An image captured at sunset on Phillip Island and enhnaced in Photoshop!
played around with some extension rings
The second last sunrise of the year. December 30, 2007. Hvalstrand, Norway. 80 seconds. f/10, ISO100, 21 mm. / Canon EOS 5D with Canon EF 17-40L / Hoya ND400, Cokin Z-Pro ND8 grad
The Wreck of the SS Dicky, Caloundra Canon 5D with 16-35mm at 21mm, f/16, 1/2 second, ISO 50, two Lee ND Grey grad filters, 0.9 and 0.6. Tripod, cable release, and totally wet daks. / 5000+ views / This image has been well received at OE and I’ve had three people contact me from there, regarding buying it. Two bought mounted prints, and one bought a card through RB. April 2008 and June 2008. Matted print sold August 2009. Another from the SS Dicky Series Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
The idea of ‘the butterfly effect’ comes from the science of chaos theory. It suggests that everything is connected, to the extent that the beating of a butterfly’s wings in one part of the world may ultimately contribute to a tornado happening in another part of the world. It strikes most of us as a fanciful notion – but it is more true than we realise, particularly when it comes to the environmemt A part of us dies if butterfly dies .
acrylic glazing on canvas / approx 20’‘x24’‘
www.danadipasquale.com
Gather what you will from this.. but yes, I did intend for this to look like magical sperm. Haha, it just sort of happened when I was staring at a light bulb and noticed the little spring inside… so I knew I had to do something with that. :D
All work in this portfolio is © Stephanie Rachel Seely. / These materials (images and poems) may NOT be edited, copied, reproduced, printed, distributed, displayed, performed, or used in any way, in whole or in part, without my written permission. Please respect copyright and do not save or upload any images or poems to Photobucket, Flickr, Myspace, Facebook etc. These creative materials are NOT public domain. This artwork was featured in The Love Of Eerie and Enchanting Artwork, Sold!, and Globes, Spheres, and Curves The third of the series Night Light / Night’s Blue / Info for Sold! Group / Sold a small laminated print to an RB member.
My watercolour painting from a 1906 photo of the Mauretania. Luxury liner (the fastest in the world until 1929). She’s being towed by steam tugs, out of the mouth of the river Tyne, and into the North Sea. Watercolour and gouache, 12” 8” / Poundworld 90lb watecolour paper /
An experiment with water droplets, glitter, a CD, wrapping paper and light. I had some metallic paper reflecting in the CD and the flash from my camera made it very interesting with all the glitter. This is the kind of thing I do when it’s too cold to go outside…. haha. Enjoy!
Third in the series… three drops.. nothing too special. I shall explain the crazy set-up for this one… I had the tiny green spring (which was strung with seed beads) resting on a CD with a shiny gift bow as the background. I used a syringe to place the water drops and used my flash as well. Haha, it makes sense to me! Enjoy!
Sold a framed print to the lovely Mel Kerr! When in doubt, pull out another dicky…....well, it’s working this time :) Another from the SS Dicky Series I haven’t been to the beach in months, and miss it terribly….hopefully we’ll get back there soon. Shot this last year, March 2008 / Canon 5D, 16-35mm at 16mm, f/10, 1/2”, ISO 50, tripod, cable release, two Lee filters ND Grad 0.9 and 0.6. DICKY BEACH / SEASCAPES / INDUSTRIAL / PANORAMAS / LANDSCAPES / SPAM PHOTOS / REAL ESTATE SERIES / NEW ZEALAND / FROGS / FROGS / INFRARED / PLASTIC PEOPLE / PEOPLE
The remains of a burnd car at an auto body shop. There is nothing better than sheet metal that is exposed to flame. / Abstract Macro 43 Favorites 26th May Featured on Redbubble / Featured Art & Photography Featured in Abstract Macro Urban Art / 27th May Featured in Outsiders / 4th June
Abstract Macro Photography The picture below is a stolen, burnt out car. / This is showing the rear right side. / You can see what has been produced by the fire / Armley Woods, Leeds. / sunday 31.5.09 / 7.15am / For all these phenomina to appear on the car, the car has been left on fire, and eventually, there is nothing left on the car to burn, so it just dies out. the paint work on the car , bubbles up and seperates itself from the metal at very hot temperatures. / Once it is all cool down, it is very delicate. / You just blow the flakey paint lightly, and this abstract art lies beneath. / If the car had been put out by water, im pretty sure that no abstracts would have appeared.
