Classic sky
642 creative works found
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I love 58 Chevy’s…one of my favorite cars. An old shot that I was able to salvage because of my editing skills improving. Needless to say I am happy I was able to! Now generally as a rule of thumb, I would KO the powerlines, but this time I left them in intentionally. Why? Well I started to KO them then went back, after noticing that without them, the telephone pole is just kinda strange and they add a sense of perspective in this shot. Processed with Photoshop, LucisArts, Virtual Photographer, about 7 layers, and custom color retro actions using curves. —-—-—-—-—-- / More of my work can be seen on my website at http://jdebordphoto.com / All artwork is © John De Bord, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent.
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I suppose you can say I have always been a sucker for old cars, especially Hotrods. There is something about the design and style of the years gone by, that todays designers in the automotive world have lost…the subtle curves of the body line, the way the trim fits along the body, and the overall composition and style….rolling sculpture. Elegance and style which is no longer created by the manufacturers but now recreated by those who spend many a late night out in the garage building a Kustom, wielding the torch, throwing the lead, and hammering the seams. Art it one of it’s most purest forms. Creativity personified. This is quite an older shot but remains one of my favorites, the color in this and the reflection caught my eye when I first captured it. I am not a huge fan of tri-year Chevy’s, but this ‘56 was just to good to pass up. Hope you all like it as much as I do / —-John / —-—-—-—-—-—-—— See more on my website jdebordphoto.com / All artwork is © John De Bord, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent /
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My second rendition of this shot…..I will miss this place as it has now closed down…sad….at least I was able to capture it while I could. HDR and LucisArt used in processing John
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Continuing with this series of Infrared photographs of the landscape images that make up the Neverland Collection. This was shot in Sydney Park after a wild electical storm had lashed the smooth little hills that make up the framework of this completely artifical and totally man made park on the edge of Newtown in Sydney. The darkening shadows cast long fingers over the walkers dotted on the low sinuous hill in the background. This chiaroscuro rendering of the landscape makes this image more painterly to me that something purely photographic and this is further enhanced by the deep and luscious grain that IR film gives as its trademark effect…... within the darkness there is always a little light to be found….
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View of weather building over the island of Jura on the West Coast of Scotland. The photograph was taken looking west towards the Paps of Jura Nikon D200, 18-200mm HDR created from three bracketed handheld exposures using DPHDR. - / Crikey, 3160 views and favourited by 66 bubblers, I’m flattered, thanks.
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Pentax K10D
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My watercolour painting from a 1906 photo of the Mauretania. Luxury liner (the fastest in the world until 1929). She’s being towed by steam tugs, out of the mouth of the river Tyne, and into the North Sea. Watercolour and gouache, 12” 8” / Poundworld 90lb watecolour paper /
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In my Painting the Masters series, at Shipley art gallery. This is a John Callow (1822-1878) Watercolour on hand-made Not paper. / 17” x 10.5”
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Another in the Masters series. / This is the centre part of a long panoramic watercolour. By Thomas Bush Hardy, 1895. I’ve moved some of the boats to be closer together, as my version is a small painting, 10×7 inches, on rough Bockingford tinted cream paper, 140lb. See the full version of this one, in landscape format.
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A station that time has mostly forgotten all about stands waiting for a time that may never come. These old buildings and rails remember an era where hundreds of happy faces passed through here on their way home or on their holidays: They dream of a time long since passed. The Summer sky presents its amber glow to the station and casts its pigment all over the scene, highlighting the old charm of the woodwork and enhancing the shaddows. There is a romantic stillness captured within this scene. It is easy for us to imagine a crowd of people gathered waiting on a station that looks imaculate and yet, we can also see that this truly is the End of the Line. Jonathan can be contacted at: sales@vistavisionphotography.com Please email to inquire about ordering prints larger than 30inches
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My version of a Thomas Bush Hardy (1842-97). From an 1895 watercolour of Ramsgate Harbour. A panoramic shaped painting, 23” x 10”. / Hand-made, 140lb rough paper. / For sale! Over 20 hours work. Multiple layers of semi-transparent and opaque watercolour, and white zinc gouache for highlights. Viewing in larger size is necessary.
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2009 Canon EOS 400D featured in / Gateways on 07/09 / Your Magic Place on 07/09 / Tunnel Vision on 07/09 / True Potential on 07/09 / Tone It Down on 08/09 / Shapes and Paterns on 11/09 challenge winner / Mood & Ambience – Strictly Photos (Member’s Choice) challenge winner / Shapes and Patterns (Shapes in COLUMNS & PILLARS)
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Thanks, Laurie, for the help with the title – you’re the best! dazzle-stock.deviantart.com / dreamstime
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The Shrine of Remembrance, located in St Kilda Road, Melbourne, is one of the largest war memorials in Australia, and resides in Kings Domain. It was built as a memorial to the men and women of Victoria who served in World War I. It now serves as a memorial for all Australians who served in war and it is the site of annual observances of ANZAC Day (25 April) and Remembrance Day (11 November). Designed by architects and veterans of World War I, Phillip Hudson and James Wardrop, the Shrine is designed in a classical style, being based on the Tomb of Mausolus at Halicarnassus and the Parthenon in Athens. Details: / Camera: Canon EOS 5D Mk II / Lens: Canon EF 16-35mm f/2.8L II USM / Exposure: 13 exposures (2,-1.66.-1.33,-1,.66,-.33,0,.33,.66,+1,+1.33,+1.66+2 EV) / Aperture: f/11 / Focal Length: 16 mm / ISO Speed: 200 / Tripod: Manfrotto 190XB Tripod & Manfrotto 322RC2 Heavy Duty Grip Ball Head / Accessories: Canon RC1 Wireless Remote / Date and Time: 14 July 2009 6.27am Post Processing: / Imported into Lightroom / Exported 13 exposures to Photomatix / Tonemap generated HDR using detail enhancer option / Re-imported back into Lightroom / Exported HDR and 0 EV exposure to CS3 and layered HDR on top of 0 EV / Brush tool to even out the sky / Curves layer for contrast / Noise reduction layer / LucisArt 3 SE filter / Re-imported back into Lightroom / Slightly cropped in Lightroom / Vibrance adjustment in Lightroom / Sharpening in Lightroom / Added keyword metadata / Exported as JPEG
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Sunrise over Pacific, Alaska, USA Copyright © Olga Zvereva (All Rights Reserved) / This image can not be reproduced, copied or manipulated. / Please, do not use it in any way without my permission.
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Nikon D60 / nikkor 18-200mm / 1/250 f/10.0 ISO160 / hdr , one shot, hand held PLEASE VIEW LARGE FOR DETAILS
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THE WINNER of the challenge Autumnal Equinox Nikon D60 / hdr in Photomatix & pp in PS CS3 / one shot, hand held, / Lens: Nikkor 18-200mm / f/14.0 1/200 ISO800 / North Yorkshire, UK
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c2009
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Photoshop
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Battlefield Orchards / Freehold, New Jersey / Oct 2009 / Nikon D80 w/24-120mm VR
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