Beauty hand 

458 creative works found

  • A naked man in the bedroom holding his aching back. View from behind with an out of focus background.

  • A day out
    by jules / Missy frost

    Hi everyone,hope you’re all doing well.Jules and I are good.We had an unbelievably beautiful day today here in Norfolk,and decided to tak…

    Hi everyone,hope you’re all doing well.Jules and I are good.We had an unbelievably beautiful day today here in Norfolk,and decided to take advantage,so we set off in the car,camera in hand and ended up at Hunstanton Beach,just on the coast of Norfolk,England.I gotta say,God was sure smiling down on us today with great weather and beautiful scenery! We took some shots and have uploaded them.Have a look and we hope you enjoy :O) God Bless! / Missy & Jules

  • This rare beauty has been hand-carved from butternut, showing the most intricate of details (from the blanket that wraps around her to every lock of hair). “Indigenous Devine” is an exquisite one of a kind masterpiece!

  • Into the Darkness
    by cazzalockheart

    I walk down wet concrete stairs for what seems an eternity, trying to concentrate through all the frustration clouding my thoughts.

  • Memory
    by cazzalockheart

    I am Lying here all alone thinking about the last time I saw you.

  • Look for the soul, you become soul / Look for the bread, you become bread / Whatever you look for, you are ~ Quatrains of Rumi From my collection: / Heaven In It’s Midst Copyright © Sharon Mau 2009 / All Rights Reserved This is a beautiful larger than life ice sculpture photographed in 2007 at the Santa Claus House in North Pole Alaska Featured Art 23 December 2008 Statues and Such Christmas in Ice / Ice Alaska Currently with 1921+ Views / Shooting Date/Time 09 December 2007 16:41:06 / Canon EOS DIGITAL REBEL XTi / Tv( Shutter Speed ) 1/80 / Av( Aperture Value ) 5.6 / ISO Speed 400 Here in Interior Alaska on this evening, the temp was minus -35.5F and remained subzero for several months. The ice sculptures remain perfect although they will have additional snow through spring breakup in Interior Alaska in late April or early May the following year.

  • we have an abundance of apples at the moment….. [3 image overlays – Canon EOS 1000D, speedlite, fruit, hungry son] Featured – Canon DSLR Group – May 2009 Top Ten Finish – Classic Beauty Challenge – June 2009 /

  • taken on Easter. :] / we were doing tie-dyed Easter eggs, and i decided to attempt making the world. / I like the way it turned out. / so I hope you enjoy. :]

  • Painting the season with my magic brush :) ‘My Magic Brush’ series This is so much work… to help flowers and leaves :) / Oh, yes, I spotted these lilac leaves, growing before my very eyes… so I took my magic brush to help it a little :) about the picture: it contains the macro photograph of the leaves, I did on Sunday; the selectively applied texture from Max; and the photograph of my hand with my magic brush, of course :-) (Toronto, Ontario, Canada) I’m excited to share my super news with you all! / My “Spring. In Work” was selected for PHOTO-OP, a Juried Photography Exhibition! / The show was at John B. Aird Gallery, Toronto , Ontario, Canada, September 3 – September 25, 2009

  • Continuing ‘My Magic Brush’ series… Magnolias were blooming on time this year. I worked with my magic brush on it a little as you see :-)

