Blue climb
266 creative works found
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A sunset at the Wallberg – the alps in Bavaria/Germany.
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This was taken at the 7000 foot level South West of Mount Lassen in North Eastern CA in August of 2007; I wanted to try something a bit different and my love for “The Blues” just took over. I love the different layers you can see from up that high. And believe me being up there is a “natural high”!
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Eiger north face with small lake. Swizterland.
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Flower from my Garden. Des Moines, Iowa
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A morbid history of St. John’s… the hill in the background is known as Gibbets Hil, it is where all the criminals were hung in public executions. The body of water at the base of the hill is where the executioner would throw the bodies when they were dead. The pond is known as “Dead Man’s Pond”. / / Visit my website On The Rock Photography / /
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Been in the south of Tassie for four days shooting stills for a client. Me the Creative Director with Andrew the Art Director and Garth the professional photographer. We had to climb down a 100 metre cliff face, normally out of bounds but opened to us by the kind lighthouse keeper. Was a seriously hairy climb! But it led us to an untouched, pristine and rarely shot location (which will remain our secret :). This is a photo I took whilst Garth and Andrew sat on a rocky outcrop waiting for the light to be perfect. – Dog photography – Africa photography / - Beach photography - Black & white photography – Dog photography – Africa photography / - Beach photography - Monotone photography
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Pendle Witch Country, in the Lancashire Pennines, is an area lying between (but also including) the north western edge of Bronte Country and the Ribble Valley, to the north and north east of which are Bowland, and the south western Yorkshire Dales respectively. The area is dominated by the dark brooding mass of Pendle Hill (shown above) and made famous (nay infamous) for its grim and fiendish association with the “Witches of Pendle”...
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The remnants of what was once a staircase continue to climb up the side of this old water tower.
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Taken on Saturday May 17 2008 at the 4000ft level of Mt Washington, New Hampshire USA. Mt Washington is the highest peak in the Presidential range of the White Mountain National Forest. We experienced the Mt.Washington Auto Road, which is America’s oldest manmade attraction. It first opened in 1861. / It was explained that the trees at this altitude are buffeted by the wind and assume strange twisted positions.
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Taken on Highway 16 North in the White Mountain National Forest, New Hampshire, USA on Saturday May 17, 2008. The view is looking towards Mt Washington, the highest peak on the Eastern seaboard. We took the Auto Drive Route up the mountain when we arrived there but it does not resemble this road in any way. It is treacherous, with shear drop offs on each side, just room enough for two cars, but they ask that people coming down the mountain yield to travellers going up. The top 4000 ft of the mountain was off limits due to weather conditions: snow and ice, but will open later in the season. /
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This is magnificent Fox Glacier, in New Zealand. I took this shot because of the magnificence and beauty of the Glacier. It has been here for such a long time and is something that should be respected and treated with respect. Fox Glacier is part of the Westland Tai Poutini National Park (established 1960) which extends from the highest peaks of Kā Tiritiri o te Moana/Southern Alps to the remote beaches of the wild West Coast. It is an area of magnificent primeval vistas; snow-capped mountains, glaciers, forests, tussock grasslands, coast, lakes, rivers and wetlands. This world-class scenic landscape has been recognised as such with World Heritage status. This was taken with a Canon DSLR EOS 350D camera, as is.
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Location: / Barham, Kent, England Map: / Google Maps Date and Time: / 17 June 2008, 7.53 p.m. Camera details: / ISO 200 : f/5.6 : 1/125 second : 18mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / Devoid of rocks to clamber across, I was feeling just far too sensible, so I decided to climb a tree with one hand (the other holding the camera of course – so Mr Oubridge – no tripod used!) so that I could get it from a different angle.
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MACRO CRYSTALS
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photographic / digital / acrylic painting 2008
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Fractal Explorer. Pure Fractal. Talis varI. / Thankyou for viewing:-)
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UNTOUCHED YEs… I stocked out there… I dont know what happened with me..
