Cash
3 members found
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Karen A. Cash
United States
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Michael Cash
United Kingdom
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Cash
Canada
176 creative works found
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people suggested this, so here you go! enjoy, Xxj
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for everyone who likes tunes. / so, err, that’s everyone, awesome.
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Photographers - What are you paying for? (Part One)
by Jo O'Brien^Disclaimer: This is not legal advice or even professional advice. This is some stuff I’ve learned along this funny little thing called l…
Disclaimer: This is not legal advice or even professional advice. This is some stuff I’ve learned along this funny little thing called life and may not apply in any way to your current situation. At worst, it’s my opinion, at best it’s some ideas for you to think about. If you need real proper advice, go see your solicitor. I’m of the opinion that photography should make me money, not cost me money. So far, I have been successful is making more from a photograph than it took me to create. Here is my list of not so secret tips and advice on covering your arse and saving your cash. When To Pay There are times where spending your hard earned money is the right choice. For example to obtain goods or services you can not find for less (or free) elsewhere. Or when you have done all the maths yourself and you feel you are buying into a good deal. But there are also some pit falls to watch out for. Art Direction, Ideas and Intellectual Property My rule of thumb, if I am paying to shoot, I should have full rights to everything I take. No ifs buts or maybes about it. If you shoot a commercial, the art direction team put together a shoot and then hire a photographer to take photos of what they and the crew have created. They pay for lighting design, they pay the models, they pay the hair stylist, they pay the guy who makes the coffees- and they pay the photographer. Some businesses operate under a similar model but suck money out of photographers in the process. As part of a ‘workshop’ or ‘event’, several photographers rock up with their cameras and take photos of a scene. Often they have little or no control of the setup, can’t communicate properly with the models and will walk out of it with similar images to everyone else who attended! In the worst cases they have restricted rights regarding how they use their images. So is essence, they have paid for something that out in the real world, would be making them money. Sorry if it sounds confusing, the concept completely baffles me. When you are shooting someone else’s ideas and have restricted publishing rights or have little influence over the set up, posing, lighting or set design, (in my opinion) you should be getting paid by them. After all, you are doing them a favor by taking images of their creative work. Classes or Tuition Wanting to improve you skills and knowledge is a great thing. And there are numerous classes, mentors and workshops available for you to choose from. If you are going to pay to attend these, make sure you are getting what you pay for. Before you hand over any cash there are a few details that you should have to help make your decision. Class Size: The more people attending, the cheaper the class should be. If there is a practical component, I usually wont accept a class bigger than 10-12 / Location & Time: no point signing up for an ‘on location’ workshop only to find it is out of your way. Also as a safety issue, you should always be able to tell a trusted person exactly where and when you will be shooting. / The Teacher: You should be able to find and contact the person facilitating the class to verify their experience and ask questions. It not always convenient for a facilitator to take calls from a whole class, but you should be able to send them an email and get a reply without going through a middle man. / Contracts: Ask if you will need to sign any contracts and insist upon receiving them before paying. / What do you get: do you get class notes to take home? Exactly what does the course entail? What can you hope to know and have learned at the end of the course? Contracts These are a great way to waste your money. They also happen to be very important. First and foremost contracts exists to make people money or stop people from making money. So before signing anything, read it a few times and make sure you are aware of what your actions are costing you. If you need to get images approved before sale or publication, you could be agreeing to never publishing or selling any images taken if none are ‘approved.’ It is completely reasonable to request changes to a contract or write your own and offer it instead. Don’t sign away potential income! You should always be able to take a contract away and show it to other people for advice before signing it, and especially before paying for anything. If you are not given this opportunity, my advice is to avoid it with a ten foot pole. And then there are the bazillion poorly written contracts that mean very little or nothing at all. It’s actually quite funny to me sometimes, what people will put on paper. Useful Links Australian Competition & Consumer Commission / Scam Watch Photographers – What are you paying for (part 2).
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With the exception of Mouse:), this is the smartest and sweetest horse I’ve ever met. I don’t think he knows he’s a horse and would rather spend time with people. He’s been known to pull off hats or throw chairs to get attention and he kisses, kisses, kisses as much as you’ll allow. A real sweetie and lovely little, gray Arabian…Cash:)
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He just looks like he’s dancing to me and I remembered the title of that old eighties movie Tango and Cash…indulge me, I have the flu and my brain is more than a bit muddled at the moment..lol /
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I had to act fast to capture this random, spontaneous shot. It was taken in Paris, France, so she’s cashing in on some EURO’s.
