I began this series with the idea I’d create something for my boyfriend’s office. The initial efforts were photos of clouds (see earlier images) but I felt it was a great opportunity to do more painting. The plan was to have something that expresses a feeling of nature, wide open spaces and strong, bold colour. Their space needed something masculine and simple, also. Previously, much of the paintings that had been completed were done for the home, for the interior space, with a gentle, decorative sensibility. An office requires imagery which is a little more robust. I had been getting out and about, looking at different exhibitions and artists, and enjoyed the way artists like Minnie Pwerle used big, expressive strokes, rather than precious, little ones. I enjoyed the sense of freedom. Deciding I also wanted to create an ‘expanse’, it is mindfully created simply as an abstract painting. It is without reference to Sugar Bag country or any specific area at all. It is difficult not to be influenced by the colours we see surrounding us-I love bright colour and having spent a year with a teacher who had Aboriginal heritage who both encouraged us to be more aware of Aboriginal history and simultaneously scared us so much about copyright and the infringements on people’s stories and country, I have been extremely sensitive about the journey and the influence. I have done a fair amount of reading on the subject, spoken to the cultural officer at the AGNSW who aassures me as long as you are telling your own story, it’s OK. It also inspired me to teach Aborignal history to my students, as I was as a child and reflects a connection I have always felt to the sky, the earth and the spirit within.
and yes, people love clouds, but even more, we looove a sunset. especially when it’s original. an original sunset painting turned into an electronic glow. (altered via photoshop) and in breaking news-this painting (the original) sold at the weekend exhibition! Gold!
The sun sets on this old house, in more ways than one. I believe it shall soon be no more, it’s life given for a a new housing estate. No-one lives there now, but soon there’ll be hundreds of little blocks with little houses and not-so-little morgages!
Watching the Trains
Old Boat house in newmillerdam. HDR
More from Brussels & Paris
featured in “history” group Two buildings in Market St, Melbourne. One old, the other newer. I liked the contrast between the two and the sun trying to peek through. I hope you like it :) /
Enjoy!!! _
Acrylic painting on Canvas 900×600mm A new theme on our enviroment, a case of what IF, we don’t take care of our planet NOW! The Original painting is for sale $2200.00 Aud
I stand, I stare / I wonder, where? I pray, I breathe / to stay, or leave? I live, I lie / I wonder, why? I love, I pain / I feel the same. I give, I get / and yet, and yet? Shot on Werneth Low, Hyde. Overlooking Manchester City Centre
Sunrise over Fes, Morocco. Adhan (Athaan) is the Islamic call to prayer, recited by the muezzin. The root of the word is ʼḏn “to permit”, and another derivative of this word is uḏun, meaning “ear.” This is the minaret of Kairouyine mosque in Fes. The university which is attached, was founded in 859AD and ‘is considered the oldest continuously operating institution of higher learning in the world by the Guinness Book of World Records.’ (Care of Wikipedia) / Adhan I
Simplicity at its best! / I like the balloon over there! Hamburg, Germany 2008 sicanstudios.com /
I was back up at the Bunkyou Civic Centre yesterday, this time with one of my students. The sunset was extraordinary. It was impossible to control the lens-flare as I was shooting straight into the sun for this shot. Five-shot bracketed HDR with very little done to the colour. This is pretty much, apart from a bit of a shift in the tonal contrast, what the scene looked like through the lens. Nikon D300 / Nikkor 80-200mm f/2.8 ED / 5-frame bracketed burst merged in Photomatix 2.5.4
Sunrise on the Chicago skyline with Lake Michigan aglow. The 3 block rocks were covered with a coating of ice and along with the posts reminded me of Stonehenge. Worked in Layers by placing two widely different exposed images on top of each other and removing parts of one image to leave the deep colors of the sky and keep the highlighted icy block rocks. This done using Adobe Photoshop CS3.
STREETS OF LONDON /
Hi all, been away for quite a while now, hope you are all well. I clicked on RB yesterday for the first time in ages and was pleased to see the high standard has still been maintained, this inspired me to try and make time for photography again, i had thousands of photos i had taken but not done anything with, so this morning before i went to work i got up and did this, i thought it was quite topical for the weather we are having here in England at the moment. It is a village scene from our local village Wentworth. Hope you like it. / Dave.
Last shot of the day in downtown Chicago. As I was returning home, waiting in the subway for my train, there was a man with the most soulful voice singing for tips. Ain’t No Sunshine When She’s Gone originally by Bill Withers is how I wish I could title this image because that was the last song I heard him sing as my train pulled away. I also thought it was interesting that behind the woman sits a child’s shoe even though no one else was around.
My Website Been away for a few days and managed to shoot some landscapes. / Sorry for not catching up with everyone’s work but will try to catch up over the next day or so :) Solitude Standing Solitude stands by the window / She turns her head as I walk in the room / I can see by her eyes she’s been waiting / Standing in the slant of the late afternoon And she turns to me with her hand extended / Her palm is split with a flower with a flame Solitude stands in the doorway / And I’m struck once again by her black silhouette / By her long cool stare and her silence / I suddenly remember each time we’ve met And she turns to me with her hand extended / Her palm is split with a flower with a flame And she says “I’ve come to set a twisted thing straight” / And she says “I’ve come to lighten this dark heart” / And she takes my wrist, I feel her imprint of fear / And I say “I’ve never thought of finding you here” I turn to the crowd as they’re watching / They’re sitting all together in the dark in the warm / I wanted to be in there among them / I see how their eyes are gathered into one And then she turns to me with her hand extended / Her palm is split with a flower with a flame And she says “I’ve come to set a twisted thing straight” / And she says”l’ve come to lighten this dark heart” / And she takes my wrist, I feel her imprint of fear / And I say “I’ve never thought of finding you here” Solitude stands in the doorway / And I’m struck once again by her black silhouette / By her long cool stare and her silence / I suddenly remember each time we’ve met And she turns to me with her hand extended / Her palm is split with a flower with a flame Suzanne Vega
Canon / HDR / Yorkshire, UK / Fountains Abbey / Photomatix Pro HDR
Buffalo New York City Hall in the late day sun. / Buffalo City Hall City of Buffalo, New York State. Located at 65 Niagara Square, the 32 story Art Deco building was completed in 1931 by Dietel, Wade & Jones. Leica V-Lux 1. / PLEASE NOTE: All images copyrighted to © JKKimball (All Rights Reserved – Worldwide). No image (in whole or in part) is to be reproduced, downloaded, copied, duplicated, modified, sampled, redistributed or archived without the written authorization of JKKimball
Farmers Quarters close to Bay City Michigan, there are three of these in a row, all abandoned and falling down. Nikon D90 / 18-200 mm VR Lens /
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