Campus
197 creative works found
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This is a green house on the campus of cal State Long Beach many years ago. Took a late night walk and found this photographic opportunity!
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Title: Failure / Capture Date: 12/08/2007 / Dimensions: 3872×2495 / Exposure: 1/5 sec at f/5.0 / Focal Length: 65mm / ISO: 1000 / Filter: No / Flash: No / Uploaded Date: 12/08/2007 / Comments: I shot this at my nephew’s graduation from the University of Texas at Austin (GO Longhorns!). I just thought it was interesting that this chair was empty. / Please visit my site: – Charles Dobbs Photography and receive a 10% discount off my RedBubble Pricing when you order RedBubble Products directly from me! © 2008 Charles Dobbs Photography. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Charles Dobbs. Any reproduction, modification, publication, transmission, transfer, or exploitation of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.
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Beauty of architecture and nature.
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Memorial Church at night in the Stanford Campus
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Canon 1Ds MKIII / 70-200mm L HDR image from 3 different exposures. Sold as Matted Print to an unknown RB buyer, thank you!
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An aerial view of Napier University at Craighouse Campus, Edinburgh, Scotland. A fabulous set of Grade A listed buildings close to the central district of Morningside, with its numerous shops, cafes and bars. Craighouse campus, set in woods and parkland, is home to Music, the arts and social sciences. Craighouse currently houses part of the School of Creative Industries with Communication Arts and Music courses based here. The campus is also home to many service departments including the University Principal’s Office. Craighouse is one of eight Napier campus sites spread over Edinburgh. BEST VIEWED LARGER Related shots can be found at: Edinburgh and Lowland Scotland. / To see more aeriel views of Edinburgh, click on any of the pictures below /
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It is said that you wait for a bus and then three arrive all together. Today, a wet rainy miserable “summer” Thursday, was one such. / Unbelievably, I saw several butterflies, there was VERY good news from the hospital and then, this, a baby stoat playing in the wilds of the University of York campus. / It’s rare enough to see one of these elusive little creatures, but to actually photograph one is a dream beyond imagination. And on such a special day too (also my long ago first dog’s birthday. Happy Birthday, Lassie) / 140808 / SH50 crop only / 140808 This sky where we live / Is no place to lose your wings. / So love, love, love. / Hafiz حافظ Human beings are members of a whole, / In creation of one essence and soul. / If one member is afflicted with pain, / Other members uneasy will remain. / If you have no sympathy for human pain, / The name of human you cannot retain. / Saadi “Of one Essence is the human race, / thus has Creation put the base; / One Limb impacted is sufficient / For all Others to feel the Mace ” / —Saadi (1184–1283) “There is only one sacred manuscript, the sacred manuscript of Nature, which alone can enlighten the reader.” Hazrat Inayat Khan All profits from my sales will be donated to Butterfly Conservation. My Images Do Not Belong To The Public Domain. All images and writing are copyright © jesika 2005-2009. All Rights Reserved. Copying, altering, displaying or redistribution of any of these images without written permission from the artist is strictly prohibited. picasaweb
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Big Man On Campus Perfect for alumni from the University of Life
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This image was taken on the Berry College campus in Rome, Georgia. The Berry campus is the largest campus in the world at nearly 30,000 acres. It consists of fields and forest and mountains lands which have designated portions open to the public for hiking, cycling, horse back riding, and other outdoor activities. The large deer population is reputed to outnumber the students by eight to one! About half the campus is a wildlife refuge where no hunting is allowed. The other half (almost 16,000 acres) is managed by the Georgia Department of Natural Resources where hunts are managed in an attempt to control the deer population and provide recreational opportunities within department regulations. With a permit fishing is allowed on some of the campus lakes and streams. Other wildlife often seen on campus are wild turkeys, seasonal ducks and geese, skunks, and squirrels. Please don’t copy or download this image. My photos may NOT be reproduced and/or used in any form without my written permission. If you want this photograph, I would be honored for you to purchase it. ©2008 Patricia Montgomery | Bucks Mountain Galleries | All rights reserved.
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Taken on a Holga plastic ‘toy’ camera.