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30” x 40” acrylic on canvas. Johnny Cash Photo used taken from “Unchained” CD sleeve. Commissioned work. Sold
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Walk The Line Johnny Cash
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Just my way of proving a point. We are suffering because of the greed from the oil companies.
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/ / Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / Writings (or ramblings) / Another World / Time & Tears / The 3rd / The 10th / Weaver / High-Flyer / The In-Between Place / The Haggard Crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / The Black, White & Grey / /
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This beautiful vintage gold cash register is huge, it is so magnificent. / It is prominently displayed in a Casino here in Montana. i can only imagine how much it weighs. It measures approximately / 3 feet wide x 2 feet deep and is about 30 inches high. There is a sign on the marble part which says “please don’t touch” so i only photograph it and marvel at the beauty of its design and craftsmanship.
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The Cereal That Everybody Hates!
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Watercolour and Ink. Inspiration: Photo of Johnny Cash and June Carter-Cash.
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Another in my train series from the Railway Museum at Thirlmere in the Southern Highlands of NSW (Australia) ... this time the old cash register used in the ticket office. Landscapes Trees Cards EOD Rusty Flowers Architecture Macro CatchAll DM / / / / / /
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BubbleLAB - eD 3
by kathleen~Collaborations On Redbubble Forum...
Collaborations On Redbubble Forum / A practical working space for working together Collaboral Damage / A group for showcasing the best collaborations seen this side of the RedBubble THE COGS HAVE BEEN OILED AND ARE TURNING FAST BubbleLab 3 is here with only a slice of the collaborations pie, or one of those tiny little bubbles that form on the edge of the bubbleverse. In any case, you can see a foray of art floozies, flaunting and flitting around the forum. In this issue you can read about the Feature Collaboration between Heather King and Googa ... the Feature Article – Collaborations, Cultural Copyright and Cash... as well as other bits and bots… The Hub is pumping so make sure you add your collaboration to the forum, that way everyone can see it and be inspired! FEATURE ARTICLE Collaborations, Cultural Copyright and CASH $$$ pinkstinks (member since February 2007) is an urban Indigenous artist from Brisbane in Queensland (Australia). She is well know in her community and is a strong and tireless worker for Aboriginal Australians. She is passionate about promoting the rights of Indigenous artists and educating people about the artistic and legal differences that surround cultural copyright in Australia and abroad. I am privileged to know her and to call her my best mate (yes she seems ok for me say that in public too), and to have a cross-cultural collaboration under my belt. Not something that many can say they have participated in. Before I met Bianca (pinkstinks) I had worked as a corporate Graphic Artist for the Queensland Government in a department known as DATSIP (Department of Aboriginal and Torres Strait Islander Policy), the unit I worked for was Marketing and Communications. I can’t describe to you the incredibly nerve-wracking and difficult task it was for this ‘white chick’ to get her head around the cultural design issues I would come across. Needing to represent mainland Aboriginal people alongside Torres Strait Islander people while maintaining corporate branding and only utilising the colours of the defined Queensland Government palette. All that plus understanding that there were only certain marks I was allowed to use as representations of the culture as a whole. Previous to this job, I had had a brief stint in another department known at the time as ‘Native Title Services’, a department that negotiates land rites and title with the government, business and traditional owners. A sad and extremely heavy legal area to work in. During this time I was sent off to do ‘Cultural Awareness Training’, something that every white born Australian should undergo in primary school but training that only a few ‘invaders’ have a chance to understand. These two jobs taught me a very important artistic lesson… CULTURAL COPYRIGHT IS A COPYRIGHT LAW UNTO ITSELF!!! Unless you have collaborative agreement with an Indigenous artist (be it in Australia or abroad), you as the ‘non-Indigenous’ artist contingent, need to understand and respect the dreaming, religion, people, traditions, symbolism and ownership of these peoples. That in short means that you cannot, without the express and written permission of the people you choose to represent (generally you need to actually approach the tribe or elders of the community), sell (or claim as your own) images, including photos, of indigenous artwork or symbols, dancers, performances, artifacts and people. You cannot, for example in Australia, represent the image of a deceased Aboriginal person, it is considered offensive. Major