Must be Friday…. Canon 5D, 16-35mm @ 19mm, f/14, 5 seconds, ISO 100 Another from the SS Dicky Series Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
featured in Spectacular Spirals 08-19-2009 / featured in Metallic Junktion 08-19-2009 / featured in Globes, Sphere’s & Curves 08-19-2009 / featured in Creative Cards 08-05-2009 / created with Apophysis & Incendia
Cross processed dicky – ver 2….. Just trying to prepare some images for competitions….what does everyone think of this colouring, too much? Canon 5D, 16-35mm at 21mm, f/16, 1.3” Another from the SS Dicky Series / And here’s the image in black and white! I used this to add the contrast by adding it as a layer and changing the blending mode to luminosity, then dropping the opacity to 50something% Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
This African superb starling (Lamprotornis superbus) finds a large cactus a convenient perch from which to scan for food. Bloedel Conservatory, Vancouver, BC, 26 Aug 2009. Canon Rebel XSi (450D) / Canon EF 70-200mm f/4L USM / 1/125, f/5, -1/3, ISO 800, 200mm, hand held
The surf was wild, and the photographers were crazy…. Needless to say I am building up the Dicky images for a new 2010 calendar :) Canon 5D, 16-35mm @35mm, f/13, 1/3”, ISO 50, Tripod, Lee ND Grads 0.9 and 0.6. Another from the SS Dicky Series SEASCAPES / LANDSCAPES / NEW ZEALAND PEOPLE
Sheet Metal Rust / Abstract Macro Featured Natural Textures Oct 09 Featured Urban Abstract Art Sept 09 /
featured in Globes,Spheres&Curves 10-28-2009 / featured in SOLO-EXHIBITION 10-19-2009 An exquisite flower opens, in I Belong to You by Desirée Glanville, to reveal a / huge silvery perl– certainly a priceless treasure. Its antithesis, a gazing ball, / popular in Victorian and modern gardens, is suspended above it. Perhaps / hinting at the subliminal message, the gazing ball mirrors a very real world with tree, water, and sky; / rather than the ideal fantasy that we see before us. / Tiny remnants of petals float in the blue, luminous atmosphere. Desirée has repeated their skeletal / veins in the lower petals of the central flower; so that we know the air is filled with petals pulled from / the larger one. Was this a “He Loves me, he loves me not” scenario—a child’s game with Daisies that / gets replayed in various intonations when we are adults? The video accompanying the piece is a track, “I Belong to You”, from British alternative rock band, / Muse, from their album, The Resistance, released in Europe mid September 2009. / Remembering that the ultimate key to unlock the mystery of Glanville’s art is in the paired music, / it’s of importance that the song and lyrics regard one who travels half the world to tell their muse “I / Belong to You”. / Mid-song, from this British band, are French verses, sung with such emotion to melt the soul. / They are borrowed from Camille Saint-Saëns’ opera, “Samson and Delilah”. / Delilah sings these verses to seduce Samson, in a famous aria in Act II, “Mon coeur s’ouvre ta / voix” (“My heart opens itself to your voice”, or commonly “Softly awakes my heart”). / Ah! réponds à ma tendresse! / Verse-moi, verse-moi l’ivresse! / translated: / Ah! respond to my tenderness! / Fill me with ecstasy! / It’s uncertain, here, whether Desirée is presenting the side of the muse as a reaction to the / overtures, or the perspective of the one presenting overtures of tenderness to their heart’s desire. / It could be either or both, probably determined by the perspective of the viewer. / This is where fine art brings the viewer in as co-artist, to complete the work. Desirée seems to me / to have accomplished that spiritual merger here. / Either way, Desirée has input in the matter. Remember the gazing ball in the garden. It never lies. / Despite our fantasy and what we want things to be, there is also reality to deal with. * featured in* SOLO EXHIBITION 19-25 Oct 2009 / featured in I Got the Music in Me 10-12-2009 / featured in Abstract Digital Art&Writing 10-05-2009 / featured in The World as We See it 10-04-2009 When these pillars get pulled down, / It will be you who wears the crown, / And I’ll owe everything to you How much pain has cracked your soul? / How much love could make you whole? / You’re my guiding lightning strike I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Then she attacks me like a Leo, / When my heart is split like Rio, / But, I assure you my debts are real I can’t find the words to say, / When I’m confused, / I’ve travelled half the world to say, / You are my mu- (Ah! Réponds à ma tendresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / I belong, / I belong to you alone) -use, / I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Incendia, Apophysis, Photography &PSP
created with Incendia
Strange infatuation seems to grace the evening tide. / I’ll take it by your side. / Such imagination seems to help the feeling slide. / I’ll take it by your side. / Instant correlation sucks and breeds a pack of lies. / I’ll take it by your side. / Oversaturation curls the skin and tans the hide. / I’ll take it by your side. tick – tock [x3] / tick – tick – tick – tick – tick – tock I’m unclean, a libertine / And every time you vent your spleen, / I seem to lose the power of speech, / Your slipping slowly from my reach. / You grow me like an evergreen, / You never see the lonely me at all I… / Take the plan, spin it sideways. / I… / Fall. / Without you, I’m Nothing. / Without you, I’m nothing. / Without you, I’m nothing. / Take the plan, spin it sideways. / Without you, I’m nothing at all. / / created with Incendia & PSP
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