Cliff sea
2129 creative works found
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After shooting the early light of the morning down at Cape Schanck I thought I’d take a quick shot of the sun light reflecting off the large boulders in this little cove. I love the warm colours and shapes of wet boulders in the sun. If you ever go down to this place when the tied is high and the weather a little on the wild side, the massive waves that come crashing in to this little space throw these boulders around making an awesome rumbling sound. A must see if you live close enough to the Mornington Peninsula.
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This one is slightly different but it is very special to me. I caught this shot of my brother, Ken, who was 2 years older than I am, as the sun was going down; I think he may have been watching a Buzzard over the cliffs of Portreath in Cornwall. I don’t have many photos of him but this one, which I have made part painting which is rubbish I know, who paints a sun like that? Well I found it hard to paint with the computer mouse. I forced the grain in the shot to look a bit like a canvas painting. But anyway, this one I like as it sums him up as a person. He loved nature, bird & animal watching, painting, craft making, photography, flowers, plants, gardening, and the outdoor life. He was in his element when he managed to get a job on a huge estate in Cornwall to help look after the grounds. This is where he died 5 years ago lying on the ground in a place he loved so much with the sun on his face and the animals and birds around him. I’m sorry, I didn’t mean to go on. So, this is for Ken, my dear big brother with love from me, I miss you my friend. The shot was taken on my Canon AE1 35mm camera about 20 odd years ago and scanned into the computer. All the Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted or Uploaded In Anyway Without My Permission. My Images Do Not Belong To The Public Domain Sector. Please just ask Me for my Permission. © Anthony Hedger 2008. Using this image for any purpose and in anyway, without prior permission, will lead to legal action or worse.
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It fascinates me how creation myths and evolutionary thought seem to converge around the possibility of a spark such as this igniting life. / Taken off the “Balcony” – a beautiful section of coastal cliffs in Royal National Park just south of Sydney Australia during a spectacular storm. I’ve shot about half a dozen storms here this year. The others all drifted out to sea which made them nice and safe and easy to photo so I got lulled into a false sense of security with this one. It decided to head straight up to where I was photographing and at one stage I had to hide under a rock overhang with bolts going off all around – deeply scary but wouldn’t have missed it for anything – a magic night of biblical proportions I can tell you and one I’ll never forget. More in this series coming shortly. / Canon 30D / Tv: 30s / Av: f3.5 / ISO: 100 / FL: 17mm
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Dawn at Garie Beach, Royal National Park just south of Sydney, Australia. A seagull very obligingly flew into shot as I was taking this. Can you spot the silhouetted fishermen? / I’m lucky enough to live in one of the most beautiful landscapes I’ve ever seen – it’s only a little national park (14,000 ha) but the variety of stuff to photograph is simply endlessly inspiring. Canon 30D / Tv: 1/125 / Av: f/32 / ISO: 100 / FL: 70mm then cropped Taken on the same magic morning as Light’s Flight: / /
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This shot was taken in The Water Run on the Coastal Walk in Royal NP just south of Sydney Australia. It was a wild and stormy evening and the sun just started to emerge from the clouds behind me as it was setting. The blue tint to the water comes for a very short period around sunset – you can just see it in any moving water at this time in the right light but the camera really picks it up. Canon 30D / Tv: 1/6sec / Av: f/13 / ISO: 100 / FL: 28mm
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Beautiful South Australian coastline, well worth a visit :) . / 18 km south west of Adelaide. / . / . / ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.