media organisations get a reprieve from the traditional owners of the image by creating a very clear message of content and intent at the beginning of any program that may depict a person who has passed on. This is very important as time passes also, as you may create a piece of work or media with a person who is alive at the time, but down the track that person passes on, do you know how to culturally deal with that type of scenario? This is a sensitive topic and needs to be treated with sensitively, not be stomped on by the well meaning but uninformed. Please don’t live in cursed ignorance, do something positive and pro-active before you execute that well-intended creative urge… do some research… Here are some links: Australian Copyright Council – Indigenous culture & copyright / Arts Law of Australia Online – Indigenous Cultural & Intellectual Property / Aboriginal Art Online I am very proud to present this cross-cultural collaboration piece as a RedBubble born success. Bianca asked me to collaborate with her after seeing a piece I did with Kookylane, I was honoured to re-interpret her pen sketch into a vector phenomenon. This piece was submitted to Queensland Health and accepted (with personal modifications for the client only) to represent Bowell Screen Queensland (ironically), they are giving us $2500. Thanks for the magic Indigenous Bianca… You should see the portfolio of pinkstinks, she’s a kooky chic… Not really representative of her soiree of paintings in my opinion, but you may also like to check out her artists’ collective group proppaNOW. COLLABORATION FEATURE / Googa and Heather King Heather King / I am in love with any and all art forms. / I paint on canvas, digitally, and live for photography. / I am 33 yrs old and have been capturing what I feel on paper and canvas since I was little. / I live somewhere in canada where the art scene and passion for anything seems to be lost. / There is so much beauty out there, people just refuse to open up their eyes and hearts (in this city anyways). / Music as well is EVERYTHING. / attrition, legendary pink dots, black heart procession, lycia, blonde redhead, the cure, the swans, bel canto, etc. Googa / Hello, I’m Googa, I am a father of 4 girls and 2 boys, I have a passion for Music, art and cooking. / I have been inspired by the amazing works of art, photography and poetry on red bubble and have reignite the flame of creativity juices and expression. / Through high school I was inspired by Salvor dor dali as I love surrealism and music by Ozzy Osbourne, Satriani, Vai, Hendrix, / Van Halen and Steve ray Vaughan. / I am very opened minded and straight to the point and love chocolate and phase three GTHO’S / Thank you people of red bubble for your inspiration. / Kind Regards / Googa COLLABORATION CLASSIFIEDS [initiative] / Transitions Book Project / James Piece I’m a better photographer than I am writer, so I want to open up the project to collaboration to writers. If the places in my photos move you, and you can write, be it a poem, a few inspiring sentences or a longer piece about, around or introducing the places or themes in the book please get in touch, either write something and email me or leave it as a comment on the work etc. I’ll start adding things I like as journal entries or into the descriptions of the photos with acknowledgment of course. Anything that ends up online or in the book will be acknowledged and of course you get a copy or two of the book and an invite to the launch. Any takers ? The vibe from collaborating with other artists is so positive. It’s a great way to see yourself from another perspective too. Chill out in the Collaboration Space, it’s getting better all the time… Shout out to Mellissa Vowell for the creation of the Collaboral Damage Group... and her moderator dabble of course. Melissa took collaborations in the Forum to the next level, somehow made it a live active space for people to get excited and test their skills and ideas. Happy days everyone!!! / kathleen APOLOGIES TO THOSE WHO RECEIVE THIS MORE THAN ONCE!
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There was forty feet between them when they stopped to make their play / And the swiftness of the ranger is still talked about to-day / Texas Red had not cleared leather when a bullet fairly ripped / And the ranger’s aim was deadly with the big iron on his hip / Big iron on his hip / -Johnny Cash
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I’ve been meaning to do a Chocolate Shoppe for a long time now! / see all the Dragon Chef series here /
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Open for business, so where is the crowd??? Should she change to a better location? Hmmm? Could it be her marketing strategy? It certainly couldn’t be the darling girl….LOL
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Lambertville, NJ
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The Man In Black
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Or Evil Monkey…. blatent reference to Family Guy character! When many are losing the shirts off their back due to the current global financial meltdown… this shirt is a last protest for you!
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A dollar sign constructed from silver ingots
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