Black surreal white Wall Art
581 creative works found
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In a place as surreal as this, its hard not to day dream. This was taken at an ancient, monastery which was destroyed by Henry the eighth once upon a time. Sort of represents what i was feeling at this time, not this exact moment but this part of my life. Stopping for a second, trying to figure out where wanted to go, how i would get there. Taking a brief moment to reflect.
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Lianne / wrote an amazing poem about the desert Desert Wanderings Are the rare oases enough to / sustain the desert nomad? / And where is the desert boundary – / would the journeyman perceive / its end, or like me, see Canaan / and think it only temporary respite – / can he see beauty where I see none, / sculpture where I see sand – / has he more praise for palm trees / than I for all of Canaan’s promise? Deserts are but dry expanses of the mind / the hypochondria boredom breeds, / unirrigated months, parched and barren / where there is naught to slake one’s thirst / and coolness only stones beneath one’s tongue, / monotonous thoughtscapes, uninspired / wishing for rivers, never neared mirages / and longings so undefined / that even prayer is sterile. What happens to dreams that die? / Are they reborn in other minds / nourished in more fertile ground – / do the sands that cover them / windshift / reviving them again, or are they / preserved, like dried straw flowers, / still rich in color / but sapless, too fragile now to grow?
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Resign! Now!
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/ inspiration-Lead Into Gold-Faster Than Light / ......Again we understand / Mauled by greasy hand / Worked to the bone, again / Feel it ready / Once more it’s ready / Believe that speed will win / Again Faster than light and harder / Bleeds into overkill / Faster than light and harder / Never stop never ever Truth lies at the core / It always worked before / Starve to the bone / Some more / Takes forever / Feels like it takes forever / Believe that speed will win / Some more Again we prostitute / And hold a greasy hand / Cooked off the bone / Cooked to the end / Is it ready / Believe it ready / And know that speed will win / Again…...
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/ ...................................................................................................... / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- A little photoshop fun to an old Infrared Shot Infrared Shot / ...................................................................................................... / Click to View By Category: / - Waterfall Photos / - Selective Coloring / - Infrared Photos / - Black and White Photos / - Animal Photos / ............................................................................................................... / / ................................................................................................................
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© Marbia Studios / This image cannot be reproduced in any format without the express written permission of Marbia Studios. Here are my resent vector art work’s, I think I just went vector crazy. I’m still working on a few other designs. Please feel free to look at my other work /
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A horror piece inspired by the multitude of atrocities man/woman inflicts upon him/herself and the rest of the world for personal gain, and in a lot of cases just for the hell of it.
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Midway upon the journey of our life / I found myself within a forest dark, / For the straightforward pathway had been lost. Dante, Hell.
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I wanted 1942 to serve as an experiment, questioning what stereotype if any surrounded the ‘skinhead.’ Within days I received comments of ‘racist’ and ‘Nazi’ signifying prejudice against a shaven head, when in modern day society diversity is usually praised and encouraged. The origin of the term ‘skinhead’ is not rooted in racism, the term being corrupted in the 1970’s by the neo-nazi movement. The term actually stems from the Jamaican skinheads such as Bunny Wailer, who populated Reggae in the1960’s, some decade previous. By 1968/69, the ‘skinhead’ wasn’t just a hairstyle but a way of life. To these working class people, cleanliness, stylish clothes and good music were dominant. The increasing popularity of Ska music, a branch of reggae bred the skinhead in their straight jeans, large boots, white shirts, braces and nylon or leather jackets and were regularly seen at Judge Dread gigs. Doc Marten, Ben Sherman, and Vespa scooters were typical designers of the ‘skinhead’ movement, which dwindled in the mid 70’s. This is around the time the neo-nazi movement became prominent, as the ‘mod generation’ became divided and those racist, political hating, violent youths were the new face, the new stereotype. They popularised themselves throughout the 80’s and 90’s with bands such as ‘Skrewdriver’ and were akin to increased violence on Adolf Hitler’s birthday. The number of ‘skinheads’ in Britain today is in decline, as in essence the skinhead is a youth organisation for the youth. Thus upon reaching full maturity, starting a family and encompassing different values the need to be in such a group no longer exists and without the experience and knowledge of older members their ‘skinhead’ values are degenerate. This is why I felt my experiment was necessary. Would the youth of day, born after the domination of the neo-nazi still be aware of their values and the attributes, which contribute to their stereotype? The answer lies within you the spectator. Consider what you first felt upon viewing 1942. Did it bring back fond memories of dancing to reggae, Bob Marley and the ‘Chelsea haircut’ or did it make you envisage violent racists? Movements begin, grow and they pass. The real reason the ‘Mods’ shaved their head was to avoid lice, for hygiene. Surely the time close cut hair symbolising a racist has passed. This was a series i took a while back for a project i was doing on fashion and surrealism I must have took around 30 or so photographs to get the best images at different stages. / to take these shots i used a canon 20d propped up on a tripod with a self timer.
