United States
United States
CorelDraw Digital Cartoon Image. Man, woman, child, in peril?
/ “L’œil était dans la tombe et regardait Caïn.” / / - Victor HUGO, La Légende des siècles / / / DETAILS / this digitalart picture’s size is 4500×6750px. / click a thumbnail for a real-size detail from the original / / / © 2007 Nodakami
A nice old home in the Ghost Town of Bodie. The windows are not broken…
CSI Miami Horatio Caine sunglasses with flames reflection – BURN BABY BURN
Nearly 40 years ago a movie was released that over the years has become cult classic. A dodgy remake later and the original movie is now the stuff of film legend with great action sequences and stunts and some superb one-liners from a cracking cast. The stars of The Italian Job were three Mk1 Austin Mini Cooper S’s, in red, white and blue of course. $4 Million through a traffic jam, hang on a minute lads, I’ve gotta great idea …Lads…Lads…
The press loved the Mini on it’s launch in 1959, but sales were unimpressive, but when well known celebrities such as Paul McCartney and Twiggy became owners that the sales went through the roof. I’m pretty sure the Italian Job also had plenty to do with sales post 1969. The scene where the robbers’ Minis are chased through a sewer tunnel were filmed in the Sowe Valley Sewer Duplication system in the English city of Coventry.
jancainphotography.com © 2009 jan cain / creative commons
jancainphotography.com © 2009 jan cain / creative commons
© 2009 jan cain / creativecommons jancainphotography.com
I have an improved and better formatted version of this tutorial in my wordpress blog....
I have an improved and better formatted version of this tutorial in my wordpress blog. This tutorial will cover the development of my image Milky Way from Apollo Bay using a Canon 350D, a wide angle lens, Adobe Photoshop and an image alignment program called hugin. For this to be repeatable you must be shooting with clear dark skies, free from light pollution. I used settings of Tv: 20 sec, Av: f/4, focal length: 17mm and ISO speed: 1600. A shutter release cable is also a great tool and can keep your camera clicking as it sits on the tripod. The more images taken, the better for the final result, because this will improve the signal to noise ratio that plagues digital sensors during long exposures. A tracking mount is not necessary with a 20 second shutter speed because the rotation of the night sky is undetectable at such a wide angle. Please read the following steps for more information. All images are hyperlinked to larger sizes. 1) Download this zipped folder containing four of my unaligned shots of the Milky Way. 2) Load them into hugin_0.7_beta_4. 3) Manually align images with control points – don’t automatically align. I aligned three images to a common one. Enlarge the screenshot for details. 4) Click Edit – fine tune all points. 5) Click View – preview window. 6) Click Center and Fit buttons to achieve this view. 7) Click Edit – Optimise. 8) Click Stitcher – image format – multiple tiff . Final screen before clicking Stitch Now . 9) If you don’t want to worry about learning how to align the images with hugin, then you can download this zipped folder containing the four prealigned images of the Milky Way. 10) Load each image onto a new layer in photoshop adjusting the blend mode to screen which is good at lightening images without lightening the darkest areas. 11) Add a medium contrast curves layer. 12) Add colour balance layer: shadows (-90,-25,-10), midtones (-15,-5,-20), highlights (0,-5,30). 13) The final result For comparison’s sake, shown below is a typical accompanying jpeg to a raw file I began with for one of the individual images. I used Adobe Camera Raw to extract the jpegs provided in step 1 for processing. In closing, I’d like to point out this is not the only way an image like this can be captured; there is myriads of possibilities. I have developed this simple and inexpensive method by just experimenting with the tools at my disposal. Comments are welcomed. If you haven’t done so already, please check out another tutorial I have written: Layer Masks and Transparency Gradients for The Heart.
I have an improved and better formatted version of this tutorial in my wordpress blog....
I have an improved and better formatted version of this tutorial in my wordpress blog. This tutorial will cover digital blending in Photoshop CS3 using layer masks and transparency gradients. It is aimed at those who are interested in seeking alternatives to HDR (High Dynamic Range) processing. I would consider the usage of these techniques as digital graduated neutral density filters and although it can take some time to implement, I find the benefits to be: Preservation of intended colour and tone Complete control over contrast gradients Elimination of halo effects Elimination of fringing I will use one of my photographs, The Heart, to illustrate the method. 1. Download this zipped folder containing the two images to be used for blending and open IMG_1166 in Photoshop. 2. Press Ctrl+Shift+N and click OK to add a new layer. To place IMG_1164 on this layer go to File > Place and find where you saved it. Click the tick to commit the transform. 3. To create a mask, click the New Layer Mask (grey square with white circle inside) button in the Layers palette. To create a transparency gradient on this mask, first hit G to bring up the gradient toolbar and select a linear gradient. Then click and drag as shown in the following picture. 4. The next layer will be a photo filter so click Layer > New Adjustment Layer > Photo Filter and hit OK. Push the density slider to 100% and select a custom colour with properties as shown in the following picture. 5. Now apply another layer mask and gradient, as done previously, to restrict the photo filter to the sky. Change the blend mode to Linear Burn and opacity to 70% for the following picture. The Linear Burn blend mode is similar to Color Burn, but instead of increasing contrast, it decreases brightness to darken the base color and reflect the blend color. Now add curves layers to the foreground and then the sky. 6. Click Layer > New Adjustment Layer > Curves and hit OK. Then modify each of the RGB channels to reflect something like the following picture. 7. Change the blend mode to soft light and add a layer mask and gradient (this time in reverse) to restrict the curves layer to the foreground. This will produce the following result. The curves layer that targets the sky looks like this. 8. Change the blend mode again to soft light, opacity to 75% and create a layer mask and gradient to achieve the following result. 9. The final step involves adding a levels layer and changing its blend mode to ‘screen’ to boost the lighter areas. An opacity of 90% will achieve the picture shown below. 10. Straightening the horizon and correcting the barrel distortion yields The Heart. If you’ve found this useful please let me know. Feedback and discussion is welcome. If you haven’t done so already, please check out one of my other tutorials Photographing the Milky Way with a standard DSLR camera Cain Doherty
jancainphotography.com © 2009 jan cain / creative commons
M.C Cain Rockin the mic old school. John McCain spoof.
Three Black Swan cygnets.
© 2009 jan cain [MCN:C2EC2-5A76A-9E393] / creativecommons jancainphotography.com
Macro of cane chair Featured in the Featuring the Shadows Photography group Top 10 in the Wooden Lines Challenge Canon SX100IS This photo has not been enhanced edited or changed in any way. MCN: C9E07-36E92-FC427
jancainphotography.com © 2009 jan cain / creative commons
jancainphotography.com © 2009 jan cain / creative commons
jancainphotography.com
i wanted to thank everyone who took the time to check out my most recent series and as well wanted to let u all know that i have put ‘offerings’ up on my site in the gallery as a slideshow… if anyone is interested in taking a look. thank you all again for ur kind comments and support. “offerings”: jancainphotography.com
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