Card fractal
1538 creative works found
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Abstract digital mixed-media of flame fractals and photography / / / DATE OF CREATION : 2007.11.18th / / / DETAILS / This is part of a collaborative series I am starting with my dad over the internet, using some irisation photographies of his. / I couldn’t wait for his real size pictures files to start working with his material, so this one is only available as cards. / / / © 2007 Nodakami
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Abstract digital mixed-media / of flame fractals and photography / / / DATE OF CREATION : 2007.12.2nd / / / © 2007 Nodakami
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Crown Jewel ~ inspired by the Taj Mahal, which is often referred to as / ‘Poetry in Stone’ The History of Lost Love / Shah Jahan of the Mogul dynasty was yet to accede the throne when he heard about the unsurpassed beauty of Mumtaz. He took Mumtaz as his third wife in 1612. For the next 18 years Shah Jahan and Mumtaz were inseparable. Shah Jahan took his wife along on every journey and war campaign. Over the years Mumtaz came to be his best friend, his critic and a canny political adviser. Mumtaz was expecting their 14th child when Shah Jahan embarked on a campaign against the Lodhi Empire in 1631. In the heat of the Indian summer, the army traveled to the Deccans. Mumtaz, who had accompanied the emperor, went through a rigorous childbirth. She died in Burhanpur. On her deathbed, she asked her husband to promise her that he would build a monument to their love. Legend has it that he locked himself in his room for eight days without food after Mumtaz passed away. After burying Mumtaz temporarily in Burhanpur, Shah Jahan went about constructing the Taj Mahal in right earnest. He summoned the best architects and artisans from far away lands like Multan, Kannauj, Lahore, Iraq and Persia. He arranged for the best marble from all around. It took 22 years, 22,000 people, 400 elephants and 32 million rupees to build the Taj Mahal. The result: an awe-inspiring structure, which is one of the most globally recognized symbols of grace and beauty. The Magnificent Monument / Built on a raised, square platform it is as tall as a 20-storey building. You enter through an imposing gateway. The complex consists of an elaborate garden set in the typical charbagh style, a mosque, a guesthouse and several other charming buildings. The mausoleum itself stands at the farthest end of the complex, right along the Yamuna River. The signature central dome (58 ft in diameter and 213 ft high) is truly magnificent and is echoed in the smaller domed chambers on all sides. The four slender minarets that rise from the corners of the mausoleum complete the picture of symmetry. The undisputed majesty and beauty is further reflected in the exquisite artistry created by inspired artisans from Baghdad, Shiraz and Bukhara. Exquisite floral patterns and calligraphy on both the exterior and interior were inlaid with precious stones such as jasper and agate. Quotations from the Koran were etched into stone archways; a pinnacle was set on the central dome; and thus came to life the most splendid resting place a lover could ever hope to find on this planet! By Ravi Kunjithai / Beautiful intricate abstract design bursting forth in hues of light blue and gray, yellow / orange, and even a hint of rose, all interspersed with lovely metalic golds. All artwork is © Rhonda L. Hall, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent.
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Abstract fractals / / / DATE OF CREATION : 2008.01.20th / / / © 2008 Nodakami
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My inner rumblings reflect my personal trials, dreams, needs and obligations. My Artwork reflects who I am! THOU SHALT NOT STEAL MY ART / / Fractal / Smudge Art TM. / Photography / By: Madeline M. Allen Thank you for viewing my work. Image copyright © 2008, Madeline M. Allen / Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited.
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Surf
by ToastedGhost -
Digital fractal.
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Digital fractal.
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Digital Flame Fractal.
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Digital flame fractal.
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Thanks for taking a look . Fractal ~ P.S.
