Blue classical 

904 creative works found

  • Fluffy slippers, gingham apron (specially sewn for this shoot) and hair rollers are bound to get strange looks from on-lookers… At least the guys in the laundromat may be convinced to do their laundry more often! Set in Melbourne.

  • Fluffy slippers, gingham apron (specially sewn for this shoot) and hair rollers are bound to get strange looks from on-lookers… At least the guys in the laundromat may be convinced to do their laundry more often! Set in Melbourne. This image is also showcased in the 2009 calendar (click image to view the calendar) /

  • Robert Johnson was truly the grandfather of blues. Inspiring such musicians as Eric Clapton, Muddy Waters and the Rolling Stones. His music has deeply affected my love for blues and music in general. My portrait of Robert is a small tribute to the amazing body of work he produced. Through every layer of pencil and every stroke of my hand, I tried to capture the essence of Mr. Johnson onto paper. I depicted every detail in my portrait, from the old curtain hung behind him to the design on the blanket he sits on. Each pinstripe was painstakingly reproduced as well as the weathering on his guitar. My desired end result is that you will feel like you are looking at an aged photo of Robert Johnson. I believe when you truly study this piece you will hear his music and see the richness of his character portrayed in through my pencils. For commissioned work you can contact Carrie at: carrie@carrieglennstudios.com and please visit Carrie Glenn Studios

  • OIl on Canvas, 120 cm X 90cm Portrait of Karen

  • I have a black and white version of this as well.

  • Mamita Cohiba Habanna,Cuba 2007

  • A fifties lead sled. / Goes where anywhere you need something blue and airy. Very high res. Image copyright © 2008 Simon Deevy. Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited.

  • Another blue composition, ink and acrylic on paper…

  • More of my car images / / / / / Classic cars calendar … / Vector dogs calendar … / Book of drawings … / Animals and birds / Cartoons / Cars, trucks & tractors / Drawings / Illustrations / Portraits / Rust / Vector art

  • From my TtV: Through the Viewfinder Series Taken using an old Nikon and a new Canon. Best viewed *LARGE

  • Classic cars calendar … / Vector dogs calendar … / Book of drawings … / Animals and birds / Cartoons / Cars, trucks & tractors / Drawings / Illustrations / Portraits / Rust / Vector art

  • View of weather building over the island of Jura on the West Coast of Scotland. The photograph was taken looking west towards here Nikon D200, 18-200mm

  • My watercolour painting from a 1906 photo of the Mauretania. Luxury liner (the fastest in the world until 1929). She’s being towed by steam tugs, out of the mouth of the river Tyne, and into the North Sea. Watercolour and gouache, 12” 8” / Poundworld 90lb watecolour paper /

  • In my Painting the Masters series, at Shipley art gallery. This is a John Callow (1822-1878) Watercolour on hand-made Not paper. / 17” x 10.5”

  • Another in the Masters series. / This is the centre part of a long panoramic watercolour. By Thomas Bush Hardy, 1895. I’ve moved some of the boats to be closer together, as my version is a small painting, 10×7 inches, on rough Bockingford tinted cream paper, 140lb. I will be painting the full length seascape in the future.

  • My version of a Thomas Bush Hardy (1842-97). From an 1895 watercolour of Ramsgate Harbour. A panoramic shaped painting, 23” x 10”. / Hand-made, 140lb rough paper. Over 20 hours work. Multiple layers of semi-transparent and opaque watercolour, and white zinc gouache for highlights. Viewing in larger size is necessary.

  • Watercolour painting of Filey, North Yorkshire, UK / Standard water colour paper

  • / This painting, is inspired by Turner’s painting of a slave ship in the midst of a typhoon, which he called a “Typhon”...Turner captured the horror of the event and terrifying grandeur of nature through hot, churning color and light that merge sea and sky. The critic John Ruskin, the first owner of Slave Ship, wrote, “If I were reduced to rest Turner’s immortality upon any single work, I should choose this.” / I chose to create an abstract work evoking the turmoil of the storm, not so much stressing the wind and the waves, but instead ferocity and power portrayed by the intense shock of deep red amid the more serene blues... “Aloft all hands, strike the top-masts and belay; / Yon angry setting sun and fierce-edged clouds / Declare the Typhon’s coming. / Before it sweeps your decks, throw overboard / The dead and dying – ne’er heed their chains / Hope, Hope, fallacious Hope! / Where is thy market now?”..J.M.W. Turner Acrylic on Canvas FEATUREDON THE HOME PAGE ON 21/09/09 AND IN THE FOLLOWING GROUPS… / Creative cards.. / Light in the Darkness.. / Decorative and Traditional Art / FEATURED FEATURES

  • / Earthbound / They come behind clouds of night.. / Bearers of light?..or / Harbingers of Doom / At Dawn they vanish with the moon and the stars.. / Only ONE knows the reason they came J.Z. Acrylic and Gold leaf on Canvas

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