Blue silver
509 creative works found
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The original artwork is available for sale at $40. Contact me if interested. This is a 15×15cm square artwork on 300gsm quality watercolour paper. Medium includes watercolour, black, silver ink, colour pencils and charcoal.Enjoy!
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Fiiiiiiinally finished. A companion piece to this one I did a year and a half ago: I decided the other day that there was a distinct lack of blue paintings in my folio! Had to rectify the situation. He is approx 30cm square, watercolour/pastel etc on canvas. He has shiny silver leaf on his spikes too.
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This is the same shot as sunrise over the gyle with a little added lighting /
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Gallery 1 / Gallery 2 / Gallery 3 / Gallery 4 / Gallery 5 / Gallery 6 ============================== / Best viewed in large view for details Traveling on his way, the Fool first encounters a Magician. Skillful, self-confident, a powerful magus with the infinite as a halo floating above his head, the Magician mesmerizes the Fool. When asked, the Fool gives over his bundled pack and stick to the Magician. Raising his wand to heaven, pointing his finger to Earth, the Magician calls on all powers; magically, the cloth of the pack unfolds upon the table, revealing its contents. And to the Fool’s eyes it is as if the Magician has created the future with a word. There are all the possibilities laid out, all the directions he can take. The cool, airy Sword of intellect and communication, the fiery Wand of spirituality and ambition, the overflowing Chalice of Love and emotions, the solid Pentacle of work, possessions and body. With these tools, the Fool can create anything, make anything of his life. But here’s the question, did the Magician create the tools, or were they already in the pack? Only the Magician knows – and on this mystery, our eloquent mage refuses to say a word. At #1, the Magician is the male power of creation, creation by willpower and desire. In that ancient sense, it is the ability to make things so just by speaking them aloud (“And God said ‘Let there be Light!’ and there was Light”). / —-—-—-—-—-—-—-—-—- / To read more go to this site
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Old chap in Udaipur. His glasses were an instant hit! Obviously very dear to him too, he had taped them together at several places to hold the pieces together!
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For career luck, hang up a print of’100’s of Birds’ in the office or at home to assist in bringing in lots of opportunities. Have the birds flying into the house, not flying out the door. These birds would be well placed in the North for career luck. The silver birds symbolise metal, and the sky, water. In the cycle of elements, metal produces water… Very auspicious indeed!
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Another collaboration with the wonderful photographer Geoff Coleman, whose work has totally inspired a whole series of moon goddesses. you can see Geoff’s portfolio here… http://www.redbubble.com/people/geoffcoleman one day i will work the link thingy out!!
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Self portrait, nothing changed or altered just added a metallic effect / Please email for info on poster sizes thanks /
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water drops
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Gallery 1 / Gallery 2 / Gallery 3 / Gallery 4 / Gallery 5 / Gallery 6 ============================== / Best viewed in large view for details Having decided what shape his future will take, the Fool strides forward. But he is impatient to make his future a full-grown reality. This is when he comes upon the Empress. Hair gold as wheat, a crown of stars, a white gown dotted with pomegranates. She rests back on her throne surrounded by an abundance of grain and a lush garden. It is possible that she is pregnant. Kneeling, the Fool relates to her his story. And she, in turn, smiles a motherly smile and gently gives him this advice: “Like newly planted grain or a child in the womb, a new life, a new love, a new creation is fragile. It requires fertile soil, patience and nurturing, it needs love and attention. Only this will bring it to fruition.” Understanding at last that his future will take time to build and create, the Fool thanks the Empress and continues on his way. Pregnant. Well, not in the Rider-Waite deck she isn’t. But she is in early decks, and it is an apt symbol for this card. The Empress is a creator, be it creation of life, of romance, of art or business. While the Magician is the primal spark, the idea made real, and the High Priestess is the one who gives the idea a form, the Empress is the womb where it gestates and grows till it is ready to be born. This is why her symbol is Venus, goddess of beautiful things as well as love. Even so, the Empress is more Demeter, goddess of abundance, then sensual Venus. She is the giver of Earthly gifts, yet at the same time, she can, in anger withhold, as Demeter did when her daughter, Persephone, was kidnapped. In fury and grief, she kept the Earth barren till her child was returned to her. —-—-—-—-—-—-—-—-—- / To read more go to this site*
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Acrylic on stretched canvas with powder pigments dry brushed on,The iridescent pigments give it a patina that doesn’t show up as well in a photograph. / . . . / . /
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/ After a long walk today this is the result / On a walk through the Tillicourty Glen / we saw the view and took the shot / A photo of the distant River Forth flowing slowly to the sea / slightly spoiled by the Smokey stack bellowing white clouds / over the green fields that surround the river on all sides. / On our return through the town we spotted the wild stallion / tied to the gate standing proud and true but still out of place. / Untying him we walked back to the place he longed to be a place / where he’s free the be the wild Stallion he was born to be. / If only life was perfect Image and words are © Copyright 2008 Alan Findlater, All Rights Reserved / and can be purchased via redbubble.com/fincath / no other use is allowed without express permission.
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This is a drawing I have done for David my nephew for his eighteenth birthday. He came loaded with images he liked and this is what I have come up with. Coloured Pencil on smooth cartridge paper Also available as a T Shirt
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Amazingly there are 20 species of Magpie in the world. Not quite sure which I have painted here… looks more like an Australian magpie Many people consider them superstitious, they certainly have their place in folklore, some believe they bring good luck, others believe bad. I remember being played Rossini’s Thriving Magpie when I was quite young; it is said they have a panache for shiny, silvery things which they like to steal and hide. / Here the magpie has found a key! I wonder where it came from? I see him as a ‘Keeper of Secrets’. / The selected text comes from a traditional rhyme I was told as a child: One for sorrow, Two for joy, / Three for a girl, Four for a boy, / Five for Silver, Six for Gold / Seven for a secret never to be told This is an acrylic painting on canvas.
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I know this plant as silver bush, but it might have other names as well. They grow in coastal areas, usually in sand right at the edge of the beach.
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Check out my autumn poems / Heaven’s Champagne / Dying Colours / Contemplating Grapes Check out my autumn art A rather unconventional colour for autumn, but I like it just the same. In case it has gone unnoticed, I absolutely love this particular Photoshop leaf brush. The background is an old painting that was once simply called All The Colours of The Rain
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Done in Photoshop What happens to the Earth-Happens to the People / Mother speaks / all feel her / all hear her / all know her / Few respect her From my Mother I rise
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Box of colored chalks at the I Madonnari Street Painting Festival in Santa Barbara California
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Self portrait included in the Saints series. Inspired by the biblical story of Saint John the Baptist and Salome.
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© Dana DiPasquale 2008. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Dana DiPasquale. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.
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for a treasure of a book in children’s literature titled Midnite: The Story of a Wild Colonial Boy by Randolph Stow published 1967 / Does any Australian RedBubble member remember reading this book in primary school?!
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