Bia
1 member found
47 creative works found
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Main Street, Wilcannia I’ve sold a copy of this twice, at exhibitions at the Brisbane Institute of Art. Once A3 on metallic, and once A4 on heavy hahnemuhle paper A rework of The Last to Leave in an attempt to make it more like Paul Vanzella’s version – at the request of Wicca Davidson. Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Sold a large framed print to unknown buyer – through RB – August 2007 Another version, less bright Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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People Set Here’s someone’s work that you shouldn’t miss! Karen! /
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People Set PLease have a look at the wonderful work Nicole does /
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People Set Have a look at the work of one of my classmates please! Presenting Gil /
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People Set Lensbaby original with Canon 20D
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People Set Lensbaby original with Canon 20D
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Ok Ok, well I have done another sunset…..so that’s at least TWO! Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Bribie Island – Pumicestone Passage OTHER BRIBIE SHOTS OTHER BEACH SHOTS
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I’ve driven past this fountain for over 7 years and twice before attempted to take photographs of it – once during the day and once at night. The daytime shots were OK and basically showed the fountain in its setting: a large and pretty golf course. I tried to isolate the fountain but its location pretty much prevented that. The nighttime shots were a bit different and hid the greens and fairways of the golf course well while actuating the fountain. Unfortunately, I wasn’t anywhere near up to the challenge of capturing the shot until last week. The difference this time was the combined usage of NO ISO boosting, proper aperture, and much slower shutter speeds. I pulled up the shutter time to a full 29.1 seconds by using the “BULB” setting instead of a preset shutter speed. The D80 will make a 30 second open shutter but I tried it for about 30 minutes and was never satisfied until I found the “sweet spot” at a touch over 29 seconds manually. To offset that much light coming into my Nikkor 18-35 kit lens, I set the exposure bias (what I always call the ‘offset’) to -5 and the camera automatically upped that to -6, tho I don’t know why or how. LOL! Finally, the aperture was set at f/36, much smaller than I’d ever tried before. But the slower shutter speed mandated constant light for a long time so I shrunk the lens opening quite the opposite as I would have with shooting the moon or nighttime buildings. It took a bit over 1 hour for me to eventually get the settings the way I wanted them, lock the tripod down as securely as possible, and use the remote trigger to trip the shutter release. (Using my hand, no matter how carefully, caused shake that blurred the image enough to see.) One other important thing of note: my focal length was 42 mm because I used the kit lens, the wide angle Nikkor that came with the camera. This made the fountain a LOT smaller in the finished shot instead of filling the frame as I used to do using a telephoto lens. The difference there was the PhotoShop Elements program I used to make the shot large enough for Red Bubble but do absolutely nothing else. I had been trying to get the largest shot out of the camera and enlarge less in post-shoot processing. I now know that putting a smaller but better image into the software is far preferable to putting in a large image that sucks anyway. LOL! I hope some of this makes sense to the budding photographers new to DSLR shooting. And as usual, I give enormous credit to the work and comments of oastudios, a master of getting the balance between water and light perfectly. SEE HIS STUFF!
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My fav model Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Canon 5D Mk II, 24-105mm at 24mm, f/4.5, 1/13”, ISO 200
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Another class, another model shoot….This time Jalisa with lensbaby composer, from the top of the ladder…. This is straight from the camera, Canon 5D Mk II, 50mm, f/4, 1/125”, ISO 320, hand-held.
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Another class, another model shoot…. Jalisa Seascapes / New Zealand / Infrared / Landscapes / People
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Still messing with model images Jalisa Seascapes / New Zealand / Infrared / Landscapes / People
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Jalisa Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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This is a photo of me. Me, wearing a suit and tie. Me, wearing a certain hairstyle. Me, with a certain style of facial hair. / My question to you: / Do you discriminate based on a person’s appearance? / Do you consider yourself to be prejudiced? / If I passed you on the street looking like this, would you have negative feelings toward me? / Would you embrace me as one of your own, assuming that I am a “NeoNazi” or some such? / . / . / . / Just something to think about.
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Canon 5D Mk II, 16-35mm at 16mm, f/8, 10” Lee ND grad 0.9, ISO 50, tripod, dry camera Currumbin rocks on Saturday morning….took a couple of class members to a dawn shoot. SEASCAPES
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For the students who are keen to shoot water drops, you know who you are Tanya :) I played with water yesterday, and think I have a plan….(anyone who knows me will be rolling on the floor laughing by now) Here’s the way I did it. Fill the sink with water, put the red background up, slung across the washing liquid and other cleaning products, set up the flash on the sink, facing the red material, set flash on 1/16 power, plug in the pocket wizards to camera and flash, put camera on manual, f/8, 1/200, start the tap dripping, manual focus on the drop spot, and begin firing….cross process in photoshop.
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When I take a class out for a night shoot, I’m afraid I lose interest when it comes to straight photography. Maybe I’m not cut out for this lark….I dunno…. Calendar Canon 5D, 30” exposure
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Jalisa Seascapes / New Zealand / Lensbaby / Infrared / Landscapes / People
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More bendy work Canon 5D Mk II and my bendy lens View this on black
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