Big blue 

1387 creative works found

  • Shot in 3 km deep water, Indonesia

  • Me again, sorry!

  • This was taken off the last full moon, right after the eclipse. / Sold: 1 medium framed print unknown buyer RB

  • Celebrating the Gloriousness of Big Girls and Big Cakes. Painted in the Spring of 2007 The original of this painting is 20”x20” and is now owned by a private collector. (I retain all copyrights) Visit my Online Art gallery

  • Real estate speak from the Brisbane News / Canon 5D w 16-35mm lens at 16mm. Three shots bracketed with photomatix, and a little dodge and a little less burn. REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / INFRARED / BEACH / INDUSTRIAL / PANORAMAS / LANDSCAPES / SPAM PHOTOS

  • A long journey for miss ladybird ..

  • Bluebell was my first ‘holiday piece’ this year! She’s wearing a headband similar to the one I picked up when I arrived in Brisbane and has the sweetest little expression. I think she’s just darling with those gigantic fluttery eyelashes and wild blue hair. ..................♥ the fine print ♥…............... (c) scarlett 2006. / This artwork is protected by copyright which does not transfer with sale. In plain English – while you’re buying a piece of artwork, you’re not buying the right to copy, print or reproduce it in any way. xxx scarlett

  • Lily loves birds, but you already guessed that, right? These are three of her darling bluebird friends, helping her with her hair. Actually two of them are helping and one is having a little rest (lazy bugger). ..................................♥ the fine print ♥…................................ (c) scarlett 2008 / This artwork is protected by copyright which does not transfer with sale. In plain English – while you’re buying a piece of artwork, you’re not buying the right to copy, print or reproduce it in any way. xxx scarlett

  • Tis only a few weeks until I move to Melbourne, so I thought I’d get my big, sheet-metalled guy to do some reconnaissance before I landed. Unfortunately, in true gigantic robot fashion, he decided to destroy the picturesque cityscape of the footy city. Apparently it will be rebuilt and ready for when I alight. In 3 background colours … RED, GREEN and BLUE!

  • The Valley of the Waters is @ Wentworth Falls In the Blue Mountains. The Valley of the Waters may be reached by a direct walking track, which descends steeply through temperate rainforest. Cool, moist, shady conditions prevail, and the area is a rich wildlife habitat. / Apart from the regular bushwalkers, you are likely to meet wetsuit-clad abseilers who like to take a more direct, and wet, route down the numerous waterfalls. / From the valley, National Pass takes the walker to the Wentworth Falls, then back up the cliffs to the village. / The Nature Track, & other cliff-top routes, make a good alternative for walkers who prefer to avoid the strenuous climb in and out of the valley. I made a video of this day, its on youtube http://au.youtube.com/watch?v=IUyyD0GvvsQ Shot: Nikon D40X / Format: Raw / Date: 2.8.08 / Exposure: 14.000 second / F No: 22.0 / Focal Length: 18.0mm / Tripod Used

  • Equipment used: / Nikon D70s / Sigma 18-200mm f3.5-6.3 DC Location: / Geestmerambacht, Noord-Holland, The Netherlands Map: / Road Map , Terrain , Satellite Copyright: / © Brendan Schoon , All rights reserved. Background Information: / Swans are birds of the family Anatidae, which also includes geese and ducks. Swans are grouped with the closely related geese in the subfamily Anserinae where they form the tribe Cygnini. Sometimes, they are considered a distinct subfamily, Cygninae. Swans usually mate for life, though ‘divorce’ does sometimes occur, particularly following nesting failure. The number of eggs in each clutch ranges from three to eight. Swan / Grazing Cows / Banff National Park, Moraine Lake / Bryce Canyon National Park, The Lonely Tree / Purden Lake / Sunset in Tofino / Grand National Park, Hazy View / Life / Acrobatic Move /

  • California’s Big Sur coast. Taken with Toyo 4×5 view camera and Provia 100 film. Approx 3 minute exposure. The 4×5 inch green box of Fuji Provia slide film contains ten unrecorded personal perspectives waiting to be shared with the world. In darkness, I load each precious sheet into individual film holders, feeling the film reference marks to ensure that the emulsion faces outward. The holder will be inserted into my Toyo A2 4×5 large format view camera on location in my garden, at a nearby lake or perhaps the Eastern Sierra Mountains. Nearly a year has past since my friend Gary encouraged me to pursue large format photography. Gary brokered a deal to purchase a camera from another friend, Sam. Along with the Toyo, Sam included 150 mm, 210 mm and 300 mm lenses. It would take some training and practice to learn to use the new camera but I was enthusiastic to learn a new way of studying the world. Held to the light, the details of a sharply focused 4×5 inch slide image capture my attention and even offer the possibility of crafting a mural-sized print. The view camera’s tilt and shift movements enhance creativity. But, there is another reason that I put my 35 mm camera on the shelf and focused on the view camera. The view camera forces me to slow down, to dedicate each shoot to a single image, or possibly two, to tell a story in a special way. My 35 mm camera and zoom lenses provide the ability to move quickly and capture many perspectives of the landscape, maybe too many perspectives. The Toyo’s workflow allows me to interject more thought into a single perspective, to try to tell a story in a special way. I focus on the big picture, the quality of light and color on the land. I find landscape details during hikes and often return to favorite locations. I arrive with the Toyo and merely have a feeling about a spot, trying to prevent preconceptions from tainting my composition. On location, I am ready to shoot. A composition is isolated, my tripod leveled, camera mounted and lens attached. I study the upside down inverted image on the ground glass and focus the bellows mounted lens. Tilts and shift are used to capture desired depth of field. Then I stop down the lens, set the shutter speed, close and cock the shutter and insert the film holder. Finally, I open the sleeve of the film holder and release the shutter to capture the cool blue light of predawn. I capture the moment as I gaze upon a window-like portal in a rock formation along California’s Big Sur coastline. It is not this photographic process that is important for me. Actually it is not even the final image that drives me to photograph with the Toyo. The Toyo simply allows me to interact with the simple details of nature, to imagine and create in a personal and rewarding way by slowing down and enjoying the beauty before me.

