Canva oil original
325 creative works found
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Click on the images below for a more detailed close-up / / “Finches On Parade” is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing 16 X 60 inches / 41 X 153 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ..................................................................................
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The sound of birds early in the morning. Best music of all… Oil on Stretched Canvas – No Airbrushing 37 X 42 inches / 94 X 1107 cm Original : / $3000 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ....................................................................................
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The lyrically fluid movement of the ocean against the sand on a calm quiet day. . . Oil on Stretched Canvas – No Airbrushing, etc 36 X 55 inches / 92 X 140 cm Original : / Sold / contact my Agents at Gallery 112 / ...............................................................................................
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Click on the image below to see the entire artwork / Excerpt Two is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / .........................................................................................
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“Give me a big Mother / One that will always want me / Hot, embracing Mother / I can crawl upon / and cling to…..” / Lyrics by the Sugarcubes Oil on canvas from a series of Mother Earth paintings and drawings / Original painting in private collection /
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/ The work of my wife, Margaret Zita Coughlan. www.margaretzita.com/ / Oil on Canvas, I just took the Photo.
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There is a type of quiet peaceful solitude that one can only experience in a park Oil on Stretched Canvas – No Airbrushing 36 X 56 inches / 92 X 143 cm Original : / Sold / contact my Agents at Gallery 112 / .......................................................................................
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My favourite picture, it is hanging in my entry. He has a face only a mother could love. / Could never part with the original, but happy to share prints. Original oil on canvas.
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. . . I finally did it. / The most addictive substance on earth Oil on Stretched Canvas – No Airbrushing 48 X 48 inches / 122 X 122 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .....................................................................................
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I have tried to keep the butterfly and its shadow to scale to give the impression of a real butterfly about to land on someone’s T-shirt
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Minimalist Landscape study of the Trees & Hills as they are seen far off out on the horizon Oil on Stretched Canvas – No Airbrushing 36 X 66 inches / 92 X 168 cm Original : / $1500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .............................................................................................
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I’m nothing…I am because there’s the Sun…only then….I can be alive…So it’s the blessings of the Sun that we thrive on… Inspired by the ancient ways of Sun worship in the Hindu mythology and many religions worldwide.. This painting depicts the five elements, Earth / Water / Air / Sky and / Fire Oil-on-canvas / 36 X 24 inches This inspired poem is by a dear and a departed friend HAFIZ … I want both of us / To start talking about this Great Love As if You, I and the Sun were all married / And living in a tiny room. / Helping each other to cook, / Do the wash, / Weave and sew / Care for our beautiful / Animals. We all leave each morning / To labor on the earth’s field. / No one does not lift a great pack. I want both of us to start singing like two / Traveling minstrels / About this Extraordinary Existence / We Share, As If, You, I, and God were all married And living in / A Tiny / Room / Water melted from iced melted… / The lake of the new dreams.. / where the reflections of the love they share… / will get into the ear.. / travelling along the sun beams…. / down… there.. / into the profoundity. / Rosa (Beautiful picture… and wonderful poem….just tell your friend…)
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The erotic emotions of a woman deep in her own romantic thoughts Oil on stretched canvas – No Airbrushing 36 X 24 inches / 92 X 61 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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The work of my wife, Margaret Zita Coughlan. www.margaretzita.com/ / Oil on Canvas, I just took the Photo.
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Original / Hand Painted / Oil-on-canvas / 24 X 20 inches ( I CONDEMN THE WAY THE NAZIS MISUSED THIS 1000’S OF YEARS OLD HOLY SYMBOL ) • The Nava Graha Theory • Hindus and many other religions worldwide, since ancient times, believe that the Nava Grahas (The Nine Celestial Houses) influence man to a great extent. The nine houses being, The Sun in the centre, (Then clockwise from top) Venus, Moon, Mars, Ketu, Saturn, Rahu, Jupiter and The Mercury. Each one of the nine houses have their own distinct Color palettes, Gems, Metals, Foods (Grains), Moods, Abilities, Attributes, Positive and/or Negative influence on the Earth and subsequently the life on earth which includes us! • Hindus, Budhists and many religions, since ancient times have also recognised the power of the Holy symbol of Swastika and have worshipped it as a symbol of an auspicious beginning as well as in many other forms…. My interpretation of as to how the symbol of Swastika came into being is, by joining each house , with straight lines ( as shown in this painting). ( After speaking with many learned people and scouring the internet etc., I’m yet to find a reference to this theory anywhere, so I guess, it’s my own interpretation as an artist.) Or is it my discovery through my art, that the swastika, which is a 1000’s of years of old symbol, was originally formed from the Navgrahas? This question remains…unsolved, yet… Although…I CONDEMN THE WAY THE NAZIS MISUSED THIS 1000’S OF YEARS OLD HOLY SYMBOL…
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Click on the image below to see the entire artwork / Excerpt One is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / ...................................................................................
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/ / / / oil on canvas painting by VioDeSign, pears
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Original oil on canvas. This one took a lot of concentration but worth it in the end.
