Build yellow 

460 creative works found

  • Whalehead Hunt Club
    by Andy Mueller IPA

    US$4.84–US$129.20

    Image is of the Whalehead Hunt Club in Currituck, North Carolina. Currituck lighthouse on the left, active Osprey’s nest on far left chimney. I currently consider this my “masterpiece”, the colors, the sky, the reflection, the fact that the lighthouse is also visible, etc. HDR image of multiple bracketed images merged into one. This is one of my favorite places to go to, it is my sense of “place”. Click on the thumbnail below for a view of the back porch / Sadly, just went down there after Hurricane Noel (11/3/07) and the Osprey’s Nest is no longer there, as seen by clicking here: /

  • Ciel'oro di Venezia
    by Daniel Rarela

    US$3.99–US$106.40

  • Sailor's Friend
    by royce

    US$3.71–US$98.80

    Light house @ evening time

  • The Times Weren't Right
    by JayCougar

    US$3.56–US$95.00

    So I Thought – Flyleaf - Ignorance is bliss cherish it / Pretty neighborhood / You learn too much to hold / Believe it not / And fight the tears / With pretty smiles and lies / About the times You can hear the song on Flyleafs PureVolume page

  • "Paint The Sky"
    by Birgitta

    US$3.56–US$95.00

    Another day at the office… (though I don’t work here, I couldn’t resist shooting it.) / / >featured< / / / /

  • Soft-Nights and City-Lights
    by JayCougar

    US$3.56–US$95.00

    Enjoy!!! _

  • Old Mill
    by Kara Rountree

    US$3.42–US$91.20

    This is the Old Mill in West Virginia. I just loved the look of it and had to take this shot. Other sets by Kara… / NATURE / LANDSCAPES / PEOPLE / POEMS / PORTRAITS / SPORTS / SUNSETS / TRAVEL / ARTISTIC WORK / BOUDOIR / OTHER

  • Comic Melbourne
    by Tom Trinca

    US$3.68–US$98.04

    I’ve wanted to cartoon the CBD for ages, I’ve held off because it takes so damn long to complete with all the little details.

  • Melbourne Museum October 2007. / A fantastic place to visit and a delicious burst of color. / Nikon SLR D40

  • City Building Art
    by Judith Oppenheimer

    US$5.70–US$152.00

    Third Avenue, New York City Copyright

  • Sydney Skyline Silhouette
    by Kim Roper

    US$3.99–US$106.40

  • Demolished
    by amarica

    US$3.42–US$91.20

    THE SPIDER IS SPINNING A WEB IN THE VINES. / A BIRD IS PERCHED IN A NEST IN THE TREE. / A JET HAS LEFT ITS TRACE IN THE SKY. / AND ALL OF THEM COULD EXIST WITHOUT ME. MRS. JONES AND THE MILKMAN ARE HAVING AN AFFAIR. / MR. JONES IS OUT OF TOWN TRYING TO CLOSE A BIG DEAL. / A KID IS FIGHTING WITH HIS MOM OVER HIS HAIR. / ALL UNAWARE THAT ANY OTHER WAY COULD BE REAL. / / A MAN IN A HOLE DIGS FOR OPALS AND GOLD. / THE BEE GATHERS HONEY TO TAKE TO ITS HIVE. / WALL STREET IS COUNTING THE STOCK THAT IT’S SOLD, / WHILE AN ASTRONAUT IS TAKING A WALK IN THE SKY. A GURU IS TAKING A TRIP IN HIS MIND. / A MOTHER HAS JUST GIVEN BIRTH TO A BABE. / A SOLDIER HAS JUST TAKEN SOMEBODY’S LIFE, / AND THE SUN KEPT ON BURNING YET ANOTHER DAY. MR. BROWN HAS BEEN TOLD HE HASN’T LONG TO LIVE. / MRS. SMITH IS YELLING AT A CHILD WHO JUST PICKED A ROSE. / MR. GREY IS CONCERNED WITH THE COLOR OF HIS SKIN, / BUT THE EARTH STILL GOES ‘ROUND AND THE FLOWER STILL GROWS. A CITY HAS BLOOMED AND BRICKS PIERCE THE CLOUDS. / A FROG HAS JUST TAKEN THE LIFE OF A FLY. / A GALAXY’S LIGHT HAS FINALLY GONE OUT. / WHILE A WORM’S LIFE WAS ENDED ON A FISHERMAN’S LINE. A BUILDING IS DEMOLISHED WITH ONE SINGLE ACT. / A BUTTON WAS PUSHED AND IN A GREAT BLAZE IT CAME DOWN. / BUT THIS WAS AN ACT OF DELIBERTATE FURY, A DEED PLANNED / BY THOSE WHO DESIRE POWER, WEALTH AND REKNOWN. LIGHTS, CAMERAS, ACTION ARE DOING THEIR THING. / ALL LIVING CREATURES ARE GOING THEIR WAYS. / SO DIVERS IS LIFE AND ALL OF ITS BEINGS. / ALL TAKING PART IN THE WORLD AND ITS WAYS. amari Digital image created with Apophysis Fractal art, enhanced with Photomatrix HDR and edited with Photoshop CS3 and Micrografx. Orton effect applied. Large buildings, tall chimneys, smokestacks, and increasingly some smaller structures may be destroyed by building implosioon using explosives. Imploding a building is very fast — the collapse itself only takes seconds — and an expert can ensure that the building falls into its own footprint, so as not to damage neighboring structures. This is essential for tall structures in dense urban areas. Any error can be disastrous, however, and some demolitions have failed, severely damaging neighboring structures. The greatest danger is from flying debris which, when improperly prepared for, can kill onlookers. Even more dangerous is the partial failure of an attempted implosion. When a building fails to collapse completely the structure may be unstable, tilting at a dangerous angle, and filled with un-detonated but still primed explosives, making it difficult for workers to approach safely. A third danger comes from the shockwave that occurs during the implosion. If the sky is clear, the shockwave, a wave of energy and sound, travels upwards and disperses, but if cloud coverage is low, the shockwave can travel outwards, breaking windows or causing other damage to surrounding buildings. Stephanie Kegley of CST Environmental described shockwaves by saying, “The shockwave is like a water hose. If you put your hand in front of the water as it comes out, it fans to all sides. When cloud coverage is below 1,200 feet, it reacts like the hand in front of the hose. The wave from the shock fans out instead of up toward the sky.” While controlled implosion is the method that the general public often thinks of when discussing demolition, it can be dangerous and is only used as a last resort when other methods are impractical or too costly. The destruction of large buildings has become increasingly common as the massive housing projects of the 1960s and 1970s are being levelled around the world. At 439 feet (134 m) and 2.2 million square feet, the J. L. Hudson Department Store and Addition is the tallest steel framed building and largest single structure ever imploded. From Wikipedia, the free encyclopedia Images Do Not Belong To The Public Domain. All images and writings are the copyright of the artist – © amari, amarica. All Rights Reserved. Copying, altering, displaying, distributing and/or selling any image without prior written consent from the artist is strictly prohibited and subject to any and all legal remedies.

