Black medium
67 creative works found
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corner of mission and 2nd street, san francisco, holga madness. / kodak tri-x turns out this is just up the road fromt he new RB office, but I didn’t know that when I took it. (having only been to the US thrice i still find steam rising from the vents in the street most evocative, the locals probably find it annoying)
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A self developed Holga shot / A broom / A mannequin minus a nose I fail to see what else I could have done to improve this.
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I took this picture a couple of years ago at the beach of Marina di Grosseto, Tuscany, Italy. / This is a fine example I think of how a fisheye lens can completely change the feeling of an ordinary scene. The subject is simply some surf on the seashore, captured from a distance of not more than a foot. / The original picture is a Fuji Velvia 50 Iso medium format slide. Hope you enjoy it, thanks for dropping by. Paolo
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One of the better photos I ever took on the Bronica SQa – bright sunlight streaming through a slight mist in a forest, near Innerpeffray, Perthshire.
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monochrome
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Photograph. An image I’ve been working with I’ve titled “Closed Open Nude” printed this time on two different Asian papers and collaged together with Asian motifs.The primary paper has mango leaf inclusions. The secondary paper is a fragile taupe Unryu. A small square of Japanese block printed calligraphy paper is at the bottom, below that a section from a Chinese money envelope.
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Chinese calligraphy. Hands close up painting character. Photography based mixed medium image. Extreme texture and grain.
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As I enjoyed my cappocino and fiddled with my Bronica Zenza 6×6 (80mm f2.8) camera, I noticed this interesting character. The man sat there almost motionless. I motioned to him if it was ok for me to take the photo and he seemed to agree. I had to guess the exposure as I didn’t have my light metre out of my bag. The exposure came out fine (F2.8, 1/60th) and the focus is not bad considering the medium format and how clumsy the camera is in street photography. I processed the negative myself and scanned the image in on a Nikon film scanner. I have left the edge of the negative as it frames the image well and it appeals to my purist tendacies. This is one of my fravorite examples of my documentary work, it makes me think of how times have changed and how society changes and some people feel they can’t keep up.
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Coperit, France, January 2008. ©Marianne Le Carrour
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Double exposure using a 1065 Mamiyaflex medium format camera and expired film. Taken at Crystal Lake Cabins, Oklahoma City
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A view with the dark inside of a tunnel forming a silhouetted outline to the jagged roof line and distant cliff-tops beyond, taken at Dunnottar Castle. From the first roll I developed in Moersch Tanol, a staining developer with gorgeous tonality and low grain.
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hannover airport, triple exposure, holga madness. / kodak tri-x that’s about it.
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Seen whilst driving along the A9 out of Perth; we parked up and piled out of the car rather quickly to catch the sun streaming out from behind a cloud illuminating the tree before the light moved. Taken on a Hasselblad 500CM with Fuji Neopan b&w 120 roll-film.
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Looking along the length of the gorge just to the south of the approach Dunnottar Castle. From the first roll I developed in Moersch Tanol, a staining developer with gorgeous tonality and low grain.
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A symmetrical reflection of part of the Cairn Gorm mountain-range in the perfectly still water of Loch Morlich, taken seconds before the rain-clouds came across and disturbed the loch surface. Taken on the Hasselblad using Lucky black and white film.
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This is the first medium format print that I’ve uploaded to RB, I’ve been experimenting in the darkroom recently, and I’ll upload more of this stuff soon. Camera: Mamiya c33
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