Celtic
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2124 creative works found
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A young witch aboard her broom stick with her faithfull friend, This image started off as a doodel and then just developed by its self, I had been reading in one of my countless books, that in spain people who followed the craft or were belive to hold the gift of foresight often dressed in red. And as a half Romany i find such links compelling as its like finding the missing peace in a puzzel. / the cat in the image is my own cat, mouse who has theis strange way of holding her tail over her back like a scorpion, I dont know why or if something caused this as she just turned up one day and has never left, and now is like my shadow where i go she goes. If my illness is playing up she will stop me pushing myself and even as i writeing shes only a foot away.
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Early morning Autumn sun hits Blackrock Cottage, Glencoe, Highlands of Scotland .
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Acrylic paint on board / 18”X18” The faces of nature – I feel them around me and they always appear in my work. / When the seasons change from Summer to Autumn I feel a loss of those long hot freedom filled days of joy and happiness. / I am filled with a melancholy – a slowing and a sense of preparation for the cold days to come. / Within that is also the sense preparing the garden for regrowth in the Spring . / The never ending cycle of life, death and rebirth.
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Epona was the Celtic horse Goddess. There are horses carved into the chalk downlands of southern England from various ages. Oil on large canvas. Part of the Celtic Cycle. / /
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“Think of the land, the rolling hills, green rich but wild fertile land that the menfolk can’t quite manage. The gorsedd mound, that ancient barrow: if we spend the night there we end up dead, mad or a bard! She is that woman/land that feels so rich and giving, so generous, but she is so completely untamed” / Words by Emma Restall-Orr Coloured pencil on smooth cartridge paper
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A Gradient of colors fill this celtic art griffin design. Dynamic &colorful for clothing.
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upload from my 2009 calendar Celtic Dreams
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This image i posted before adding colour, now it is finished and is shown as it should be seen. / In my research into the festival of yule i found that its the time when the Holly King who raigns for twelve days is defeated by the young Oak King of the year to come. And this is what lead to the twelve days of Christmas as they are seen today. This festival is a solar celebration as from now on the days get lighter and the dead ground of winter will soon begin to grow once more. / Whilst the branch’s of ever greens invite the fairy foke into the home for good luck, Here these are shown along the bottom arch, flanked by sage and rosemary. In addition i have chosen to show the winter sun in muted colours containging a seven pointer pentagram also linked to this festival
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Zzzzzzzzzzzzzzzzzzzzzzzzzzzzz Art Print Available Too in black and white…........ / 10th of February 2009- This design was donated to the Phoenix-Appeal to raise money for the tragedy unfolding in Victoria due to the Australian Bush Fires. If you want to purchase this T-shirt and ALSO raise money for the Phoenix-Appeal, dont purchase it from this page- go to the Phoenix-Appeal Page on the link below- / MANY THANKS x / / Phoenix-Appeal
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This image was one of those images that started from something realy small. When my children broke up for the holidays they had this look of were free. writen all other them and some how that slipped into my mind when drawing this. / I can remember longing for the holidays and i think the consept would stand for anyone. Here a young witch has straped all her things onto her broom and head off for home under the light of the moon. / And it reminds me of when i first came across Harry Potter and this world where witchs were not realy noticed, but had this world outside the norm.
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ORIGINAL FOR SALE $650 plus P&H OK – the story goes - I desperately wanted to paint a new mandala (the one I’m doing right now) but I had two canvasses sitting there blank. So I told myself I had to finish both of them before I could start on the big medicine wheel mandala… And next thing I know, there are two celtic crosses emerging in tandem from the canvas, with seals and otters playing in the mandala centre. The circle contains and is undending, the cross both reaches out and marks a specific, finite point at the centre. With mine, the circles represent the moon and the cross, the sun. The cross reaches out to the four directions, the four corners of the earth. The vertical and the horizontal come together in the joining of forces – Heaven and Earth… The otters symbolise the connection with the feminine and an unconventional and quirky mind. Brilliant imagination, intelligence, perception and intuition also run with this gorgeous animal. PLAY! In acrylic on canvas with jewelled and metallic overlays… The original is for sale. Please note full copyright applies. This image is not public domain.