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This is La Courtine, one of the most beautiful cliff I’ve ever seen. La Courtine is part of the amazing rocky coast around Etretat in Upper Normandy, France, altogether known as Les Failases d’Etretat. I took this picture last August, on a very windy – as usual over there – late afternoon. / I wanted to have the sea looking as much smooth as possible, but I was in full daylight, as it was around 19:30 hours. Even with the overcasted sky, and even full stopping down the lens, the exposure time was only 1/2 seconds, a too fast time to move the sea surface. Using a polarizer and a 8x ND filter I gained 5 more stops, obtaining therefore, with a slight over-exposure, 20 secs of exposure time. Finally, I used a graduated filter to darken the sky, while keeping a correct exposure on the cliffs and the sea. / This allowed me to give the sea surface a watercolour paint look, and I also obtained a slight movement in the clouds, thanks to the strong wind. I hope you enjoy it, thanks for dropping by. / Paolo
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Taken at the Waterrun, Royal National Park just south of Sydney. The rainbow is from some wave spray and that’s a little waterfall off to the left. / This shot was taken at dusk about an hour before Poetry of Chaos. It was amazing watching the storm come in and the colours changing and the sea swell growing. One of the great privileges of living in this park is watching the same landscapes in a myriad of different moods depending on the weather and time of day. Canon 30D / Tv: 1/6sec / Av: f/25 / ISO: 100 / FL: 18mm Poetry of Chaos:
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Full View Please….definitely needed to see the ghost ship :) Return to Me / By girlinthestars / / I whispered my wish / To a butterfly / Beneath a pulsating sky / I watched it float away / Like a nervous little letter / Begging for pleasure / And the return of you The blood in my veins / Flows with what I don’t divulge / All my uncertainty / Draping over my thoughts / Wondering if you’ve heard / The wail of my soul / While I’m under the moon / Insistently sobbing / My heart ever searing / Comparing / Always comparing The grass moves in a tease / And so weakening my knees / I fall in my exhaustion from you / Crying softly Whatever you do / Please, see what I see / Please Return to me ..::Stock Photo Credit::.. / Model / Background / Sky / Lighthouse / Ship / Butterflies If you like this, please check out: / / /
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Full view please :) ..::Stock Photo Credit::.. / Model / Cliff / Sky / Cage / Large crow If you like this, please check out: / / /
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Taken on the same night as these two (just click on the pics): / / This second pic has a link to an animated time lapse version of the whole storm – 91 photos linked into a sequence so you get to see the whole storm in 23 seconds. Storm off Bundeena Cliffs, Royal National Park just south of Sydney Australia. / This shot has all my favourite elements in one image – the moon, stars, lightning, storm clouds, ocean and moonlit rocks. What a treat this night was – getting some fantastic storms here. This is about the sixth I’ve photographed. / Canon 1Ds MkIII – 16-35mm f/2.8 LII USM lens / Tv: 30secs / Av: f/3.2 / ISO: 200 / FL: 27mm / Here’s another couple of crops of the same image: #1 / #2 /
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Dawn at Jan Juc Beach, on the Great Ocean Road.
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Definitely worth clicking on the photo to see it large. Part of the Raging Stillness series this is a blend of 10 X 30 second exposures taken as part of a series of 110 sequential images during a particularly lovely night storm we had a little while ago. You’re looking at 5minutes of the storm at its height. The lines above the storm are startrails and the reflection in the water is from the full moon (out of shot). / Taken off Bundeena Cliffs, Royal National Park, just south of Sydney Australia. / This is a tiny section from the original photograph – being able to blow up such a small part of the image to A3 is where the 1Ds and the L series Canon lenses come into their own. / Canon 1Ds MkIII – 16-35mm f/2.8 LII USM lens / Tv: 30secs / Av: f/3.2 / ISO: 200 / FL: 27mm Oh wow how cool – Rob Mullner nominated Raging Stillness for the briliant Pay it Forward Group with this comment: “Having tried my darndest to get lightning shots with mixed results and success, I know how hard it is to nail it perfectly…This shot really highlights the awesome power of storms, technically perfect and a difficult element of nature to photograph – so hats off to your Geoff for this and these series of shots, and your work in general….Rob. Thanks heaps Rob. Taken on the same night as these two (just click on the pics): This second pic has a link to an animated time lapse version of the whole storm – 91 photos linked into a sequence so you get to see the whole storm in 23 seconds.
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Taken at the Waterrun, Royal National Park, just south of Sydney at the same location as Poetry of Chaos and Falling Water Falling Light, but one month later. Really curious that at the same location in the park there were two rainbows in very similar positions but one month apart. I find strange coincidences like this happen a lot in the park – for example shooting storms off the cliffs over a couple of years I’ve found the lightning strikes are almost always in the same place for each storm. Tv: 0.6sec / Av: f/22 / ISO:100 / FL: 19mm (but heavy crop) Falling Water Falling Light: Poetry of Chaos:
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The Flat Earth Society / “The facts are simple,” says Charles K. Johnson, president of the International Flat Earth Research Society. “The earth is flat.” He believes that the main purpose of the space program is to prop up a dying myth—the myth that the earth is a globe. “Nobody knows anything about the true shape of the world,” he contends. The sun and moon, in the Johnson version, are only about 32 miles in diameter. They circle above the earth in the vicinity of the equator, and their apparent rising and setting are tricks of perspective, like railroad tracks that appear to meet in the distance. The moon shines by its own light and is not eclipsed by the earth. Rather, lunar eclipses are caused by an unseen dark body occasionally passing in front of the moon. Johnson’s beliefs are firmly grounded in the Bible.
