Canva winter
153 creative works found
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/ / Thank you so much Michelle for standing still!!! =) Shot with a: Panasonic FZ50 Shutter time: 25 seconds Aperture: F 2.8 /
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Acrylic On Canvas
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“Seasonal Transition” by Karon Melillo d’Vega / Original Acrylics Painting measures 16 inches x 12 inches I painted this winter scene using Acrylics exactly 22 years ago in September 1986 Featured Work in the group Landscape Paintings / Featured as cover image in the Landscape Paintings “Snowflakes” challenge
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/ Winter Whisper is a self-portrait taken from Jaeda DeWalt’s series of the same name and is a part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / visit the rest of this series . . . / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— /
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One in a series of four images. / Now available here at Red Bubble as a print. / Original: Oil on Canvas. / Size of original painting: 4 ft X 3 ft / - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - / / “A big part of the Red Dust Girl series was about trying to convey a sense of living in a regional area or a situation far from the influence of a metropolitan city. I wanted it to reflect a celebration of outback Australia, of the people living there each day of their lives and of the purity or innocence that can be found in such a seemingly baron and harsh landscape. / / Painting can sometimes be a very individual pursuit or in my case an infatuation, so I also wanted that series to express the joy (of all things) of being alone or separated, and of the contentment in that individualism. How “change” presented here as a metaphor (the seasons) can be a good thing and doesn’t necessarily need to change us as individuals. / / I knew that having a young girl or woman in the picture would be the perfect vehicle to present this idea. I’m not sure how the “floating” concept came about but I had previously painted a picture of a girl floating over the landscape and really liked the whole idea of the shadow beneath the feet etc. It certainly fitted the context of “separation” and when I mapped it out initially it just looked right. I decided that nothing in each of the four paintings would touch the ground, that the earth beneath her feet would remain unchanged through the seasons. “ - – - – - – - – - – - – - – - – - – - – - – - – - – - – - - - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – / THE “RED DUST GIRL” SERIES Review by Karl James At first glance, Leith O’Malley’s “Red Dust Girl” series invokes his love of contemporary illustration with its simplicity of design and striking power to just jump at the viewer. These large oil on canvas works are figuratively simple in composition but make no mistake, the paint work is delicious with luscious textures, tactile surfaces and collaged with natures discards. One wants to reach out and feel the very canvas. Full of outback hues, rich magentas, cobalt skies and desert ochre applied in buttery layers, these paintings have an underlying Australianess about them as the title of the series suggests. They also follow the seasons. Summer with its blazing, sizzling outback.. a sort of piercing Vincent heat, invigorating and maddening. Then there are the feather-like leaves of Autumn, falling about her and nesting at her feet. Thick and pillow soft, a season of calm reflection. Winter rain. Cleansing, ultramarine and diamonds, a cool tonic for the red raw earth. Finally Spring. All petals and newness, the simple joys of life, rebirth. A warm caress and motherly wonder. But who is the girl, this doll like puppet? Zen like in her calm yet so poetic and mysterious? Leith often incorporates metaphor in his work. Is she real or fictional? Or could it be “Eratos”, the artists muse guiding the creative spirit. Nothing is certain, but maybe we really see the artist here with his thoughts floating as visions do, bound not by the earth. Maybe he is like many of us, wary of change yet accepting of it. Of this new work Leith says “part of it is a reaction to living far from the city in a regional area. There is an underlying celebration of solitude and adaptation to my surroundings. That no matter what seasons bring we remain unchanged, and that isolation should be embraced. I believe in my own case it really is a stimulus for creativity”. If one looks beyond this little red dust girl of ponytail innocence and into those piercing cornflower eyes there is a knowing, an accepting. She hovers above the ground not at one with nature but unfazed by the seasons change, and like the hand that holds the brush, she adapts. More information here -
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Timeless winter view of beech on a Devon roadside bank. These being between Sourton and Bridestowe on the NW edge of Dartmoor.
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Paint horses hidden in the grass on the Pine Ridge Indian Reservation in South Dakota. If you aren’t paying attention, you will miss them when you drive by, so keep your eyes open!
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From an original Brenda Thour oil painting of Cardinals. Done as Christmas cards. Original available for purchase.
