Bia
1 member found
27 creative works found
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Sold a large framed print to unknown buyer – through RB – August 2007 Another version, less bright Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Ok Ok, well I have done another sunset…..so that’s at least TWO! Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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My fav model Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Main Street, Wilcannia I’ve sold a copy of this twice, at exhibitions at the Brisbane Institute of Art. Once A3 on metallic, and once A4 on heavy hahnemuhle paper A rework of The Last to Leave in an attempt to make it more like Paul Vanzella’s version – at the request of Wicca Davidson. Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Bribie Island – Pumicestone Passage OTHER BRIBIE SHOTS OTHER BEACH SHOTS
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Something for class tonight…. put together from images I shot yesterday, some layers, blending modes, paintbrushes and patience….not a strong suit ;)
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People Set PLease have a look at the wonderful work Nicole does /
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See a larger version on black background here Mooloolaba OTHER BEACH SHOTS
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People Set Have a look at the work of one of my classmates please! Presenting Gil /
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People Set Here’s someone’s work that you shouldn’t miss! Karen! /
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People Set Lensbaby original with Canon 20D
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People Set Lensbaby original with Canon 20D
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I’ve driven past this fountain for over 7 years and twice before attempted to take photographs of it – once during the day and once at night. The daytime shots were OK and basically showed the fountain in its setting: a large and pretty golf course. I tried to isolate the fountain but its location pretty much prevented that. The nighttime shots were a bit different and hid the greens and fairways of the golf course well while actuating the fountain. Unfortunately, I wasn’t anywhere near up to the challenge of capturing the shot until last week. The difference this time was the combined usage of NO ISO boosting, proper aperture, and much slower shutter speeds. I pulled up the shutter time to a full 29.1 seconds by using the “BULB” setting instead of a preset shutter speed. The D80 will make a 30 second open shutter but I tried it for about 30 minutes and was never satisfied until I found the “sweet spot” at a touch over 29 seconds manually. To offset that much light coming into my Nikkor 18-35 kit lens, I set the exposure bias (what I always call the ‘offset’) to -5 and the camera automatically upped that to -6, tho I don’t know why or how. LOL! Finally, the aperture was set at f/36, much smaller than I’d ever tried before. But the slower shutter speed mandated constant light for a long time so I shrunk the lens opening quite the opposite as I would have with shooting the moon or nighttime buildings. It took a bit over 1 hour for me to eventually get the settings the way I wanted them, lock the tripod down as securely as possible, and use the remote trigger to trip the shutter release. (Using my hand, no matter how carefully, caused shake that blurred the image enough to see.) One other important thing of note: my focal length was 42 mm because I used the kit lens, the wide angle Nikkor that came with the camera. This made the fountain a LOT smaller in the finished shot instead of filling the frame as I used to do using a telephoto lens. The difference there was the PhotoShop Elements program I used to make the shot large enough for Red Bubble but do absolutely nothing else. I had been trying to get the largest shot out of the camera and enlarge less in post-shoot processing. I now know that putting a smaller but better image into the software is far preferable to putting in a large image that sucks anyway. LOL! I hope some of this makes sense to the budding photographers new to DSLR shooting. And as usual, I give enormous credit to the work and comments of oastudios, a master of getting the balance between water and light perfectly. SEE HIS STUFF!
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Move along now, nothing to see here…. An exercise for my class tonight…
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All Hail Discordia. / /
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BIA Tutor's exhibition
by Mel BrackstoneGALLERY NONA / 41 Grafton St / Windsor ‘TOTO, I HAVE THE FEELING WE’RE NOT IN KANSAS ANYMORE… You are warmly invited to join us …
GALLERY NONA / 41 Grafton St / Windsor ‘TOTO, I HAVE THE FEELING WE’RE NOT IN KANSAS ANYMORE… You are warmly invited to join us at the opening of another vibrant exhibition of work by artists employed at BIA – Oct 4 – 20 – Exhibition hours are Monday to Friday 10.00am to 4.00pm, October 4 to October 20. Opening night Oct 10th, at 6.30pm….wine and nibblies…
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(Right Click/Control Click the picture & open in new tab or window to go there.) This morning, I saw Boo for the first time, and, having owned and worked a farm for a great deal of my life, I was thrilled with the textures, the light, the “being there in the moment” this work evoked for me. It’s real. It’s true to life. It’s so GOOD. ...So I commented, and Anthony, bless him, popped me over a Bubblemail AND, with his persmission, I QUOTE: SAID ANTHONY HEDGER : The textures like the fence in the shot of Boo was pushed in Photoshop un-sharp mask. People often tell me I am cheating by using a photo editing software apart from telling them to F* off they are talking out of their arse (fanny in America) I also tell them my work isn’t finished until I say so and if I want to tweak it here or there then so be it. Then he asked my my opinion on the matter. Well here it is. There is this “purists” attitude among…NOT the art buying public, but among artists and photographers that disdains any use of digital enhancement techniques. This same attitude also abounds toward digital verses real world art media. What do I say? This photograph is “finished.” It’s ART. It’s WONDERFUL, and any purist who can’t see that is BLINDED by his and her own prejudice. Art does NOT require some adherence to a dictate of what an artist can or cannot do with whatever materials and techniques he or she decides to use and impliment in creating that piece of artwork. It’s the final output that IS the art, completely independent of HOW it was accomplished. That’s my take. DLKeur
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PICTURE OF HUMANITY
by Ushna Sardarthere’s no more apartheid / so no more apocalypse / no more bewilderment then / I’m seeing the existence of bias / *all conflicts an…
THAT’S ANOTHER COLLABRATION WORK WITH MY NICE FRIEND / “BUTCHART”, HE IS A WONDERFUL ARTIST, PLEASE CHECK OUT HIS ART / WORK* “HUMAN RIGHTS * AT RB THANK YOU MY FRIEND BUTCHART* :)
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Something for the class tonight….heh
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