Black port
316 creative works found
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A black and white with vignetting version of my image of Port Fairy Lighthouse. This is one of my all time favourite photographs so I thought I would share it. It was taken on a point and shoot about 3 years ago so is not available for larger prints. The flowers in the foreground of this photo have a story of their own. The bulbs of the irises were planted by the first lighthouse keepers in the garden of the long since ruined keepers house. All that remains of the house is a portion of the garden. The iris bulbs come up every spring as a reminder of what once was. Colour version is also available. This is how it looks in card form: I have this image on my wall using a black matte and charcoal frame which looks absolutely amazing and sets off the black and white image well.
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‘Lonely Jetty’ / Port Noarlunga, South Australia / SD Smart Photography >20,000 views All photographs are the exclusive property of SD Smart Photography and are protected under Australian and international copyright laws. / The images may not be reproduced, saved, stored, printed or manipulated without written permission. / Use of any image as the basis for another photographic concept or illustration is a violation of copyright. / © All rights reserved. Also available: /
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South Australia. Mugsy used this image in a collaboration. / Click Here to see his wonderful interpretation of this image.
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/ Port Willunga, South Australia. / / Black and White HDR © 2007. / Landscapes / /
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on the beach, Porthcawl
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500+ views. The old Port Willunga Jetty was taken at dusk at Port Willunga Beach, South Australia, Australia. This is my favourite beach in SA. Photoshop used to enhance the colour of the sunset with colour balance and filters. This was taken on a tripod using F32, 10 second exposure, ISO 200 and 75mm lens. This was taken using a Canon DSLR EOS 350D. This shot was featured in the Timber and Water Group.
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This was a photo taken at Quiet Corner in Black Rock at sunset.
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I shot this just this morning along an eastern beach of Port Philip Bay, Victoria. It was a mild morning, and despite my fears of an overcast bland sky, the clouds unpredictably opened up and displayed a wonderful array of shapes and layers. Although I enjoy this photo in colour, it doesn’t really share the same quality and impact that the monotone version displays. This was my first photo shoot for 3 months, and will be part of a small series I will be exhibiting at the end of the year.
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800 views. This is Port Willunga Jetty in mono. Taken at Port Willunga, South Australia, Australia at sunset. I was going for a high key type image. This was taken on a tripod, no flash, f25, ISO 200, 1.3 sec exposure with a Canon DSLR EOS 350D. I was so fortunate to sell, on redbubble, a large mounted print of this work, with the white border and artist’s details, to a good friend, Nathan. Thank you so much.
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“If your pictures aren’t good enough, you’re not close enough“. Robert Capa’s wisdom echoes as fresh today as it ever was. If you accept the truth that you can’t be too close, how far is too far? I was sharing the afternoon with my computer, all the light stuff, browsing and shifting files around, when events in the harbour hijacked my attention Just one look through the window, and you know it’s the moment you should be part of, somehow. As a dedicated instinct driven photographer you grab your camera and run into the oncoming rain, braving the wild wind and the clusters of objects, which on an ordinary day don’t reside in mid air, just to get a shot, or better, The Shot. Not quite, not me. I did take my compact camera but observed the menace for a while behind the safety of a closed window. The dark clouds extinguished the sunlight within minutes, and what was left of it refracted considerably before hitting the harbour from different angles, creating an extraordinary dance of light and shadows on the motionless surface of the ocean. I took a couple of shots from left to right with the clear intention of stitching them together. Shortly after, the darkness descended. How come the most threatening events can look so spectacular? The storm climbed uphill and started to shake the house, rattling windows in an attempt to rip the glass from the frames, as it wished to suck in that couch potato and spit him out there, where he should be. Yeah baby, just go hard; you may be angry but the structure is sound, and I know it. I casually walked back to my seat and continued browsing the Net as if nothing had happened. What else can you do on a day like this?
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Galway – Ireland
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Caves cut into the face of the cliff at Port Willunga for boats that used to ply the area. Quite old and match the age and deterioration of the old jetty timbers that still remain on the beach. Canon 400D fixed 50 F 1.8 lens. Converted to B&W in Photoshop CS3.
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Grain elevators at the Port of Seattle, WA. / Canon 40D
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Scarborough harbour at night, shot from Olivers mount / Nikon D60 / Lens 200mm
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Three seagulls having a leisurely chat at Mornington late in the afternoon. This was the first time I had been to Mornington since I was kid. I always flashbacks of a pier down on the coast as a child and until now had never realised where it was. It looked so much smaller than I remembered it to be… Processed in Adobe Lightroom 2 and Adobe Photoshop CS. Taken with my Canon 40D and 10-22mm wide angle lens. Featured in the Piers and Jettis Group on the 28th of March 2009
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Under the pier at Cowes, Phillip Island, Victoria, Australia at Dawn. Taken at the same time as Beginning of a new day for something a little bit different. It was pretty chilly, windy and way too early in the morning for me, it’s amazing how much lens distortion you get with a wide angle lens! / Settings Canon 40D, 10-22mm EF-S. FL: 10 mm 25 seconds @ f16, ISO 100 No filters Adobe Lightroom 2 & Adobe Photoshop CS4 Sales 1 Greeting Card Featured in the Wall Art section of RedBubble on April 14th 2009 _ Featured in the Technical Photography Group on the 11th of May 2009_ One of the photos in my Phillip Island series, please click here to see the rest of my images in the series
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Acrylic on Canvas, I donated this piece to the silent auction for the Delta Arts Council’s Ruby Anniversary Gala, Celebrating 40 years.
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Nikon D60 / Filey, near Scarborough, North Yorkshire, UK
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Blackness is a village on the shore of the River Forth in Scotland. It lies within the council area of Falkirk, and the former county of West Lothian. The village originally served as a port for nearby Linlithgow (incidently, the town where I was born and grew up), with a harbour on Blackness Bay, an inlet of the Forth. As a port it was superdeded by Bo’ness, and fell into decline from the 17th century. The small village is today dominated by Blackness Castle, situated on a promontory overlooking the bay. Camera: Canon EOS 450D (Digital Rebel XSi in the USA) BEST VIEWED LARGER Three bracketed JPGs converted to HDR in Photomatix. Related shots can be found at: Blackness or Lowland Scotland. Click here for a random page of photographs
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Took this a few months back at Red Bluff near Black Rock in Port Phillip Bay. I love how the chimney forms an almost perfect Australia shape. Camera: Canon EOS 5D mkII / Lens: EF 15mm f/2.8 fisheye USM / Filter: none / ISO: 100 / Shutter Speed: 1/5th sec / Aperture: f/22 / WB: Auto / Exposure Compensation: +2/3rds stop / When: 3:50pm on 11/3/09 For other shots in this genre check out my Melbourne/ Urban Landscapes gallery. 10% of all profits go to the Wilderness Society
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Scott Kelby’s Second Annual Worldwide Photo Walk / Old Port, Montreal Quebec, CANADA / Saturday July 18th 2009 8:30 to 10:30 AM / It was a very wet and rainy morning. / Nikon D40, Nikkor VR 55-200mm lens Top Ten in the Horses Drawing Vehicles challenge, September 2009 / Featured in the Horses at Work group, September 2009
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/ Featured in Central Coast and Hunter Moods of Mallabula Series
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Wales, UK / Nikon D300 / Nikkor 18-200mm / HDR in Photomatix Pro / 1 shot, handheld / PP in PS CS3 including Orton Effect
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