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/ Out of the Fog is a self-portrait photograph taken from artist Jaeda DeWalt’s book/series, Haunting Hands and is part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / -—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / About This Image / Images originally photographed with Kodak CN400 film (black & white film that’s processed in C-41 chemistry). / -—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / Out of the Fog I have come out of the fog / Penetrating this filthy haze that taints my innocence / No longer a victim of my past / But rather a survivor, fearlessly exploring my future / Releasing myself from these chains of self-hatred / Shedding the shame that has coated my soul / For too many years Stepping out of this chamber of horrors / In which my mind has been a prisoner / For so long / Lifting off my shoulders the burdens / Of anger and resentment / I have been carrying for this beast Knowing that though I can never forget / I must forgive the evils / Forced upon my flesh / Rather than weak and dependent / I continue to grow resilient and strong Utilizing challenges of the past / As tools to cope with / The struggles that lie ahead / It is now I let go of the victim inside me / Drinking in the freedom from a past / That will no longer bind me © Jaeda DeWalt listen to Jaeda recite The Chamber / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / -—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— /
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Hand drawn A2 image on cartridge paper with a G-Tec C4 0.4 pen probably took about a year to do, but I don’t pay attention to the time or the drawing until it is nearly complete. Just been looking to buy some more pens and found out the drawn line is only 0.2mm! Featured in Works on Paper winner of the Patterns challenge in Finks in Ink
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featured in ImageWriting 06-13-2009 / featured in Globes, Spheres & Curves *05-09-2009 / featured in Exceptional Ekphrasis 05-06-2009 / featured in OUTSIDERS 05-01-2009 / featured in Shapes & Patterns 04-15-2009 MUSIC I don’t drink coffee I take tea my dear / I like my toast done on one side / And you can hear it in my accent when I talk / I’m an Englishman in New York See me walking down Fifth Avenue / A walking cane here at my side / I take it everywhere I walk / I’m an Englishman in New York I’m an alien I’m a legal alien / I’m an Englishman in New York / I’m an alien I’m a legal alien / I’m an Englishman in New York If, “Manners maketh man” as someone said / Then he’s the hero of the day / It takes a man to suffer ignorance and smile / Be yourself no matter what they say I’m an alien I’m a legal alien / I’m an Englishman in New York / I’m an alien I’m a legal alien / I’m an Englishman in New York Modesty, propriety can lead to notoriety / You could end up as the only one / Gentleness, sobriety are rare in this society / At night a candle’s brighter than the sun Takes more than combat gear to make a man / Takes more than a license for a gun / Confront your enemies, avoid them when you can / A gentleman will walk but never run If, “Manners maketh man” as someone said / Then he’s the hero of the day / It takes a man to suffer ignorance and smile / Be yourself no matter what they say I’m an alien I’m a legal alien / I’m an Englishman in New York / I’m an alien I’m a legal alien / I’m an Englishman in New York BASESHAPES CREATED WITH INCENDIA
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/ Haunted is a self-portrait photograph taken from artist Jaeda DeWalt’s Haunting Hands series and is a part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / About This Image / Image originally photographed using a self-timer and Kodak CN400 film (black & white film that’s processed in C-41 chemistry). / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Haunted The eyes do not lie / Weakening the surface of the social masks we wear / A bruised and battered soul can betray the prettiest smile / As the pain seeps through to the surface / Speaking volumes to our emotions and life experience © Jaeda DeWalt listen to Jaeda recite Haunted / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— /
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Inspired by the nasty subculture of drugs, nightclubs and the vampiric leeches that prey on the naive young.
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Line Dry Stock: Model: Slylock-Stock Texture: amptone-stock / Texture: Geek-stock The rest was done with brushes and lighting.
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I can not stop staring / a set of 2 Art works. / Original size 120×85 cm. Details /
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One of my favorite. / 160×120 cm Canvas. / For details see in a large view. Details /
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"Ah, my friend, you do not know, you do not know / What life is, you who hold it in your hands"; / (Slowly twisting the lilac stalks) / "You let it flow from you, you let it flow, / And youth is cruel, and has no remorse / And smiles at situations which it cannot see." / I smile, of course, / And go on drinking tea. (T.S. Eliot)
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Bryce 5 Music to Digital Art. Beatles – Eleanor Rigby. I’ve sold one in a Matted Print! mystery buyer on RB Eleanor Rigby
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linaji / got inspired by my work and wrote this great poem which fits so well / you did it again Lina, well done. please visit her page for more amazing work of hers / —-—-—-—-—— / JUST BREATH He lived by the sea, / His back was burning / And his heart was aching, / So much had passed between / The hours that the heavens of / His smile came to believe in him / Once more / He took a sip of his life with his fingers / And created an image in his mind / Of the hours in circles and the minuets / He let sail into a shape not yet discovered. / But he knew it was there / Hidden in his desire for life / He knew about all the shapes that / Had created his life, / And as he looked at the sea / And listened with his heart he knew, / Just breath.
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