Carl 

26 members found (show all)

165 creative works found

  • Digitally captured using a Sony Alpha 100 with a 28 – 75mm. This forms part of a series that focuses on local and other odd but full of character architecture. . / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography

  • If The Green Things Drying, All Human Race Will Be Dying

  • Young German Beauty pigeon left alone in the nest.

  • A LEGO toy set-up shot ….idea, creation, lighting and fully assisted by my six-year old young and talented, gifted child RAPHAEL. / Edited Using PhotoExpress

  • Dried Guava Is Not Good For Children To Eat / Dried Guava Is Great For Photographer To Shoot

  • Black and white macro capture of group of small flowers blooming.

  • The Fullmoon Wind Surfer / Feeling The Cold Breeze Of The Night

  • A Turtle Over Another Turtle

  • Multiple World Superbike and TT Champion Carl Fogarty on the 1999 Ducati 996.

  • The psyche does not come to an end where some physiological assumption or other stops. In other words, in each individual case that we observe scientifically, we have to consider the manifestations of the psyche in their totality. Carl Jung, Collected Works, v9, para 113 This painting I dedicate to Carl Jung who inspires me daily. Wax, graphite and watercolour

  • Mystical Symbols represents the point of transcendental reality beyond conscious understanding. This painting is dedicate to Carl Jung Music: Here Acrylics, inks, graphite and gold leaf / 100×42 cm on paper

  • This photo capture is one of Carl’s genius creations at his “house of creative madness” / /

  • ‘Blue Suede Shoes’ written by / Carl Perkins

  • It was then that I ceased to belong to myself alone, ceased to have the right to do so. ... I myself had to undergo the original experience, and, moreover, try to plant the results of my experience in the soil of reality; otherwise they would have remained subjective assumptions without validity. It was then that I dedicated myself to service of the psyche. I loved it and hated it, but it was my greatest wealth. My delivering myself over to it, as it were, was the only way by which I could endure my existence and live it as fully as possible….....Words by Carl Gustav Jung Painting inspired by Jung Painting in acrylics, inks, silver pigment and graphite / 102×42cm 26th January 2009

  • In the living psychic structure, nothing takes place in a merely mechanical fashion; everything fits into the economy of the whole, relates to the whole. That is to say, it is all purposeful and has meaning. But because consciousness never has a view of the whole, it usually cannot understand this meaning…...Word by Carl Gustav Jung Painting in acrylics, pigment, inks / 102×42cm 26th January 2009

  • Get your nerd on!

  • Do not stand by my grave and weep. / I am not there. I do not sleep. / I am a thousand winds that blow. / I am a diamond glint on snow. I am the sunlight on ripened grain. / I am the gentle Autumn rain. / When you awake in the morning hush / I am the swift uplifting rush Of quiet birds in circling flight. / I am the soft star shine at night. / Do not stand by my grave and cry. / I am not there .. I did not die / (Prayer of the Makah Indians)........ This painting is dedicated to Billy Inspired by Carl Jung Music – To Borrow Freedom

  • Hand drawn, oil pastels on smooth bristol paper For a Poetry challenge in Fine Arts Influenced By Literature. i chose “Fog” by Carl Sandburg. He wrote this in, i believe, 1916, when he was in Chicago, so i chose this from a postcard of the Chicago River, 1906. Didn’t have all day to look through the internet for a photo of the Chicago Harbor in 1916, so i figured this was close enough. This postcard is actually a painting, but i changed it enough to not infringe on the copyright laws. And the painting is of course a million times better than my attempt, lol.

  • This is from a series of commissioned mandala’s I have recently completed for a couple who wanted to put several around their beautiful garden. They wanted them to shine in the moonlight. They sent me these photographs with a little note….we enjoy your work amongst the flowers and the moonlight Carl Jung said that a mandala symbolizes “a safe refuge of inner reconciliation and wholeness.” It is “a synthesis of distinctive elements in a unified scheme representing the basic nature of existence.” Music – Debussy Part of my Egyptian Series

  • ” The past, the present and the future are happening all around us” – Carl Jung Featured In Lifeline 18 favourites & 454 views as of 7/12/2009

  • Quote by Carl Rogers Half-opened daisy taken in King’s Park Botanic Gardens, Perth, Western Australia. Nikon D700, ISO400, 105mm macro lens, f/9, 1/400 sec, -.3 step