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All work in this portfolio is © Stephanie Rachel Seely. / These materials (images and poems) may NOT be edited, copied, reproduced, printed, distributed, displayed, performed, or used in any way, in whole or in part, without my written permission. Please respect copyright and do not save or upload any images or poems to Photobucket, Flickr, Myspace, Facebook etc. These creative materials are NOT public domain. This artwork was featured in Live, Love, Dream, Feminine Intent, ImageWriting and The Love Of Eerie and Enchanting Artwork This piece reflects the period of transition in which I currently find myself. It’s the end of the year, and naturally I’m thinking of how much I’ve evolved creatively over the last year. I’ve just completed my first poetry book, which is currently in production, and now I find myself looking “beyond my sight” to see what lies out there waiting to be discovered. Inspired by the song Becoming by Jewel. Unfortunately, I cannot find it anywhere online due to copyright issues, so I can’t provide a link. Created from 2 stock photos and a variety of digital effects. Image updated December 30 2008. ...Stock credits... / background and model / various brushes / Stock copyrights remain the property of their respective owners.
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This image was taken on 1st April 2009 at Mills Beach in Mornington. / Canon 450D 18-200 lens / exp: 1/200s f5.6 / ISO 125 / I went to the beach with my family for some fish & chips and almost didn’t take my camera. My hubby talked me into it last minute. I would have been in tears!!! /
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At last! We’ve had four brilliant storms through here in the last few weeks and I’ve missed each of them. Man these have been tricky buggers – short, very violent, straight overhead – and I’ve miss-timed them each time. The problem has been go out too early and the gear gets soaked and you can’t photograph anyway because of the rain. Leave it a few minutes tool late and that’s it – show’s over folks. / Three times I’ve gone tearing out as the rain eases off with huge, spectacular bolts going off all around and then when I get the tripod out EACH TIME (I kid you not) the moment the camera has gone on the tripod that’s it – the bolts stop dead. I have been teased mercilessly! But this time – gotcha! / This is a single exposure. Two bolts on either side and one overhead – doorway or what!! / And to get an idea of the scale of these bolts those lights off to the left are perched on top of 100m cliffs. And the reddish clouds on the left are reflecting the light from Sydney which is just out of shot. / Taken on the track to Bundeena Cliffs, Royal National Park, Sydney Australia Canon 1Ds MkIII / Tv: 30secs / Av: f/5.0 / ISO: 200 / FL: 45mm
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Got up for dawn at Port Campbell only for it to be drizzly and overcast, but by the time I got down to the beach and the sun started to rise some awesome colour came through and it made the early start well and truly worth it! / Settings Canon 40D, 10-22mm EF-S. FL: 13 mm 63 seconds @ f8, ISO 100 Polarising Filter and ND8 Graduated Filter Adobe Lightroom 2 & Adobe Photoshop CS4 / Features Featured in the SEA Group on the 11th of May 2009 Featured in the Australian Travel Photography and Writing Group on the 12th of May 2009 Featured in the Canon DSLR Group on the 12th of May 2009 Featured in the All Water in Motion Group on the 15th of May 2009 Featured in the All that is Nature Group on the 17th of May 2009 Click here for my other seascapes Click here for my other shots taken off the Great Ocean Road
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This little gem can be found just around the corner from Loch Ard Gorge near Port Campbell off Victoria’s Great Ocean Road, Australia. I came here the afternoon before and there were snap happy tourists everywhere but decided to come back the next morning and there wasn’t a soul in sight, just the crashing ocean to keep me company… Unfortunately as of early June 2009 this archway has collapsed leaving two apostles next to eachother. For information read this story on the collapse / Settings Canon 40D, 10-22mm EF-S. FL: 18 mm 30 seconds @ f11, ISO 100 Polarising Filter and ND8 Graduated Filter Adobe Lightroom 2 & Adobe Photoshop CS4 Sales 1 Large Laminated Print 1 Large Framed Print / Features Featured in the SEA Group on the 13th of May 2009 #Winner of Nature’s Beauty Challenge in the You’re Accepted Group on 3rd of June 2009 Click here for my other seascapes Click here for my other shots taken off the Great Ocean Road
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Photographed with Canon 1D, Photoshop editing and ALL is photographs combined to create a fantasy landscape matte painting
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Jackson Bay, West Coast, South Island, New Zealand. / I spent four days out on the coast, waiting for a sunset. All that happened was rain, untill the last day and there was a small gap in the clouds. / Nikon D200 Views 630 /
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Australia, Sydney, Eastern suburbs, Clovelly bay
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Originally uploaded in March ‘08, this was a capture of the storm that hit SW England that same month. / This was taken from the bridge at Dawlish Railway Station, Devon, England. / Despite the rough weather, the trains continued to run, and this stretch of track is the most expensive to maintain, due to the battering it gets from the sea. / This is a common sight in Dawlish during the winter months, and sometimes during the Summer months also. This picture was originally tonemapped by Dave Warren and I have revamped it a little bit to give it a slightly different look. Thanks again to Dave for his help with this. Thank you for looking. / Hope you like it. Best Viewed Large. Pentax K110D. / Pentax 18-55mm lens.
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