  • Architecture is music in space, as it were a frozen music. Friedrich Wilhelm Joseph von Schelling (1775 – 1854)

  • Shadow of light #2
    by Csaba Jekkel

    US$3.99–US$106.40

    Shadow of a lamp on a tipical mediterranean pastel wall.

  • L U N A > S I G N
    by Christian Hartung

    US$3.42–US$91.20

    this is a basic shot of a sign at luna park, I like the center of focus in this shot with the vibrant colours, enjoy….

  • sun sets in painting
    by sunset

    US$4.13–US$110.20

    I began this series with the idea I’d create something for my boyfriend’s office. The initial efforts were photos of clouds (see earlier images) but I felt it was a great opportunity to do more painting. The plan was to have something that expresses a feeling of nature, wide open spaces and strong, bold colour. Their space needed something masculine and simple, also. Previously, much of the paintings that had been completed were done for the home, for the interior space, with a gentle, decorative sensibility. An office requires imagery which is a little more robust. I had been getting out and about, looking at different exhibitions and artists, and enjoyed the way artists like Minnie Pwerle used big, expressive strokes, rather than precious, little ones. I enjoyed the sense of freedom. Deciding I also wanted to create an ‘expanse’, it is mindfully created simply as an abstract painting. It is without reference to Sugar Bag country or any specific area at all. It is difficult not to be influenced by the colours we see surrounding us-I love bright colour and having spent a year with a teacher who had Aboriginal heritage who both encouraged us to be more aware of Aboriginal history and simultaneously scared us so much about copyright and the infringements on people’s stories and country, I have been extremely sensitive about the journey and the influence. I have done a fair amount of reading on the subject, spoken to the cultural officer at the AGNSW who aassures me as long as you are telling your own story, it’s OK. It also inspired me to teach Aborignal history to my students, as I was as a child and reflects a connection I have always felt to the sky, the earth and the spirit within.

  • Plaza de toros de Ronda a.k.a. the Bullring of Ronda. Ronda is one of the most beautiful little towns I’ve ever seen. In the south of Spain, it is built on a gorge, the old town on one side, the new town on the other. The Puente Nuevo bridge spans the gorge and stands 120m above the canyon floor. (A very impressive sight, I can tell you!) The bullring was built in 1785 and is one of the oldest operational bullfighting venues in Spain. In fact, I believe it may be one of the last bullrings still hosting fights (although very rarely). This image was featured in European Everyday Life September 25, 2008.

  • West Wyalong Dawn
    by K.D. Hemi

    US$3.14–US$83.60

  • And In My Lady's Chamber
    by mawaho

    US$4.28–US$114.00

    From an old Nursery Rhyme Goosey, goosey, gander, / Whither shall I wander? / Upstairs, and downstairs, / And in my lady’s chamber. There I met an old man / Who wouldn’t say his prayers! / I took him by the left leg / And threw him down the stairs.

  • french quarter in new orleans… Also check out Rita Ireland’s “New Orleans Cable Car” to see the same building! :)

  • Looking Up
    by Jane Keats

    US$3.71–US$98.80

    I snuck into this building where people were reading their newspapers and meeting other corporate people. It was an amazing building, library quiet too.

  • QV, melbourne, australia

  • Oil on paper. I can literally paint at least 100 versions of this architectural wonder and each one would look different. From the pre-drawings to this version that you see here, I realised there was so much depth and detail to choose from, and the building’s different colours of stone, originally brought from different parts of the world, made it look prismatic. Hence the three main colours I used: yellow, red and blue. Depending on the sunlight and my state of mind though I could have done this a million other ways. The building just inspires me so much that I wouldn’t mind if someone sentenced me to painting only this for the rest of my life!

  • optimism
    by dominiquelandau

    US$5.70–US$152.00

    Potfolio : abstract / bw / landscape / portrait / graphic design / plant / flower / mixed media / china

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