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Title: The University of Texas Tower / Camera: Nikon D80 / Capture Date: 12/0/2007 / Dimensions: 2572×3842 / Exposure: 1/45 sec f/16 / Focal Length: 50mm / ISO: 100 / Filter: None / Flash: None / Tripod: None / Uploaded Date: 01/09/2009 / Comments: The 307-foot tall UT Austin Tower, designed by Paul Cret of Philadelphia, was completed in 1937. Through the years, the Tower has served as the University’s most distinguishing landmark and as a symbol of academic excellence and personal opportunity. Hook ‘em Horns! © 2007 Charles Dobbs Photography. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Charles Dobbs. Any reproduction, modification, publication, transmission, transfer, or exploitation of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.
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This is the Hyde Hall ramp at Plymouth State University after our latest storm. This is also the building in which I work – as we were coming in this morning I couldn’t resist going back to this doorway with my camera! College is where dreams are made and become a reality – this gives it a bonus! The snow was still sticking to just about everything and giving our ramp a totally new look! As Is, Untouched straight from camera taking in Plymouth, NH. 02/19/09 8:15am.
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“Shot Info” / Nikon D700 / Lens 70 -200 mm @70mm / ISO 200 / Exposure 1/ 1000 sec. / Aperture priority f6.7 / Snowy River Campus Students ready to learn Surfing /
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Bloom at the University of Oregon Campus. Eugene, Oregon
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A classic example of style from The Roycroft Campus Artisans The Roycroft Inn / East Aurora New York. Leica V-Lux 1.
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A classic example of style from The Roycroft Campus Artisans The Roycroft Inn / East Aurora New York. Leica V-Lux 1. / PLEASE NOTE: All images copyrighted to © JKKimball (All Rights Reserved – Worldwide). No image (in whole or in part) is to be reproduced, downloaded, copied, duplicated, modified, sampled, redistributed or archived without the written authorization of JKKimball /
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A night view of an oft-photographed museum on the University of Minnesota campus.
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Taken at ECU Joondalup campus, Western Australia leica MP, noctilux 50mm lens, Ilford 400 b&w film / Applied antique filter in Nik Silver Efex pro
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Photography Campus tutorial: How to use layer blend modes in Photoshop
by Melinda Kerr/ www.photographycampu…
/ www.photographycampus.com Hi Guys. / Some of you may know I’ve recently started writing for DESKTOP magazine about all things photography and photography post production. I am ‘soon’ going to launch an on line learning portal (subscription based) called the Photography Campus which will have video tutorials about photography & videography by real live working professionals. Anyway, I promised a few people that I’d put the articles up here once they’d gone to print. So here’s the November issues article: How to use layer blend modes in Photoshop. As creative folk, we have a wonderful knack of ignoring things when they get too technical. / For most of us, our left brain left years ago, tired of the lack of love and relentless mocking from its hyperactive sibling, the right brain. / It’s little wonder then, so many software functions are overlooked due to their, eeky – geeky – speakiness. / Take the layer blending modes in Photoshop. They promise so much with fancy names like multiply, hard light, dissolve and luminosity. Yet a quick look in many Photoshop help files reveal evil words like algorithms, percentages and the arch rival of all creatives..Maths. Urgh. / In fact the layer blend modes are little rippers when it comes to fixing images and creating interesting effects. They’re non destructive, versatile and quite frankly everywhere. (Seriously they breed like rabbits in Photoshop). / And here’s the thing. You don’t actually have to understand all of them to use them. / By in large understanding the theory of only a handful will have you speaking fluent blending modes and impressing your arty-farty-party friends in no time. Now for some maths you’ll really like. Sure there’s 25 layer blend modes listed in the drop down menu of PS CS4, but in reality they fit into 6 sections and truth be told there’s only 3 you really need to understand. Check out this diagram. The three sections you’ll use the most are the darken section, lighten section and the contrast section. In these groups if you understand one mode, you pretty much understand them all. Here’s how do they work. In short blending modes effect the way the top layer blends with the layer below it. Depending on which blend mode you choose, you can make images look lighter, darker, more contrasty, a different colour or a handful of other styles. / The first group in our layer blends diagram we’ve called ‘whatever’ because it’s not really all that interesting. / Normal is well, normal – as in default, as in 100% opaque, as in nothing exciting to see here…move on. / Dissolve is kind of like the annoying guy at the party. He has one trick (reproduces pixels randomly so things look a little pointilized) and pretty much that’s it. It’s probably not something you’ll use much if ever unless you are that annoying guy, in which case, go away. / The ‘dark’ section modes you will use a lot. They ignore white but blend the dark and black pixels, thereby making an image look darker. The Lighten modes ignore black but blend the lighter colours thus the making an image lighter. The contrast modes ignore mid grey but still blend the light and dark pixels and as such / create contrast. / To see it work in practice, here’s an experiment you can do yourself. 