Beauty photography
4891 creative works found
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A beautiful Maiko-san captured at Miyako-Odori, the Spring dances held in Gion each year. Kyoto, Japan
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Flood tide at Ningi – Across the passage from Bribie Island 5000+ views Sold two large mounted prints about a year apart – through RedBubble – to unknown buyers Other Seascapes /
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This is part of a series that I am working on. Called morning noon and evening. My thought is to have the same background image in 3 variations showing how one place can evolve and change moods. I have reasently created a second image / / Noon
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Lake Bohinj, Slovenia. I shouldn’t really advertise it because one of the delights of this place is that it’s not too crowded… Available for sale as: / Laminated Prints, Cards, Mounted Prints, Canvas Prints and Framed Prints
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Portrait / Architectural / people/culture / Macro / Landscape / Still Life / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. Inspired by the poem of Michael Gale / Blue Pierced Eyes Of Bluest Hue’d / / Striptease to my left… / Cock tease to my South. / Bring up thy lips, to meet my mouth… / Amass lo’ those emblazioned eyes of / Ocean’s bluest hue’d. / Pierce deeply of deepest inside of mine. Michael Gale / In case you miss it..my recents work..thanks in advance! / /
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Title:From the Sea / Artist: Jessica Tremp / Model: Jo O’Brien THE MERMAID A mermaid found a swimming lad, / Picked him for her own, / Pressed her body to his body, / Laughed; and plunging down / Forgot in cruel happiness / That even lovers drown. William Butler Yeats a few of my favourite things come together…mystery, the sea, earthy colours and textures and an overall sense of whimsicality and melancholy
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Portrait / Architectural / people/culture / Macro / Landscape / Still live / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love / All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. / —-—-—-—-—-—-—-—-—-—-—-—-—-- Inspired by the poem of Gillian E. Shaw / X – Vis-à-Vis (Face to face) / / Suddenly, through a veil of tears I saw the knave. / Wearing guilt across a blighted face: / Like the ambitious wife hiding wrong and blood; / vile stubborn stain, longing to vanish. / Vainglorious conquests! Viewed from here; assonine / exploits with multiple illusions. / A magician with a box of tricks opening / up on the darkest day; winding down / to deeper proceedings. Charmed, stinking essence; / transparent, I saw the knave; hidden. France / November 2004 Gillian.E. Shaw / In case you miss it..my recents work..thanks in advance! / /
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Click Here Thank you so much for all the sales of this image / . / WARNING / ©2009 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.
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Aspen leaves after a fall rain. Eagle County Colorado / / /
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State flower of Coloado. The Orton effect was used to give this a soft feel. Image shot near Vail Colorado
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View All Art » 1 2 3 4 5 6 / / My Red Melancholy is a self-portrait taken from photographic artist Jaeda DeWalt’s, The Red Realm series and is a part of the DeWalt Gallery collection. Self-portrait shot using a digital camera and remote control. Hair, styling and make-up also done by Jaeda DeWalt / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Matted Prints, Mounted Prints, Posters, Canvas Prints and Framed Prints / / Image featured in Models with a difference group 7-19-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s The Red Realm calendar / / visit the rest of this series . . . / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / My Red Melancholy Under the bright lights / And pristine haze / I look away As sick secrets sinuously sleep / Underneath a surface that is / Poised and pretty and sweet My raven hair scented / With traumatic experiences / Buried alive . . . refusing to die My crimson lips / Whisper / Of a quiet desperation My eyes refusing to shed / The tears of . . . / My Red Melancholy © Jaeda DeWalt listen to Jaeda recite My Red Melancholy / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / View All Art » 1 2 3 4 5 6 browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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Equipment used: / Nikon D70s / Sigma 18-200mm f3.5-6.3 DC / B&W 62mm Circular Polarization Location: / Moraine Lake, Banff National Park, Alberta, Canada Map: / Road Map , Terrain , Satellite Copyright: / © Brendan Schoon , All rights reserved. Background Information: / Moraine Lake is a glacially fed lake in Banff National Park, 14 kilometres outside the Village of Lake Louise, Alberta, Canada. It is situated in the Valley of the Ten Peaks, at an elevation of approximately 6183 feet (1884 m). The lake has a surface area of 0.5 km². The lake, being glacially fed, does not reach its crest until mid to late June. However, when it is full, it is a beautiful shade of blue. The lake gets its color from the refraction of light off the rock flour deposited in the lake on a continual basis. Recommended Purchase: / Product: Framed Print / Size: Large 610mm x 405mm / / Shop with confidence, Safe and Secure Banff National Park, Moraine Lake / Moraine Lake / Bryce Canyon National Park, The Lonely Tree / The Watchman / Purden Lake / Sunset in Tofino / Grand National Park, Hazy View / Life / Salty Rocks / Grazing Cows / Foam / The Golden Road~ /
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Studio Lighting / Canon 400D / Canon 100mm Macro lens
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Beautiful Vic
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Beautiful Eye Tutorial
by Sue NueckelThis is an older Tutorial I created while I was on Deviant Art…It proved to be very popular so I thought Id share it here with my favou…
This is an older Tutorial I created while I was on Deviant Art…It proved to be very popular so I thought Id share it here with my favourite Redbubblers :D / If you have any questions please feel free to post them here :) Below are some of my works in which Ive used this effect / Click images to go to full view
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Model is Missy / Makeup and Hair by Loran Bean / Assistant – Adam / Photography and Post by myself Comments are very appreciated. please leave one! I thought I might say a little bit about how we got these Ophelia shots. Missy is a VERY talented photographer friend of mine (to view her work, go http://missyjanek.deviantart.com/) and she has also modeled for me in the past. I thought she’d be great for this concept, so we started about 3pm yesterday. All was going well until she got in the pool and said “I don’t know how to swim!” So we struggled and propped her up with pool noodles and floaties and Adam even held her legs while she tried to stay afloat. I felt like she really was going to drown a couple of times! (We kept her in the shallow end, of course! and my dog was keeping watch as life guard.) For someone who had not really been in water before, I think she did a great job. :)
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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“Floating on Clouds” was shot in Goulds Newfoundland Canada. This is The Dory in natural light. I was talking to a friend about shooting “The Dory” and “Floating on Clouds” and how I used a polarizer to bring out the clouds on the water (as seen here) and removed it and used a flash to shoot “The Dory”. I was wondering in hindsight what I would have come up with if I had used the polarizer and flash at the same time. I know I would have given up about up to two stops with the filter which would have meant a slower shutter speed and the boat was moving, ever so slightly, so it may not have worked out? But maybe next time, live and learn! Camera Model Canon EOS 50D / Tv( Shutter Speed ) 1 / Av( Aperture Value ) 22.0 / ISO Speed 100 / Lens EF-S18-200mm f/3.5-5.6 IS / Focal Length 18.0mm / B + W Polarizer For more information please visit Brian’s Homepage or on Flickr
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1540 views as of November 20, 2009
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/ Japanese Gardens, Penticton BC Canada. 807 views as of Nov 20 2009
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/ Walking path…...Penticton BC Canada
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1015 views as of Dec 8, 2009 / / I was down at Okanagan beach this afternoon taking some photographs when I noticed the reflection of some tree tops with the light shining through them in this puddle. Thought it looked almost like the leaves in the puddle were falling onto the trees…..seemed kind of magical to me :)
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