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©Angi Baker / Inspired By: Miley Cyrus / MUSIC HERE / / /
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This was done in Chinese wrinkle Art. I made some adjustments to the contrast and color in Photoshop to clean it up… /
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This is the 360 degree panorama I was hoping to get from the summit of Island Peak or Imja Tse. I can’t believe how small Ama Dablam looks from up here (6814m, at the centre). Mighty Makalu (8462m) rises above the ridge at the left, and the confluence of the Lhotse Shar, Amphu Laptse, and Imja Glaciers and the Imja Tso glacial lake can be seen below Lapste to the left of the main Island Peak (Imja Tse) ridge in the middle. In the distance just beyond the Island Peak ridge is the rest of the Imja Drengka valley and the villages of Chukhung and Dingboche. To the right of the valley the stunning peaks of Tawoche and Arakamptse stand tall above the glacial flows of the Nuptse, Lhotse Nup and Lhotse Glacier. These glaciers slowly flow from the snow and ice that falls on the giant Nuptse-Lhotse Wall, with the peak of Lhotse, the 4th highest mountain on Earth rising to an incredible 8516m at the right. The distance in altitude from the summit of Island Peak and the top of Lhotse is more than 2300m, which means you could slide the whole of Australia at its highest point, horizontally, between the two summits with room to move. Australia is indeed flat, and these mountains are indeed the largest in the world… what a privilege to have been here. The panorama is a composite of 18 photos taken with a Canon 400D using a 17-85mm IS USM lens with circular polarising filter. Featured in “Panoramas”
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Clematis from the Greek (klema) for branchlet. / There are over 400 wild varieties of native clematis, in fact most countries in the temperate regions of the northern hemisphere and to some extent in the southern hemisphere have species of clematis. For example, C. alpina is found in eastern Europe and C. cirrhosa in Mediterranean countries, C. vitalba in Britain, C. montana in India, C. lanuginosa in China, C. patens in Japan, C. aristata in Australia, C. afoliata in New Zealand and C. virginiana in America / Early plant collectors brought examples back to europe, which were soon to enrich it’s flora. One of the first to be introduced to England was C. viticella, which was brought from Spain in 1569. This was followed in 1596 by three other European species, C. cirrhosa, C. integrifolia and C. flammula. They were all used in hybridising programmes to produce new varieties. It was not until the 19th century that the stock for the large flowered clematis, which is so admired today was introduced from China, C. lanuginosa for example and C. patens from Japan. The Victorians took to clematis in a big way and the pioneering nursery of Jackmans once held a list of 343. Unfortunately the then little understood disease wilt, decimated the commercial stocks and it was not until after the second world war that nurseries were once more able to pursue serious large scale propagation. However the legacy of the Victorians does live on, many of the popular large flowered clematis available today come from the last century. /
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Clematis from the Greek (klema) for branchlet. / There are over 400 wild varieties of native clematis, in fact most countries in the temperate regions of the northern hemisphere and to some extent in the southern hemisphere have species of clematis. For example, C. alpina is found in eastern Europe and C. cirrhosa in Mediterranean countries, C. vitalba in Britain, C. montana in India, C. lanuginosa in China, C. patens in Japan, C. aristata in Australia, C. afoliata in New Zealand and C. virginiana in America / Early plant collectors brought examples back to europe, which were soon to enrich it’s flora. One of the first to be introduced to England was C. viticella, which was brought from Spain in 1569. This was followed in 1596 by three other European species, C. cirrhosa, C. integrifolia and C. flammula. They were all used in hybridising programmes to produce new varieties. It was not until the 19th century that the stock for the large flowered clematis, which is so admired today was introduced from China, C. lanuginosa for example and C. patens from Japan. The Victorians took to clematis in a big way and the pioneering nursery of Jackmans once held a list of 343. Unfortunately the then little understood disease wilt, decimated the commercial stocks and it was not until after the second world war that nurseries were once more able to pursue serious large scale propagation. However the legacy of the Victorians does live on, many of the popular large flowered clematis available today come from the last century. Nikon D60 / Lens: Nikon 18-55mm / f/5.6 1/60 ISO:360
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cycling season is over for me, so there’s more time to head up into the mountains and enjoy the Austrian landscape… so I went for a hike yesterday in the area around Kühtai (Tirol’s highest village at 2.020m) and headed up towards Gaiskogel (2.820m). / it’s not really a hard climb, the first 500m up are fairly easy as the lead along a skiing-slope. only the last part is getting a bit more strenuous, as one has to climb up a steep boulder field. this brings you to the so called Gaiskogelscharte (2.658m) and from there it’s a short way to the Gaiskogel itself. anyway, this pano was taken pretty much halfway between Gaiskogelscharte and Gaiskogel at approx. 2.720m. straight ahead you can see the Rotkogel and the Räuhengrat and looking to the left one can see the Kraspesferner (small glacier) with the Rotgrubenspitze (3.042m). as I was carrying quite some equipment and it was already getting late, I decided to turn around at this point and not continue to the top (appr. another 25min), but instead take a small detour to a reservoir and take some photos there as well…. Canon EOS 40D / Sigma 10-20 EX DC HSM / Hoya ND8 filter / Manfrotto 724B digi 3 shot panorama / each shot exposed at -2,0,2 f/11 / HDR process & tonemapping: Photomatix Pro 3.2.1 / stitch: PTGui location: / 11°03.1687 E / 47°12.1673 N
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Oil 0n Canvas, 72.0cm x 42.0cm
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The peak of the Sydney Harbour Bridge climb. Such an incredible sight passing under the bridge in the late afternoon, to the silhouettes of the climbers all waving to us as we sailed back into Sydney on our cruise. Standing on the top deck of the ship, ‘Land Down Under’ (sung by Men At Work) playing loudly, what a truly great Aussie moment! Camera – Nikon D90 / Lens 55-200mm Textures layers added. FEATURED IN – ‘WA Red Bubbles’ and ‘This is Australia’
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