  • Late dawn, cos it was raining….the clouds didn’t colour up at all, but the sky was still fabulous! Canon 5D, 16-35mm at 16mm, f/18, 1.6”, ISO 50, Tripod, cable release, Lee ND grad 0.9 and 0.6. SEASCAPES / INDUSTRIAL / PANORAMAS / LANDSCAPES / SPAM PHOTOS / REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / PLASTIC PEOPLE / PEOPLE / DICKY BEACH

  • Nick and I were hoping to catch up with Ken Wright for a shoot, but the weather wasn’t looking good. Ken decided to sleep in, but Nick and I drove down to the coast anyway. Sat in the car while it rained and waited, and waited….then walked down to the rocks after dawn, with umbrellas….and waited some more….eventually I weakened and asked for the keys so I could start shooting…. I’m glad I did…..got some rippers, in the end! Thank goodness for the heavy clouds, makes shooting after dawn so much easier! Canon 5D, 16-35mm at ?, f/11, 0.6”, ISO 50….lee nd grad filters, tripod, cable release, firm footing on high ground, surging tide. (focal length is unknown since the camera isn’t talking to the lens anymore….sigh) SEASCAPES / INDUSTRIAL / PANORAMAS / LANDSCAPES / SPAM PHOTOS / REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / PLASTIC PEOPLE / PEOPLE / DICKY BEACH

  • Back to the morning of the storm…..where we waited and waited for the rain to stop…. Canon 5D, 16-35mm at 16mm, f/7.1, 1/4”, ISO 50, Lee ND grads 0.9 and 0.6 SEASCAPES / INDUSTRIAL / PANORAMAS / LANDSCAPES / SPAM PHOTOS / REAL ESTATE SERIES / NEW ZEALAND / FROGS / FROGS / INFRARED / PLASTIC PEOPLE / PEOPLE / DICKY BEACH

  • as it builds up to another storm Currumbin rocks, Qld Canon 5D w 16-35mm at 16mm, f/22, 1/3”, ISO 50, couple of Lee ND Grads – 0.6 and 0.9 SEASCAPES / INDUSTRIAL / PANORAMAS / LANDSCAPES / SPAM PHOTOS / REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / PLASTIC PEOPLE / PEOPLE / DICKY BEACH

  • Pokrovsky cathedral in red colours in Moscow on Red Square.Russia / I was trying to capture architecture details on it and stunning colors. / THE WINNER in a challenge Capital cities of the World /

  • Self portrait _everybody’s cleared the room / and they’ll dress you up / stand you in all the right places / words like honey / smile as they change your faces / with no regard to you at all / and you find they treat you like a paper doll (Paper Doll – Rachael Yamagata) _

  • 11×14 oil on illustration paper, the lone tree overlooking the Big Black river in my mind, thanks for looking.

  • Black glass magic – I had gone on this shoot with a bad attitude, expecting the sky to be bland and the day to be a waste of time, and therefore I set the camera on large jpg so I wouldn’t waste too much computer space….As it turned out, I’ve managed to drag out some amazing results. This is another straight from the camera image, although I had to take it into PS to straighten the horizon…. Canon 5D Mk II, 16-35mm at 16mm, f/10, 90seconds, ISO 50, Hoya NDX400, Singh Ray 3 stop reverse grad, Lee 0.9 ND grad, tripod, cable release, lots of guessing….I should point out the red sky is enhanced by the Singh Ray filter, which seems to put a colour cast across the ND area when used in conjunction with the Lee filter…. - / SEASCAPES / NEW ZEALAND / PEOPLE

  • View other work from this series Dangars Lagoon, Uralla, New South Wales, Australia. Best viewed LARGE

  • 18×24 acrylic on canvas Thought it would be fun to do some goddesses in a kind of pop realism style. This is the Gnostic goddess, the feminine half of God and the mind of God, or the Divine Wisdom. Red Bubble homepage 10-6-09 / 56 favorites and 969 views as of 11-24-09 / close up of Sophia: / Check her out on a red tee:

  • Photo, 2816×2112 Pixeld.

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