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A lovely cherry blossom with a ttv blended layer
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Smudge Art TM. / Photography By: Madeline M. Allen Thank you for viewing my work. Image copyright © 2008, Madeline M. Allen Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited
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LARGE VIEW recommended / / Visit my website On The Rock Photography
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Smudge Art TM. / Photography / By: Madeline M. Allen Thank you for viewing my work. Image copyright © 2008, Madeline M. Allen Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited
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An infrared landscape featuring one of the famous colleges of Cambridge University. Available for sale as: / Laminated Prints, Cards, Mounted Prints, Canvas Prints and Framed Prints
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Smudge Art TM. / Photography By: Madeline M. Allen Thank you for viewing my work. Image copyright © 2008, Madeline M. Allen Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited MY GALLERIES ON REDBUBBLE FRACTALS SMUDGE ART TM. / WALL ART / SMUDGE ART TM. / ABSTRACT / SMUDGE ART TM. / MUSICAL INSTRUMENTS / SMUDGE ART TM. / WHIMSICAL BIRDS / SMUDGE ART TM. FRAMED / ANIMALS / BIRDS / SUNSETS / LANDSCAPES / FLOWERS / NEWFOUNDLAND CANADA / COLLABORATIONS / FAMILY / ALTERED PHOTOGRAPHY / BLACK & WHITE PHOTOGRAPHY MY CARDS / INSPIRATIONAL CARDS / CHRISTMAS CARDS / VALENTINE CARDS / EASTER CARDS MY T-SHIRTS / BASIC BLACK T’s / BASIC WHITE T’s / FLOWER POWER T’s FRISCO / VALENTINE T’s
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Smudge Art TM. / Photography By: Madeline M. Allen Thank you for viewing my work. Image copyright © 2008, Madeline M. Allen Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited
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A joint effort in work. The poem my husbands, the background a digitally remastered image of a photograph taken by me ‘Spirit in the Sky’. When autumn turns to mellow gold, / When winter white is due, / Then all the colours in my mind, / Are there because of you. When spring brings daffodils of gold, / And summer clear blue skies, / Just like my love that never fades, / My love that never dies. A fairy-tale of rainbows, / Bring Taiche each day and night, / And like a silver shimmering star, / You’re there – my guiding light. A thousand different colours shine, / They shine because of you, / And every different colour paints, / The love I feel for you. My myriad of colours burst, / Each day into my life, / Those colours are a canvas of, / My love, my Taiche, my wife.
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I created this 16×20 original oil on canvas as a model for an art class I was teaching. The scene looks out over a snow covered pasture on a winter’s day. Comments or critiques welcome. This painting is available for sale. Commissions also taken.
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ORIGINAL, PROFESSIONAL PHOTOGRAPHS TAKEN ON MY TRAVELS AROUND THE WORLD. / VARIOUS TECHNIQUES HAVE BEEN USED TO MANIPULATE AND CHANGE THE IMAGES. PHOTOGRAPHS HAVE ALSO BEEN USED TO CREATE ORIGINAL WORKS ON CANVAS. / DIVERSE IN SUBJECT, THEIR STYLE RANGES FROM WATERCOLOUR PAINTINGS , OILS, PALETTE KNIFE WORKS, CHARCOAL AND PASTEL TO POP ART DESIGNS AND SOLARISED IMAGERY.
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Smudge Art TM. / Photography / By: Madeline M. Allen Thank you for viewing my work. Image copyright © 2008, Madeline M. Allen Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited /
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Airport Munich, Germany – late December / White frost, fog and damp cold created this eerie winter landscape. The scenery looks and feels as if it would be on another planet, or a scene from a sci-fi movie, well rounded by the hint of red in the sky. Example Matted Print /
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ORIGINAL, PROFESSIONAL PHOTOGRAPHS TAKEN ON MY TRAVELS AROUND THE WORLD. / VARIOUS TECHNIQUES HAVE BEEN USED TO MANIPULATE AND CHANGE THE IMAGES. PHOTOGRAPHS HAVE ALSO BEEN USED TO CREATE ORIGINAL WORKS ON CANVAS. / DIVERSE IN SUBJECT, THEIR STYLE RANGES FROM WATERCOLOUR PAINTINGS , OILS, PALETTE KNIFE WORKS, CHARCOAL AND PASTEL TO POP ART DESIGNS AND SOLARISED IMAGERY.
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“An old Cherry tree graces my garden. For many years the Cherry tree has kept me company in the afternoon hours bathed in warm sunlight. In wintertime, the dark and rugged bark endures bitter snowy days and shows signs of a long life lived. / / Much to my surprise, one day during this spring part of its old and worn bark became loose to reveal outstanding vibrant colours underneath. A rich shade of ochre, gold and glossy chocolate brown was unveiled, stirring my soul. / / Like a window to the soul of my Cherry tree, this gleaming collage of intricate design speaks of the incredible power of renewal that Nature holds.” / / / / / Artist statement / My photographs are not enhanced; they represent the true nature and colours of the subjects as captured by the lens. I never lure my animated subjects to come close to me: spontaneity is the key. / / This is an original uncropped image. / / / / / /
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