Bird female
929 creative works found
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used to produce this work: / watercolour paint, antique paper, ink, pen, photography, vector illustration.photoshop
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This painting is very textured and incorporates a little mixed media. / I did it on board which i love because you can work roughly and quickly into the surface. / Blue always symbolizes sorrow for me. / She has a wood grain to her skin and becomes part of the leaves from which the birds are falling. / At this time I was thinking allot about the destruction of the natural environment around us and how much we are part of this moving and growing world. you can buy original paintings from my website www.shannoncrees.com
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A female Rufeous Hummingbird hovering over a Red Hot Poker while bather in the golden light of the setting sun. I like this image because it is the only one I have ever taken where the hummer turned and made eye contract with the camera.
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Original illustration created by GalaHouse. / Indian ink, watercolour, digital collage.
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When The Clock Strikes Me Creation Date: 7.17.08 Inspired By Saul Williams Credits: brujo / parablev / bashcorpo / amptone-stock / mjranum-stock (Marcus Ranum) / Photodream-stock
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Hummingbird getting ready to land on the feeder. Canon 40D, Canon 70mm-200mm lens.
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model: Sara canon EOS 20D dslr / editing in CS3 Featured by RB / And Impressionist Art www.daviezimages.com
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Totem #1 is the first of a series of pieces that represent an animal attached to a human figure, like if they are part of the same body. They can also be animal totems, if you prefer. The Totems carry also a very simple concept: our deep attachment to Nature as one single thing. In those pieces, I intend to make the human head always black and white and naturalist, while the animal is colorful and filled with abstract shapes. watercolor and pencil on cold press watercolor paper / 12×8.5
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The Scream is basically a piece about violence against women, a subject that really sensitizes me not only for being a woman, but also for being human and for dreaming and working for a better world based on respect and equality. I didn’t want a piece that was oppressing or showed only the pain of the violence or abuse. I wanted something dynamic, that could have a “voice”, that could help people to reflect about how to change things. The symbolism of the piece is quite simple and direct. There’s a dual figure in the center. She might be the same woman in two different attitudes, if you like. The red-haired one is scared and in pain. She holds her bleeding heart and wears a mask to keep herself hidden from judgment or other losses. She might be the one who was raped in a party after drinking too much, the one who was abused for a family member but preferred to hide in order to do not cause disturbances in the family, the one who was beaten for her husband but kept silent for fear of losing her children. She might be one of the Congo women. She might be me, or you. The black-haired woman doesn’t wear a mask. She is screaming – although sometimes I think that she is in fact singing. What she releases from within herself is a bird, red as life. Is the desire for freedom from a world conquered by force, not love. She screams her right to be treated as a human being instead of a second-class citizen, as a partner instead of a subordinate. Her right to express her own ideas and have their own attitudes without being demonized for them. There are also masks at the bottom, a pile of masks without faces behind them. They once belonged to women who decided to scream instead of keep silent and anonymous. That decided to stop pretending that that’s how the world is and there’s nothing that can be done to change it. But there’s so much one can do just by having a voice… And use it to demand respect for being human is urgent.
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Model: Justine / Canon EOS 20D dslr / Editing in CS3 / Rural Around The Globe / Fantasy Fine Art Composites / Childhood Challenge win and featured member in Rural Around The Globe www.daviezimages.com
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. my love, / i’m finally home… / i know you’ve been waiting… . the last of the series 12/12 . o3.27.2oo9 / charcoal on mi-teintes® pastel paper / digital / 9”x 12” . somewhere in between these two… [click] [click] i think… . . .
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Taken with a Canon Digital Rebel XSI.. AS IS Straight from the Camera ….....Virginia State Birds / The cardinal or, more correctly, the northern cardinal (Cardinalis cardinalis) was adopted as the official state bird of the Commonwealth of Virginia on January 25, 1950. / 672 views 11-4-09 / 4 features and a challenge win
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Model / First Things / Fantasy Fine Art Composites Canon EOS20D DSLR / Editing in CS3 www.daviezimages.com
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Acrylic on canvas / Size: 24×24 inches / Price: $2000 (Aus)
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spraypaint and acrylic, 2008
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Watercolor and pencil on illustration board, / 10×8 / 2009 Model: Adhara Batul One of the Greek myths I adore the most, for its incredible strength, poetry and significance, is the myth of Persephone. In Greek mythology, Persephone was the goddess of the underworld and of the Spring growth. Daughter of Demeter, goddess of the harvest, she was abducted by Hades and taken to the land of the dead. By a determination of the Fates, she was forced to stay for two seasons each year after eating pomegranates seeds, thus becoming consort of Hades and queen of the underworld. This time I opted by depicting her sorrow and solitude after having the seeds, although there’s quite an air of resignation with her destiny.
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Mixed Media on / Canvas.
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A little female fairy wren, sitting on a branch full of expectant buds, in the Mt. Lofty Botanic Gardens, Adelaide Hills, South Australia. Canon 40D, Canon 70-300, on camera flash. This image featured in the group South Australian Artists in November 2009. Many thanks moderators! And featured again in Animal Fantasy & Whimsy in November 2009. Thank you so much!
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Watercolor, gouache and pencil on board, / 11×14 / 2009 Model: Kambriel One of my latest passions is the symbolism of the peacock, and how it has been associated to immortality and renewal. His feathers were used as talismans and protection against evil spirits. In the Eastern traditions it has been seen as symbols of wisdom, benevolence, compassion and kind-heartedness. The “eye” in the peacock feather is associated to the pineal gland, making of it a sacred symbol. Through the development of the pineal gland one can awake the Kundalini and achieve understanding of the spiritual world.
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Watercolor, gouache and pencil on board, / 11×14 / 2009 The heart has a voice and a music, the same ones your spirit have recognized for many ages. The voice of your heart is the voice of freedom. Through it you’ll be able to find yourself and find your inner God. Let that voice be heard, recognize yourself as the creator of your own reality. Put aside all the masks they have made you wear in order to belong to the illusions they created. Don’t waste your life living them. Be what you are born to be.
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Mixed Media (Watercolor, gouache, graphite and colored pencil) on board, / 9×12 / 2009 Model: Adhara Batul Illustration for a brief moment in the wonderful Tennyson’s poem “The Lady of Shalott”.
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Drew this for a self-portrait contest. This is also my first ever self-portrait, beyond a couple of exercises in art classes when I was younger. I obviously took some liberties here ;) I didn’t get some aspects of the portrait quite right (the nose and the chin are not quite right for example, and I have a much paler skin tone), but this is perhaps how I would look in another reality ;) Mixed media on heavy textured purple watercolor paper (Canson). Original measures 19×12.5” Featured on the Home Page. September 5th 2009. View more of my artwork at www.lynnetteshelley.com
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Female form in black and white with nature and abstract background inspired by artist Beardsley.
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