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Hand painted / An experiment with / Enamel+Oil-on-Canvas / 18X18 inches The Nava Graha Theory The Hindus and many other religions worldwide, since ancient times, believe that the Nava Grahas (The Nine Celestial Houses) influence the earth and man to a great extent. The nine houses being, The Sun in the centre, (Then clockwise from top) The Venus, The Moon, The Mars, The Ketu, The Saturn, The Rahu, The Jupiter and The Mercury. Each one of the nine houses have their own distinct Color palettes, Gems, Metals, Foods (Grains), Moods, Abilities, Attributes, Positive and/or Negative influence on Earth and subsequently the life on earth including us all….. The Holy Code has more details…
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Portrait of Mary Shelley - Caught Between the Moon and Candlelight (1797 - 1851)
by Barbara SparhawkUS$4.99–US$133.00
Mary Wollstonecraft Godwin Shelley, Writer, Poet, Shooting Star. Oil on canvas. / The author (at 18 years old) of FRANKENSTEIN. A woman of such profound personal courage, of stunning highs and lows, it boggles the imagination. Mary, I adore you. / A rebel who dodged convention, whose parents were famous free-thinker free love radicals, whose mother died giving birth to her, who was sent to Scotland at 15 for a good education, and who ran off to live with two of the most famous, revered, dangerous, and notorious wild-men poets (when poets ruled) Percy Bysshe Shelley and Lord Byron. It had to be like setting up housekeeping with Mick Jagger & Lou Reed. / Ostracized for romping through English tradition, she and Percy Shelley eloped to France, then moved into a castle on Lake Geneva with Lord Byron, proceded to practice Latin & Greek, write, live, and outdo each other. The very good looking bad boys were notorious for debts, affairs, abandoned children, sexually extravagant lives, and a trail of broken hearts. But they wrote gorgeously. Percy Shelley & Lord Byron remain two of the finest poets of the English language. / In what she called “a waking dream” teenaged Mary Shelley started to write Frankenstein, and published it finally under her own name, producing one more shock that an English woman could conjure stirring horror. She and Shelley traveled, changed countries like you’d change socks & became increasingly famous. Mary was pregnant many times, but six children miscarried, or heartbreakingly lived, to die as toddlers. One boy survived adulthood. She was in and out of depressions, trying to keep Shelley happy and produce her own original work. In rough Italian seas near LaSpezia, the accomplished sailor and non-swimmer Percy Shelley drowned. He was 29. Mary was 25, and felt her life ended. The extremes of drama that populated all their days astonishes. Lord Byron and a friend made a pyre on the beach to burn Percy Shelley’s corpse when it washed ashore. One of the two cut out Shelley’s heart (not an uncommon impulse at the time) and after arguing over who should keep it, decided to send it in a box, unannounced, to Mary. / At a time when women had limited rights, freedoms or possibilities, she turned her back on what she was told she must do, with gusto. What is, after all, an ideal life. She risked far more than her peers ever dared. She did not have an easy time of it. But she chose not embrace the comforts or society that would have driven her mad. It’s more than fair to say this woman really lived. Mary Wollestonecraft Godwin Shelley was dead at 53. ABOUT THE PAINTING: There are only 2 or 3 exisitng portraits of Mary Shelley, and one, painted by Richard Rothwell in 1840, was my reference. It is a peculiar painting of her, age 43. When tackling historical figures, one has to account for rigid art standards of the times. I tried to eliminate what might have been purely the painter’s imposition. Along with what I suspect was a purge of her wild history and monster story telling (making her nice, & vapid) he gave her features considered beautiful then: a long oval face, an extraordinarily high brow for heightened inteligence (same things the Greeks did with that full flesh at brow level) thin lips to prove a lack of avarice, matronly to suit her widowhood, and shoulders in such a drastic slope they deny a skeletal structure. (The Rothwell portrait is on Wikipedia under Mary Shelley’s name). All that seemed an exaggeration, his portrait does not look real to me. So I left in her high cheekbones, softened the oval and lowered the forehead a touch, gave her a fuller mouth, kept the deep eyes. I painted Mary Shelley as the 18 year old who wrote Frankenstein, with thoughts of ghoul and goblin fleeting across her eyes, sensing terrors to come, uncertainty in the present, having to rely primarily on herself, an active imagination, great mind and fabulous story teller. / I have her between the moon and candlelight because it seems to me that’s where she lived. / The Hawks Perch
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/ / / the original still life (oil on canvas) with pears on a dish by VioDeSign
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“Astro Boy” strives to render the iconic cartoon character to look as realistically three dimensional as possible in an attempt to give Astro Boy what he’s always wanted – to be as human as possible. The Pinocchio of the robot world… Oil on Stretched Canvas – No Airbrushing 24 X 16 inches / 61 X 41 cm Original : / $900 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / ......................................................................................
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View from the air through the eyes of a seagull Oil on Stretched Canvas – No Airbrushing 48 X 48 inches / 122 X 122 cm Original : / Sold / contact my Agents at Gallery 112 / ......................................................................................
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