This collage of graffiti shows the vast wealth of urban art that Florence, the city of the Renaissance, has to offer.
An Artists Portrait of an Artists Grafitti
This painting is watercolour on paper and is the eighth in the Venice series. / This is the first one with people in it. I was really taken with this group resting in the sun by the Grand Canal. See more of Freda’s works: / Boats / City / Fractals / Stillife / Figures / Landscape Freda’s website
Old man begging on the street in Oaxaca, Mexico. ~ May 2008
I spotted a row of brightly painted garbage bins outside a primary school in Sydney – this was my favorite in the line up. The kids had painted the bins with their own designs … they are all peeling and a bit knocked around, but some of the designs are really great. The paintings all have a wonderfully joyful sense to them, full of color and life. I nearly got run over crouching down in the road taking this photo. Sold 8×12 print to friends for their first child’s bedroom /
The Northern Quarter in Manchester, graffiti styled collage
Acrylic on canvas, size 95cm x 95cm. Original painting has SOLD.
Acrylic on canvas, size 95cm x 135cm. Original painting has SOLD.
An incredible storm making it’s way of the downtown area of Edmonton, Alberta, Canada, 2008.
Evocative dark blues enrich this semi-abstract cityscape.
24” X 28” Oil on Canvas /
Digital Painting / The City / by Constantine P. Cavafy / (MY FAVE POET!!!) You said: “I’ll go to another country, go to another shore, / find another city better than this one. / Whatever I try to do is fated to turn out wrong / and my heart lies buried like something dead. How long can I let my mind moulder in this place? / Wherever I turn, wherever I look, / I see the black ruins of my life, here, / where I’ve spent so many years, wasted them, destroyed them totally.” / You won’t find a new country, won’t find another shore. / This city will always pursue you. / You’ll walk the same streets, grow old / in the same neighborhoods, turn gray in these same houses. / You’ll always end up in this city. Don’t hope for things elsewhere: / there’s no ship for you, there’s no road. / Now that you’ve wasted your life here, in this small corner, / you’ve destroyed it everywhere in the world.
Cindy Pastel (the inspiration for Hugo Weaving’s character in the film Priscilla, Queen of the Desert ) poses in front of a painting (by yours truly) of Cindy and Strykermeyer during the opening night of the 2009 Pride Exhibition at Tap Gallery Short films from the exhibition opening night: / Cindy Pastel Opens The Exhibition / and / Robert Knapman gives a Flagging Display Please support the This is Oz Campaign and help to end homophobia
Copyright © 2009 Linda Apple / “Back Street” / oil on canvas – 12”x12” / contemporary figurative Like this painting? It is the September image in my NEW 2010 calendar – Everyday Moments A cool windy day on a back street near our indoor farmers market. Featured in: / The Heartland Group
His head was a pounding salsa band in a humid cabana de baile. His cheeks ached from the strain of his smile, and he knew if he didn’t relax his ears would burst into flames and his eyes would pop out. Dan stepped into the night. Headlamps mixed with neon signs and street lights to create a mosaic of flashing colors and sounds. The rhythm was mesmerizing; clicking heals on pavement, beep-beep-beeping of horns and a wailing siren all joining in the dance. The heat was sweltering. He sat on a trash can and leaned his back against the stucco wall. A cool breeze swept up from passing cars and turned the sweat on his neck into tingling goosebumps. Suddenly he felt her near him, taking his hands in hers. “Are you you OK”? she said. He looked into her eyes, and stroking the light strands of hair from her cheek touched her lips with his fingertips. “Lucia”, he said. “I finally know how it feels”. A slight gasp escaped her lips, and she squeezed his hands. He saw the lights glimmering in her eyes. “How it feels”? she said. He leaned his head against the wall and drew her to him. “Jubilation”, he said. Abstract photoart of city lights, extremely out of focus, and a bit of camera painting. Olympus E-3, Zuiko 14-54 mm f/2.8-3.5; f/3.5, 0.5 sec, 54 mm, ISO 100, 4 Star filter, taken around 8:30 pm in downtown Hermosillo, Sonora / / Copyright © Richard G. Witham 2009 all rights reserved. / Contact the artist
Acrylic, A2, board. A “white out” we have heard of…. but in a city this has to be rare indeed. The tree was paced there to say ” “I am not moving regardless”. If I were one of the two in the painting in this weather I’d be a tree hugger. I really am close to this piece as the drama is dictated by something bigger than all of us…. the weather. 2Darts
This 8 X 10 Oil Painting by Barbara Anne Applegate on Masonite board. / It is a New Mexico style Pueblo, the architecture of the American Southwest.
Oil on Canvas 18”x18” Featured on the “Featured Art & Photography” page
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