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Fractal and digital layers. /
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History of Jewelry As decorative objects, jewelry is usually made of platinum, gold, silver and other precious metals often set with precious and semi precious stones. Jewelry is also made from various non-precious materials like glass, corals, wood, enamels, ceramics, bronze, copper, lead, gun metal, fedders and bone fragments. Since prehistoric times, jewelry has been worn by women and men on many parts of the body including the neck, head, wrists, waist, fingers, ankles, nose and ears. Archeology provides us with significant information on the jewelry of ancient times. For ancient Egyptians the most popular ornaments were signet rings, elbow bracelets, diadems, necklaces and bracelets made of stone or glass beads. The jewelry articles found in burial tombs provide us with vast information on the history of jewelry making in ancient times. The most important finding – Tutankhamen’s tomb discovered by Howard Carter – was filled with hundreds of priceless objects of egyptian art. In the burial tombs of Mesopotamia and the Near East, dated thousands of years BC, archeologists have discovered large quantities of jewelry made of gold and silver – rings, earrings, pendants, crowns and diadems. The similarities in design and style to Egyptian art, found in different parts of Mesopotamia and Persia, points to undeniable evidence of the interaction and trade between people in this part of the world.In the same period and until 400 BC Greek and Roman jewelry showing striking similarities – rings, earrings and necklaces were made using chains or wire links, with thin foil formed into leafs and ornaments. Stampato was often used as well as enamels. In later periods, mosaic was widely used in jewelry such as brooches, pins and bracelets. Gold coins connected together to form necklaces were common in Greece and Italy, as well as cameos of sea shells and corals. During the Etruscan period 700 and 500 BC, most of the jewelry was imported by Mediterranean merchants. Stampato articles were the main element which was later refined by Etruscan craftsmen to a higher degree.During the medieval period jewelry continued to exhibit the Roman artistic tradition with some regional variations. Articles made of precious and semi-precious metals were often inlaid with thin sliced colored gems, especially garnets. Enamels, the animal motif and the cloisonne tradition began to reappear in various parts of the continent. The most popular types of jewelry during this period were brooches, pendants and pins of religious motifs, mainly crosses inlaid with gems, enamels and pearls. Emblems increasingly became an important addition to a woman’s dress. Jewelry continued to evolve during the Renaissance period of the 15th-17th century and began to establish itself as one of the most important parts of fashionable clothing. The jewelry of this period is characterized by rich gamma and distinct classical architectural elements. Enamels, pearls and precious gems of different shapes began to play a much more important role in jewelry fashion. In the 17th and 18th Centuries, diamond jewelry became popular and jewelry began to express changing trends in fashion. The popularity of diamonds was on the rise thanks to the invention of a revolutionary new stone setting technique – the prong setting, which multiplies the brilliancy of a diamond. At the same time, along with precious metals other metals such as gun metal, cast iron, copper or melhior (german silver) were used in jewelry manufacturing. Engraving and stampato, along with gems and multicolor inlaid gold, were often used in mass production. Sets comprising a tiara, ring, earrings, and necklace or pendant became an important part of a woman’s outfit. At the end of the 19th century, jeweled accessories became very popular. Small snuffboxes, jewelry boxes, perfume bottles, watch cases, dresser accessories (combs, mirrors, brushes, scissors, etc., often finished with enamels), mother of pearl and egg-shell pieces were manufactured in Europe by artists such as Carl Fabergé. The beginning of the 20th century was characterized by the beginning of a new era in jewelry making. René Lalique, the French glass and jewelry designer, perfected the art nouveau movement first invented by Louis Comfort Tiffany. René Lalique’s stunning creations which featured nature themes using semiprecious gems, plick-ajour enamel, carved ivory and colored glass, are displayed in many museums throughout the world. At the same time, state of the art objects made of sterling silver began to emerge throughout Europe and the United States. In the 1920’s, Art Deco, another popular movement, was introduced in France. Art Deco incorporated geometric shapes not only in jewelry, but also in many aspects of decorative art.
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This work reminds me of magic boxes with balls. The boxes are transparent and that gives this work a more magical feel. / Fractal artwork created with Apophysis 2.08 3dhack. Designer: Thea Walstra / CanDuCreations / /
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This work reminds me of the travelling to the moon period and finding new planets and stars. / I created this fractal artwork with the 3d program Incendia and did some post-work with PSP and Photoshop. I am happy with this first result I hope you too. Designer: Thea Walstra / CanDuCreations / /
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A fractal created in Tierazon, converted to mono and slightly toned. It reminds me of silk and lace.
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Another one of my fractal designs posted for show and sale. These look way better on cards. lol!! Cool!
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I have over 200, lol!!! Here’s one of them, kinda a fall theme to this one here.
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This fractal artwork reminds me of a sci-fi scenery somewhere in universe. The hearts are flying and following the first one. I created this fractal design with Incendia. I used Photoshop to add the little stars. Designer: Thea Walstra /
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This fractal design reminds me of flowers made of gold. / I created this work with Incendia. Designer: Thea Walstra / /
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This fractal reminds me of a bright shining blue star. I created this design with Apophysis 2.08 and an imported script. I played with the parameters until I got this endresult. Designer: Thea Walstra / /
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Fractal design created with Apophysis 2.08 beta Designer: Thea Walstra /
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Made with Ultra Fractal; bolts of silk that I found in a very special market…Thank you very much for the support and faves. :)
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featured in I Got the Music in Me 09-18-2009 / featured in Back in Black 09-16-2009 / featured in Creative Cards 09-11-2009 Don’t be light / Don’t be light / Maybe like me / Don’t be light / Wild life / The grey surprises of our days / Singing in caves / Fabricating a new abandon / We don’t see the master’ hand / We bang on gold tamourines / In the cross hairs of some transient gun / Trading desires on the banquet line / La la la la / Incendia and a hell of alot of editing in PSP! :) / /
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