Chiaroscuro 

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  • This images is from a collection called ‘Urban Landscapes” which in turn is taken from a body of work called ‘Darkscapes’. I love the way seemingly ordinary things can be made to reveal a mysterious and powerful beauty. a companion image to Urban Landscape # 31 Operator! and / Urban Landscape # 8 Redfern Bus Stop!

  • Never thought to upload this one as an actual artwork, until a friend asked to see it larger. What I like about it, is the expression is open to interpretation. It is many things at once, (sadness, determination, subordination, deep thought) and at the same time, none at all. / Also went for a renaissance-style chiaroscuro effect on this one…

  • Chiaroscuro.

  • Studying dance and music, with chiaroscuro lighting techniques.

  • Chiaroscuro lighting techniques.

  • Just what the title says… Shot on my kitchen table. Honorable Mention at the IPA – International Photography Awards 2005, category Fine Art in non-professional, sub category Still-Life Honorable Mention at the Px3-Photo Competition 2007 and third place in the Still-Life section at the Px3 Public Choice Awards Nominee at the International Color Awards 2008 in the Still-Life category

  • Painted from a photo I took of myself recently. medium: Indigo and white acrylic paint on stretched canvas. size: 30cm x 40cm currently listening to: Who Knew, by Pink

  • Continuing with this series of Infrared photographs of the landscape images that make up the Neverland Collection. This was shot in Sydney Park after a wild electical storm had lashed the smooth little hills that make up the framework of this completely artifical and totally man made park on the edge of Newtown in Sydney. The darkening shadows cast long fingers over the walkers dotted on the low sinuous hill in the background. This chiaroscuro rendering of the landscape makes this image more painterly to me that something purely photographic and this is further enhanced by the deep and luscious grain that IR film gives as its trademark effect…... within the darkness there is always a little light to be found….

  • subject: This is me…staring sleepily into my webcam at 3.58am…my face illuminated by the glow from my computer screen. medium: acrylic paint and charcoal on 185gsm Arches paper. size: 29.7cm x 42cm (A3) currently listening to: Enough Cryin – by Mary J. Blige

  • 5.38am…another sleepless night…. currently listening to: Delirium – The Silence 2000 by Paul Oakenfold medium: Acrylic paint and soft pastels on 185gsm Arches paper. Sprayed with fixative. size: 42cm x 59cm (A2)

  • Smoking. Femme fatale, film noir style. / Low-key portraits are my all time favourite thing. This image forms part of my project about smoking. I have asked everyone I have photographed for permission first. I felt it was important to be honest, up front and to respect people. I think it is still possible to get a pure image even though I have made myself known to the subject. / This was taken at Newcastle Quayside.

  • “There were always in me, two women at least, / one woman desperate and bewildered, / who felt she was drowning and another who / would leap into a scene, as upon a stage, / conceal her true emotions because they / were weaknesses, helplessness, despair, / and present to the world only a smile, / an eagerness, curiosity, enthusiasm, interest.” / - Anais Nin medium: paint and charcoal on 300gsm smooth Arches paper size: 42×59.4cm (A2) currently listening to: Only The Lonely by The Motels

  • Boredom, impatience, frustration anticipation, anxiety despair, hope, envy, escapism, interest, lots of reasons to look and stare. Model: Victoria

  • And now here is my secret, a very simple secret; it is only with the heart that one can see rightly, what is essential is invisible to the eye. / - Antoine de Saint-Exupery medium: graphite, charcoal and acrylic paint on 300gsm medium tooth paper. size: 42×59.4cm (A2) currently listening to: Emotion – by Destiny’s Child

  • my gift to Blamo… / for his inspiring research / on the interpretation / of dreams… White- success, awakening of spirituality, higher self learning. / Dark Purple- success in social affairs, psychic ability, clarity. / Lavender- temporary unhappiness or dissapointment. / Blue- freedom from worry, help from others. / Green- travel or news, knowledge, understanding, learning, peace. / Pink- success, softness, flowing love, lack of fear. / Yellow- setback or struggle, and happiness or new beginnings. / Orange- Increased awareness, an urge to hurry or delay. / Red- rage, anxiety, increased self-esteem, warning, controlling. / Brown- luck with money, abundance, fullness or confusion. / Black- trouble or difficulties. the poem is in the works… Hope you like it B!

  • The Subject: / This solo fungus , (possibly Entomola Species), is spot lit by a tiny shaft of light breaking through the rainforest canopy. The Location: / Found and photographed along a track at Swan’s Crossing in the Kerewong State Forest , west of Kew , NSW, Australia, right at the end of autumn. The Making of Chiaroscuro: / This photograph (and more), are THE best fungi shots I have made so far. I was out with the Port Macquarie Panthers Camera Club’s most knowledgeable and experienced fungi hunter and used long exposures with natural light for almost every shot. / Fuji S9600: Manual settings of f/8 @ 3.7sec, Macro, Manual focus, Tripod, Timer. / Lightroom 1.1 & Photoshop CS3. Visit the Fungi & Lichen collection in my BubbleSite Gallery for more fungal delights. NOTE: / 18-02-09 / Thanks to Edwin Catania I have discovered a new photographic term – Chiaroscuro – that basically means light-dark. UPDATE: 14-4-09 / This beautifully lit fungus has won a Merit Certificate in the Port Macquarie Panthers Camera Club’s March 2009 Open Competition in the Large Colour Print section. UPDATE: 24-4-09 / This spot lit mushie took out 1st Prize the 99th Annual Wauchope Show’s Photography Competition in Still Life – Colour section. Enjoy! FUNGI: SWAN’S CROSSING / (Click the links!) Entomola Sp / Mycena subgalericulata / Mycena subgalericulata / Mycena sp / Mycena sp / Ramaria ochraeosamonicolor / Hypholoma fasciculare / Lycoperdon / Polyporus cinnabarinus / Usnea scabrida /

  • 24×36 oil on panel original It is an oil painting done with lots of turp and varnish. / The painting represents many aspects of life. / The man is tense. / He is standing in the shadows, not knowing what to do. / You can’t see his face because he doesn’t want you to know what he is thinking. / So he stands there in his shadow and waits, / Waits until the day that everything is clear. It is based on the character in a book of a friends / that is yet to be published. It was featured in the Robert Lincoln Levy Gallery in Portsmouth, NH March 2009 Its a self portrait of sorts. I’m the model and I’m a bit of a loner when I’m painting hence the face or lack there of. I hope you like it and add a comment telling me what’s good or bad about it. I’m open to a good critique.

  • Light and shadow in italian or Clair-Obscur in french.This shot was taken last year at a public village called Canadiana village… http://www.canadianavillage.com/ . ...They used to rent it for movie shootings and special events.That place closed about 6 years ago…the time slowly took possession of the already old houses.I had time to do some shots but the owner asked me to leave…..zut de zut …I felt like Alice in Wonderland,you should have seen that lost village in the midle of nowhere,a real paradise for photographers…. / Taken with a D200 Nikon /

  • Portrait of my dear firend and long-time model Laurie Lovell. She was back in town the other day and I had the privilege of hanging out with her and her fiance Jacob and of course – creating Art again..

  • See also Pomegranates n.1 —- / Textures courtesy of Telzey

  • The fire upon the hearth is low, / And there is stillness everywhere..Eugene Field An Exploration in Chiaroscuro…Watermedia on Arches Not Paper FEATURED IN JUST WATERCOLOURS

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