1. Create a Photoshop file. / Make sure it has 2 layers. The top layer has a 100% black object, a 50% grey object and a 100% white object. / The bottom layer is green. Your layers should look like this: 2. Choose the top layer and go to the layer blend mode. Choose Multiply…but wait before you do, ask yourself…if multiply comes from the ‘dark’ layer group what will the result be? Yup you guessed it, it will ignore white pixels, so as you see the white object disappears, the 100% black remains the same because you can’t get darker than that and the 50% grey object makes / the pixels below it darker. Therefore the entire image becomes darker. It will look like this: 3. Now choose Lighten. It ignores black so the 100% black disappears, the 100% white remains because you can’t get lighter than that and the everything below the 50% grey goes lighter. As such the entire image gets lighter. The image should look like this: 4. Finally, choose overlay. It ignores 50% grey, so the grey object disappears and the white and black objects remain. Thus the image will show greater contrast. See: By understanding these three modes you effectively have a good idea of how others in their sections work (give or take a few discrepancies…) If you include normal and annoying dissolve that’s 19 out of 25 sorted before you’ve even ordered your second chai latte. / As for the other blends, rather than us explain them, here’s a way to see their effect with a nifty little keyboard shortcut. / Choose your move tool (V). Make sure the top layer is chosen in the layers box. Hold down the shift key and press the – and + tools. This will scroll through every layer blend style and give you an instant preview of what happens with each one. / So now you know the theory how can you use it in practice? / The most obvious use is to fix exposure. / Here we have Jessie the wonder dog posing in an overexposed shot. Because she’s black and white she provides a good test case. / Firstly we create a new layer above our background layer. We can either just press cmd or ctrl j to duplicate the original layer, or if you wish to keep file size down, you can just choose a Levels adjustment layer and leave it untouched. It will ‘inherit’ the information on the bottom layer and allow you to work the blend modes just as effectively. / We want to blend the darker pixels whilst leaving the whites alone. So we activate the top layer and choose multiply. Shazam instant gratification. You can also try out the other modes in the Darken section to see the variations you can achieve. Here’s the before and after: Jess before multiply: Jess after multiply: Ok let’s try an underexposed shot. And this time we’ll use the Linear Dodge mode form out ‘Lighten’ section. Jess before Linear Dodge: After: Finally in the following shot Jess is exposed OK but looks awfully flat. She needs contrast and that means a mode from the contrast section. Try Overlay. Much better. Before Overlay: After Overlay: Once you’ve used a blend mode you can use it immediately again to ‘multiply’ the effect of it. You can also use the most well known blend mode of all – the opacity slider. Say I wanted to lighten the underexposed shot even more, I could go blend > lighten. Then create duplicate layer of that new layer and choose blend > lighten again. If two blends were too much, I could simply dull down the second blend my decreasing its opacity, effectively creating a ‘blend and a half’. / As an example of using multiple blend modes in the same file check out the following shot. The shot on the left (of a hot rock pool at Yellowstone National Park) is the original shot straight out of the camera. The shot on the right was achieved by combining a mix of layer blends just from the 3 main sections we’ve talked / about; darken, lighten and contrast along with the opacity slider. Some blends were used more than once. / In fifteen minutes we had the shot on the right. It could do with more work but it does show you what’s possible in a short period of time. BEFORE (straight out of the camera): AFTER: I did use a couple of quick layer masks in there as well to determine which part of the image the blend mode affected. What are layer masks you ask? Well, that’s for the December issue of DESKTOP. / In the meantime happy shooting and remember, with any program fear not the names of the processes, just experiment with them until you find what works for you. Then gloat. Some keyboard shortcuts relevant to this article: Use the corresponding number on your keyboard to set the opacity level, eg want 80% opacity? Press 8. / 50% press 5 etc. You get the picture (and yes you can have that pun for free). / To duplicate a layer press CTRL + J (WIN) CMD + J (Mac) / To cycle through blend modes: Press the move tool (V). Holding down the shift key and pressing the plus or minus key lets you toggle through the blend modes. If you’ve made it this far congrats! They key is just muck around and have fun :) / Follow my photo tips & news on Twitter @photocampus
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A mighty oak tree in the Olin Park Conservatory park, Madison, Wisconsin
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A centuries old mighty oak growing in the forest of Madison’s Picnic Point off the UW Madison campus
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