  • Find here a selection of Greeting Cards. / The perfect card for any occasion. Courtesy Wikimedia Commons Carl Larsson: Brita as Iduna (Iðunn), lithography, title page for the christmas edition of “Idun”, 1901 / In Norse mythology, Iðunn is a goddess associated with youth: a keeper of apples and granter of eternal youthfulness. This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, Australia, the European Union and those countries with a copyright term of life of the author plus 70 years. For further information on Carl Larsson or scroll to the bottom of this page! Alternatively check out my Zazzle store and make your own customised card online. Zazzle custom greeting cards are a great way to send a special message. Whether you are sending holiday greetings, announcing a new baby, celebrating a birthday, sending wedding or party invitations, or just need to say “hi”. It’s fun and easy way to design the entire card, adding your photos and messages to all four sides. / / / / / / / / / / / / / / / / / / / / / / / More choices from Zazzle: Wear My Art – Check out Female Contemporary Art on Apparel here: My Images Do Not Belong To The Public Domain. All images are copyright © taiche. All Rights Reserved. Copying, altering, displaying or redistribution of any of these images without written permission from the artist is strictly prohibited / See more of taiche at ZAZZLE / Baby Custom T-Shirts :dress that baby up with a special design on a custom t-shirt, long sleeve or onesize / Kids Custom T-Shirts .from organic t-shirts to long sleeve shirts, boys, girls, and toddlers can fill their fashion needs with a one-of-a-kind custom t-shirts for kids. Check out the latest organic t-shirts, sweatshirts, and girls shirts. And plenty of styles for toddlers too! Aprons / Bags / Buttons / Cards / Hats / Keds Shoes / Keychains / Magnets / Mousepads / Mugs / Postage / Postcards / Stickers / T-Shirt / Ties* Don’t forget to check out my poetry section Selected works of art from my 2009 Portfolio Do not forget to check out my range of fully customisable calendars. Simply let me know your choice of images and months to show them and I will create especaillly for you. You can choose from any of my images. / Larsson was born in Prästgatan No.78, a house on the Tyska Stallplan in Gamla stan, the old town in Stockholm. His parents were extremely poor and his childhood was not happy. Renate Puvogel, in her book Larsson, gives plenty of information about his life: “His mother was thrown out of the house, together with Carl and his brother Johan; after enduring a series of temporary dwellings, the family moved into Grev Magnigränd No.7 (later No.5) in what was then Ladugårdsplan, present-day Östermalm. As a rule, each room was home to three families; penury, filth and vice thrived there, leisurely seethed and smouldered, eaten-away and rotten bodies and souls. Such an environment is the natural breeding ground for cholera,” he wrote in his autobiographical novel Me (Jag, Stockholm, 1931, p.21). Carl’s father was also a good-for-nothing who worked as a casual laborer, sailed as a stoker on a ship headed for Scandinavia, and lost the lease to a nearby mill, only to end up there later as a mere grain carrier. Larsson portrays him as a loveless man lacking self-control; he drank, ranted and raved, and incurred lifelong anger of his son through his outburst “I curse the day you were born.” In contrast, Carl’s endlessly working mother provided for their everyday needs through her job as a laundress. Carl’s artistic talent was probably inherited from his grandfather on his mother’s side, who was a painter by trade. However, at the age of thirteen, his teacher Jacobsen, at the school for poor children urged him to apply to the “principskola” of the Royal Swedish Academy of Arts, and he was admitted. During his first years there, Larsson felt socially inferior, confused, and shy. In 1869, at the age of sixteen, he was promoted to the “antique school” of the same academy. There Larsson gained confidence, and even became a central figure in student life. Carl earned his first medal in nude drawing. In the meantime, Larsson worked as a caricaturist for the humorous paper Kasper and as graphic artist for the newspaper Ny Illustrerad Tidning. His annual wages were sufficient to allow him to help his parents out financially. After several years working as an illustrator of books, magazines, and newspapers, Larsson moved to Paris in 1877, where he spent several frustrating years as a hardworking artist without any success. Larsson was not eager to establish contact with the French progressive impressionists; instead, along with other Swedish artists, he cut himself off from the radical movement of change. After spending two summers in Barbizon, the refuge of the plein-air painters, he settled down with his Swedish painter colleagues in 1882 in Grez-sur-Loing, at a Scandinavian artists’ colony outside Paris. It was there that he met the artist Karin Bergöö, who soon became his wife. This was to be a turning point in Larsson’s life. In Grez, Larsson painted some of his most important works, now in watercolour and very different from the oil painting technique he had previously employed. Carl and Karin Larsson had eight children and his family became Larsson’s favourite models. Many of his watercolours are now popular all over the world. Their eight children included Suzanne (1884), Ulf (1887, who died at 18), Pontus (1888), Lisbeth (1891), Brita (1893), Mats (1894, who died at 2 months), Kersti (1896) and Esbjörn (1900). In 1888 the young family was given a small house, named Little Hyttnäs, in Sundborn by Karin’s father Adolf Bergöö. Carl and Karin decorated and furnished this house according to their particular artistic taste and also for the needs of the growing family. Through Larsson’s paintings and books this house has become one of the most famous artist’s homes in the world, transmitting the artistic taste of its creators and making it a major line in Swedish interior design. The descendants of Carl and Karin Larsson now own this house and keep it open for tourists each summer from May until October. Larsson’s popularity increased considerably with the development of colour reproduction technology in the 1890s, when the Swedish publisher Bonnier published books written and illustrated by Larsson and containing full colour reproductions of his watercolours, e.g. A Home. However, the print runs of these rather expensive albums did not come close to that produced in 1909 by the German publisher Karl Robert Langewiesche (1874–1931): His choice of watercolours, drawings and text by Carl Larsson, titled Das Haus in der Sonne (The House in the Sun), immediately became one of the German publishing industry’s best-sellers of the year — 40,000 copies sold in three months, and more than 40 print runs have been produced up to 2001. Carl and Karin Larsson declared themselves overwhelmed by such success. Larsson also drew several sequential picture stories, thus being one of the earliest Swedish comic creators. Carl Larsson considered his monumental works, such as his frescos in schools, museums and other public buildings, to be his most important works. His last monumental work, Midvinterblot (Midwinter Sacrifice), a 6×14 meter oil painting completed in 1915, had been commissioned for a wall in the National Museum in Stockholm (which already had several of his frescos adorning its walls), but was upon completion rejected by the board of the museum. The fresco depicts the blót of King Domalde at the Temple of Uppsala.

  • companion film: Lovers in Light

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