Canada painting
427 creative works found
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A couple of homes from the pioneer days put to rest in the river valley.
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Lawn bowling club on legislature grounds.
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Yellow flower isolated on a black background. / “Evening Bloom” was featured in the group All About Flowers
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Trees casting long shadows in a park at night. “Long Shadows of Summer” was featured in HDR Photography
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featured in the group Architecture and cityscapes. shot on the legislative grounds in edmonton, albert, canada, 2008.
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The river valley in edmonton, alberta, canada. Tried to create a hyper real effect by pushing the raw setting. It gives it a simulated HDR feel. I also applied an Orton type effect to it after converting to black and white, I think this is representative of winter in the capital city.
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For over half my life, I lived in small town Alberta. A town of 6000 people, mostly farmers, ranchers and blue collar workers. I couldn’t get out soon enough. Now, after living in the City for 12 years, I can’t wait to get back, if only for a few days. The town is surrounded by fields of Canola and Wheat. An island in an ocean of crops like the one you see now.
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A close-up flower shop with various editing techniques used. Originally shot with flash at night in Edmonton, Alberta, Canada, summer of 2008.
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The High Level Bridge in Edmonton, Alberta, Canada spanning across the North Saskatewan River in the winter of 2008. Originally shot in color then converted to black and white. I applied a slight Orton effect after pushing the raw settings to expose a little more of the dynamic range.
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I am really fond of the hyper real effect and try to incorporate some of it into my work. Not HDR, but pushing the raw settings to create an extended dynamic rangr effect. Sometimes it works. Other times it does not. Shot at Capital Ex in Edmonton, Alberta, Canada, summer of 2008.
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There is something magical that happens when you walk into a tent of butterflys. Immediately, your world is tranformed into a scene from Legend (http://www.imdb.com/title/tt0089469/). Butterflys swarm you and stick to every part of your body. It’s awesome. / featured in ! # 1 ARTISTS OF REDBUBBLE !
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Never let a bad lettuce go to waste. “Wilt” was featured in Dirty pretty things.
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Times are tough. The economy is bleak and people are suffering on a global scale. Myself included. My frustration and depression are my inspiration for this shot. I wanted to create an image that could express these feeling and at the same time remain faceless. In other words, i am just another person you pass in the street or sit next to on the bus. Suffering in silence. 709 views “Distress” was featured in Pleasure & Pain / Featured in Photographers self portrait / Featured in Black and White Photographers / Featured in Self Expression
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I’ve been really interested in doing still life photography lately and experimenting with light setups. Fruits and vegitable seem tailor made for this kind of work. “Three Bananas” was featured in the group Olympus and Four Thirds Group
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Part of my “found it in a dollar store” study. Amazing what you can find there.
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When I walk into a dollar store this is what i see. “Bouquet” was featured in Live, Love, Dream
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Another dollar store goody. That place has a ton of inspiration.
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I was recently inspired by the bronze and marble sculpture by Auguste Rodin “The Thinker”. I have been accused of always thinking and Rodins sculpture says it all. I tried to pose to reflect that image but, regardless of how natural The Thinkers pose appears, I found it to be totally unatural. It’s given me an even greater appreciation for the work. Featured in Black with a hint of colour 168 views
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This is my oil pastel drawing based on this photograph of a 1965 (?) Chevrolet Corvette Stingray convertible that I spotted in the parking lot of Emerald Plaza on Merivale Road in the Ottawa suburb of Nepean in July 2007. I chose to illustrate this photo because I was looking to draw a Corvette anyway, and I really liked the reflection of the scattered clouds over a blue car.
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This is an oil pastel drawing I did commemorating the awesome time that someone parked a Ferrari F430 in the supermarket parking lot in which I work (Food Basics in the Merivale Market plaza on Merivale Road between Clyde Avenue and Baseline Road in the Ottawa suburb of Nepean). It’s based on this dutch angle photo of the Ferrari F430 that I spotted in May. The drawing is oil pastel on poster board (Bristol Board) and measures 28 inches by 21 inches. I mainly used Mungyo medium and wide oil pastels as well as Reeve’s medium oil pastels for the bulk of the colouring, but I must give an appreciative nod to Pentel Oil Pastels, which are easily the best narrow oil pastels I’ve tried for finer details in that they’re sturdier than the other narrow ones I have and didn’t break in two the moment I applied any pressure to the card. It took me three weeks to draw this, though I could probably have drawn it in a couple of days if my time wasn’t split between work and various other time wasters. I wish I had a way to scan this because the photograph I took doesn’t actually capture all of the subtleties of the shading, especially on the front bonnet. Alas, the only place in Ottawa that I could find that does full-sized art scanning charges triple digits to scan a piece this size.
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Here the bones of the planet show through. Scraped raw by two miles of ice, it has taken thousands of years for enough earth to accumulate to support life. Here it is, waiting for another winter and the nourishing spring melt.
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Here an individual, representative of a line long coddled and protected, has escaped the confinement of its ordered world. It has rooted and adapted and now thrives in alien soil. It does not compete with the indigenous inhabitants, but has adapted to foreign soil, while yet maintaining its own heritage and beauty.
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Nature is change. The structure built by some human with straight, sharp edges, is now returning to its own, natural, more rounded and gentle form. And now it’s changed shape frames the autumn brilliance of leaves turned brilliant red and gold while they too change with the seasons. The contrast between deep shadow and almost blinding colour rivals any effect achieved by the chemistry of artisans in glass.
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