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ORIGINAL FOR SALE $650 plus P&H The third of a chakra series of celtic inspired acrylics on canvas. Dreaming dragons swirl at the centre…. Symbolic of the passion igniting within the heart and soul; the fire of desire and the flame of love…
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A Top 10 Winner! /
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Prismacolor drawing with treatments in PSP. One of my favorite musical pieces written by Dougie MacLean (and there are many!) The Gael Performed by the Royal Scots Dragoon Guards Scotland, the land of my ancestors…...........
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19×24 pastel on Sennelier La Carte paper Where I am right now we are getting more snow and I am longing for Spring. This work is about how we get our clearest moments of insight when we are alone out in nature. Maybe our intuitive ideas are a gift from the Faeries, and maybe they exist in another world, the Otherworld, that is right with us but unseen.
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Celtic Mandalas are mysterious and embedded with secrets and symbols, offering a unique way to connect with ancient spiritual and aesthetic realities. It was almost hypnotic, even revelatory as I played with this “Triskele” or Triskelion – consisting of three sacred spirals or ‘Trinity’ representative for me of the Sacred Feminine, or Maiden, Mother and Crone energies. Symbolic of the on-going cycle of birth, life and death for the Celts…a primordial power that inspired them to be treated as sacred motifs. Neverending Road by Loreena McKinnett Photograph of sketch, colored in photoshop7 with Wacom Pen/pad and edited with poster edges and Redfield plug-in fractilius filter
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16×20 acrylic on canvas panel Arianrhod was a Welsh goddess. Her name means silvery wheel, which got mistranslated to mean that she was a goddess of the full moon. She was actually a star and fate goddess. The Silvery-wheel was related to the wheel of the stars going around the North star. She is connected to the constellation Corona Borealis, and this was her palace. From this palace in the sky she was in charge of reincarnating souls. / The Greek goddess Ariadne is also connected to Corona Borealis as it was her crown that Dionysus placed in the sky. In this painting I blended some themes of Ariadne and Arianrhod as I believe they were the same goddess, but then all goddesses came from the same goddess. / This was a pretty hard painting for me because I am very connected to Arianrhod/Ariadne. She is kind of my personal goddess. My inner-perfectionist came out with this one and I finally just had to let go and say done! Featured in Acrylic Painting group March 2009
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Learning correct etiquette is important for young dragons.
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I have just celebrated Beltane, the Celtic festival marking the beginning of Summer on May eve/ Mayday. The town near where I live has a huge Folk festival every Mayday Weekend and I have been down enjoying the dancers and the music and taking photographs of the participents. / I was inspired to do this artwork by the fabulous ‘Beltane Borders morris’ side who are based in Devon, England. Their dances and look are very Pagan and I was delighted to see them perform one of their energetic dances to Loreena McKennitt’s Huron : Beltane Fire Dance , a song which was itself inspired by English mayday parades and celebrations: Beltane Border Morris website: http://www.beltaneborder.co.uk/ “When in the springtime of the year / When the trees are crowned with leaves / When the ash and oak, and the birch and yew / Are dressed in ribbons fair When owls call the breathless moon / In the blue veil of the night / The shadows of the trees appear / Amidst the lantern light We’ve been rambling all the night / And some time of this day / Now returning back again / we bring a garland gay Who will go down to those shady groves / And summon the shadows there / And tie a ribbon on those sheltering arms / In the springtime of the year The songs of birds seem to fill the wood / That when the fiddler plays / All their voices can be heard / Long past their woodland days And so they linked their hands and danced / Round in circles and in rows / And so the journey of the night descends / When all the shades are gone “A garland gay we bring you here / And at your door we stand / It is a sprout well budded out / The work of Our Lord’s hand” The Mummer’s Dance by Loreena McKennitt
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Celtic Tapestry Drawing by morgan fitzsimons from the pen and ink collection / penn and ink on heavey paper 11×14
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A composite of 2 fractals. The central fractal was created in Apophysis, and the background in Tierazon. Postprocessed and blended in PhotoImpact.
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Celtic cross at Flimstone chapel near Stack Rocks in Pembrokeshire. /
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‘Finding our way to the Sacred’ 3D created with Vue 6 Studio Pro Featured in THE SISTERHOOD Nov 27 2009 / Featured in Gaia Dec 7 2009 / Thank you!
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