Paper Stencil – Name given to a series of collages under the title “Random I’s”
The UK has been a bastion of free speech for many years now and it is something I am very proud of. Our recent heritage is full of grea…
The UK has been a bastion of free speech for many years now and it is something I am very proud of. Our recent heritage is full of great bands, writers, artists and film makers that have thrived in tolerant society that has welcomed free expression. The UK’s artists are known the world over for pushing boundaries and mixing together genres of art to create sub-genres and in some cases completely new genres! However I sometimes wonder what this tolerant, free society is going to make of the latest trend to hit the streets of the city, political urban art. Of course I realise Its not a new phenomenon , look at the scrawl on the old Berlin Wall or on the walls in Northern Ireland and you would find political graffiti slogans left in protest and to provoke thought. You can even find the ancient paintings of any native race anywhere in the world on rock faces or cave walls, whether they were made as decorative pieces or with some social impact in mind, who knows? Even in its most recent form as scrawl with spray can on a wall it has been alive in this country for years. The point is it is becoming very evident to me that this is becoming something of an epidemic here in London. When I say becoming, well I travel the streets searching this stuff out and I can tell you it is on the rise in quite a dramatic fashion here! Kids, young men and professional artists are getting more and more confident and ballsy about making bigger and more controversial statements on the walls of our city. The obvious answer is Banksy has created a precedent for the flood gates to open… although he was not the first to create this form of political graffiti in London, he is just the most well known and the first to achieve worldwide fame and fortune. But I feel to blame him or to even praise him for this would be wrong because to me he is only responding to the problems in society not creating them. Almost like blaming Hip Hop for the problems in Harlem, it’s short sited and completely missing the point. These artists are responding to the way the people are feeling right now and trying to get their voices heard the only way they can. For me this rise in political graffiti stems from the feeling that the noise society is creating is so loud and inconsequential the important points are not reaching the people. For example, a messed up singer will get front page headlines of our major newspapers while continued atrocities are being committed the world over by that do not even get a mention! How can a footballers affair be more important to the people than 2 million refugees going without food, water and medicine in Dafur. We are being drowned in a sea of pointless messages, with the substance floating past unnoticed. Whether you think it’s a problem with society or a government ploy to control us it’s clear that that to get the message across artists are resorting to more drastic measures. These measure are to take to the streets and to paint them on our walls for all to see… and in that respect I support what many of them are trying to do. Now I’m not saying all of this is political, some is just a beautiful piece of artwork designed to brighten up a… well Urban sh1thole! As well as this much of it is blatant vandalism that causes distress to its victims and actually ruins a perfectly beautiful building. Whatever the point is I have been documenting these images in my own way for years now. I don’t want to just show the images, I want to show them in context, this means including a bit about their surroundings and even the people that pass them on a day to day basis. The rest is up to you as to what you consider art, political messages, vandalism or even all three put together! So I am making it my mission to bring these images to you in what will be called my URBAN DÉCOR Journal, this is part 1 Ben AKA Redtempa
After publishing Urban Décor part 1 on M…
After publishing Urban Décor part 1 on Monday I was interested to see the reaction from the Redbubble community on the subject of urban art. To be honest I was expecting a mixed reaction because this form of art has many guises, some of which have a habit of pissing people off… tagging being one of them. This side of graffiti is the hardest to justify, something even I would struggle to do… not that I would want to anyway! Personally I am not even going to get involved in the debate because I can see both sides of the story and both are as valid as each other… in reality your opinions will probably be individual and varied and will be based on your personal experiences, good or bad. My own experiences have been both negative and positive and I’m pretty open minded on the subject, so I can understand the mixed reactions that some of the images I produce may cause. Some people will say tagging causes distress and is just blatant vandalism created by bored jobless youths with no respect for the property of others. Others will say it has been around for as long as the human race has been able to express itself through painting and (in some cases) can even brighten up the ugliest of human creations. Whatever your opinion in a free society such as the UK’s it is not going to disappear anytime soon. This is because to truly stop it we would need to take drastic measures that would not sit comfortably in our so called ‘free society’. However, as a photographer I like to document a street scene that I’ve found and I see beauty in. As I primarily photograph natural street scenes in urban areas urban art/vandalism is often a major feature of my work. This is because to me it is such and intriguing and powerful form of artist expression completely without censure that can reach and effect anybody or any age. I am intrigued as to the thought processes that go into designing tags and what they tell you about the artist/criminal that has created it. My intention with these is not to express my personal opinion, instead just to document a scene I think is beautiful and to show it in context with its surroundings. The fact these scenes are dynamic and constantly changing as more graffiti/urban art/tags gives me confidence that recording them is an important thing to do. In fact many of the scenes I have shot in my portfolio have been whitewash or replaced, something that makes me feel justified in spending the many days trawling the streets looking for them. Peace Ben AKA Redtempa
Just messing around with stencils in a very emo sort of way… i feel all depressed now.
another quality product from the Anti-Vector Council
Stencil graffiti found on the construction shed at Arlington and Boylston Streets in Boston, MA.
Ltd Ed. of 50
Like her mission in life and the piece that she works on, she is in progress… Taken on a Panasonic LUMIX FZ8 of a female graffiti artist at work down Flinders Lane and manipulated on Paint v 3.36.
Baby feet – inked at 5 weeks old (not to scale on t-shirt).
Sometime last year I was at a Chinese restaurant and my friend Greg ordered the jellyfish/chicken salad. The next day I made this jellyfish/chicken t-shirt design. I like the thought that if this jelly-chicken actually existed, it would just look like a chicken swimming in water…
Stencil art in Ghent Shot with Lomo LC-A+ — Used in The Lomography Calendar /
A ‘stencil style’ Image of male wearing white bandana mask and ‘marilyn manson’ style eye contact, with dark gritty background texture. Click the colours below for a preview, and click on the t-shirt itself for a larger view, (or use the buy/preview button above)
My entry to the demo competition and a nod to KRS-ONE.
Why are you leaving?
Florence Aubenas The title translates to No Eyes Greeting card also available.
Florence Aubenas The title translates to No Eyes Prints also available.
Peace, / Bring it on / Peace, peace / You do no wrong / Peace, peace, peace / You are strong Stronger then hatred / Stronger than fear / Stronger than the dark powers / of a troubled mind Peace / Stay with me / Peace, peace / Flee not, try to be kind / Peace, peace, peace / Why hath thou so tough to find? Copyright 2005 – Sylvia Chidi
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