shift on your keyboard. Second, left click once on the mouse on a gap. Let go the Shift key. You should immediately see those obedient ants form up against the building across the image, like so: Cool, eh? Now, go to the top horizontal toolbar and select Edit. From the drop-down menu select Delete. This will delete your bland boring sky and replace it with your new dramatic sky !!! How cool is that?! Epic. Step Eight Now we have to send the ants home. Go again to the top toolbar and select Select. From the drop-down menu now select Deselect (ha! ha! I love a good alliteration!). Your marching ants should be no more, gone in fact. Does your image look something like this? How cool is that? Step Nine Nearly done! At this juncture, you have two options. You can finish now with the image you’ve got or you can adjust the look of the Building alone and/or the Clouds alone and then finalise the image. To finish now, right click and hold the mouse over the top thumbnail in the Layers palette. Select Flatten image from the drop-down menu – it’s the last menu option: The thumbnails should have collapsed into one thumbnail, called Background, like so: You can now save your image, you’re all done! To work further on the Building alone and/or the Clouds alone, simply left click once on either the Background copy thumbnail and/or the Layer 1 thumbnail and make your adjustments as you would normally do with an image, and then flatten your image and save it. Which is what I did with this image. I simply increased the contrast on the building and desaturated it to the level where there is just a hint of colour. To alter contrast, select Enhance from the top horizontal toolbar, then select Adjust Lighting from the drop-down menu, then select Brightness/Contrast from the second drop-down menu. A separate window will open and there is your contrast slider: To desaturate, select Enhance again from the top horizontal toolbar, then select Adjust Colour from the drop-down menu, then select Adjust Hue/Saturation from the second drop-down menu. A separate window will open and there is your saturation slider: So, how does it look? Epic or what?! Cheers and happy clouding – time to get freaky !!!
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Code
by Rob CherryA long exposure shot of a local outlet pipe. I liked the code like shape. Sigma 10-20mm | B&W ND110 | ISO 200 | 191 secs | f/10 | CS4
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