  • Dedicated To My Son Michele Francesco, I Love You

  • Tecnica: Image Transfer….. / Dedicated To My Father

  • Tecnica: Image Transfer….. / Dedicated To My Father

  • Arrol-Johnston (later known as the Arrol-Aster) was an early Scottish make of automobile manufactured from 1896 to 1931 and the first automobile manufactured in Britain. The company developed the world’s first “off-road” vehicle for the Egyptian government, and another designed to travel on ice and snow for Ernest Shackleton’s expedition to the South Pole. George Johnston was by training a locomotive engineer from the Hyde Park Locomotive Company Limited of Springburn, Glasgow.[1] Johnston was commissioned by the City of Glasgow in 1894 to build an experimental steam tram-car to replace the horse trams. When it was having a final test before a Corporation committee it took fire and work was abandoned. Johnston’s attention was then turned to a detailed examination of continental makes of motor car, and he came to the conclusion that he could design and make a better vehicle than any of them and in particular a better engine. The first British-built motor car was thus conceived and by the end of 1895 was ready for financial backing. In the autumn of that year Johnston was joined by Norman Osborne Fulton and T. Blackwood Murray. Fulton was Johnston’s cousin and was made responsible for manufacture and assembly, while Murray had electrical engineering experience, having been Works Manager with Mavor and Coulson, makers of mining machinery in Bridgeton. His first task was the development of electrical ignition in place of the incandescent platinum tubes of the Daimler engine. In 1905 the company’s name was changed to the Arrol-Johnston Car Company Ltd. In the same year, the company introduced a 3023cc 12/15hp model of more modern appearance; this, however, still used an opposed-piston engine. There was also a three-cylinder version of the dogcart; this was an uncouth 16hp with the centre cylinder being of greater bore than the outer two. A 1905 Dogcart with solid wooden disc wheels still survives in Khartoum, where it was supplied as a searchlight tender for the Sirdar of Egypt. In 1906 came the 24/30hp vertical four of 4654cc; followed in 1907 by the 38/45hp of 8832 cc. The 12/15hp twin survived in production until 1909. This was the year that T. C. Pullinger (formerly of Darracq, Sunbeam and Humber) joined Arrol-Johnston; he swept out the old range in favour of the new 15·9hp of 2835cc. That model featured a dashboard radiator and four-wheel brakes (the latter were dropped in 1911). For 1912 a 1794 cc 11·9hp, a 3640 cc 20·9 hp and a 3618 cc 23·8hp were introduced. In 1913 Arrol Johnston bought land at Heathhall, just outside Dumfries, and commissioned an American firm to build a factory. Not only was it the first factory in Britain to use concrete reinforced with metal in its construction, it was also reportedly a copy of the Ford factory at Highland Park, Michigan, where the Model T was produced. A-J contracted to build 50 electric cars for Edison at the new plant but it is not certain how many were actually made. Several models of car including the six-cylinder 23/9 were built up to the outbreak of war. The first post war Arrol-Johnston was the Victory model in 1919 designed by G. W. A. Brown which had an ohc 2651 cc 4 cylinder engine of 40hp. They introduced the model to agents in March 1919 but the first production car was not delivered until August; it was sold to the Prince of Wales. The Victory sadly proved “unsellable and unreliable”, and broke down while on a Royal tour of the West of England, so that the publicity attending its debut was not of the kind it needed. It was soon replaced by a modernized version of the prewar 15·9hp; it was cheaper, but this was due to such cost-cutting measures as a black-painted radiator and fixed ignition. A more modern version, the 20hp, was introduced alongside the 15.9hp in 1922. In 1921 the cheaper Galloway was launched as, in theory, a separate make, from the Tongland works near Kirkcudbright. The car was based on the Fiat 501 and started with the 10/20 with a 1460 cc side valve engine, in 1925 growing to the 1669 cc 12/20 and 12/30. Production moved to the main A-J factory in Heathhall in 1922. A short-lived 14hp appeared in 1924, only to be replaced the following year by a 12·3hp model. There also was a 4 cylinder 3290cc Empire model manufactured for the colonies.

  • New Feature in Creative Cards
    by Janis Zroback

    !http://images-3.redbubble.net/img/art/framecolor:black/framestyle:flat30/mattecolor:black/product:framed-print/size:large/view:preview/3…

    / Could This be the Magic Thank you so much

  • MeiLing is the latest in my newest series of portraits…I am told that the name means beautiful and delicate…I hope you think she is worthy of her name....best viewed large Watercolour on Arches Not Paper…as with the others the original size is 3ft x 2ft.. / Could This be the Magic / Forever Autumn / Edith The entire Portrait Collection can be viewed by clicking HERE

  • Features....
    by Janis Zroback

    !http://images-1.redbubble.net/img/art/framecolor:black/framestyle:flat30/mattecolor:black/product:framed-print/size:large/view:preview/3…

    / MeiLing.... Featured in Bits and Pieces / The Sentinels... Featured on The Home Page, many other groups and now in Live and Let Live Thank you so much

  • Tara is the name of the daughter of a close friend…it is a given name with multiple meanings in different cultures. / It is accepted as being exclusively a female name among western culture, and is primarily used in this regard in the east, due to its connection to several goddesses. Tara is a female Buddha in Buddhism and a goddess in Hinduism.. It is of Gaelic and Sanskrit origin, and its meaning is “hill; star”. Ancient Tara was the site of the “stone of destiny” on which Irish kings resided… in Hindu mythology, Tara is one of the names of the wife of Shiva….at the completion of the painting, I felt that the name of a goddess suited her perfectly. Watercolour on Arches Not Paper…3ft x2ft The entire Portrait Collection can be viewed by clickingHERE FEATURED IN.. / IMAGE WRITING.. / CREATIVE CARDS / Meiling / Could This be the Magic / Forever Autumn

  • Painting “Jenny”, I thought of all the associations with the name, one of them being Jenny Lind the singer, also called The Nightingale…my Jenny is modern, but she still has a vintage appearance…the necklace and jabot contribute to that look…the origins of the name is Cornish, meaning fair and smooth…coincidently I used hot pressed paper…arguably the most difficult paper to use, but wonderful in portraying complexions…however that’s not enough of a recommendation to cause me to use it very often Watercolour on Saunders Hot Press Paper / Tara / Meiling / Could This be the Magic / Forever Autumn

  • This new series is about beauty… about women and what their beauty says about them…their stories….more than anything else hair is a woman’s crowning glory and says a lot about her…we women many times hide behind our hair…it is an emblem of our strength….we spend eons of time and money on our hair, we mourn it’s loss when we are ill, and rejoice on our good hair days .. Delia has been glorified in verse and song for centuries…Samuel Daniel’s Sonnets “To Delia” are rich in imagery, sensuous and earthy…Robert Burns wrote a very inspiring Ode to her, (see below), calling her voice more delightful than the lark, William Cowper wrote about drinking her tears when they parted….Longfellow mourned her in his poem, “Delia”....to Bob Dylan she was a gambling girl and sadly, Johnny Cash shot her in is song “Delia’s Gone”...here is my “Delia”, as richly pleasing as Daniel described her so long ago FAIR the face of orient day, / Fair the tints of op’ning rose; / But fairer still my Delia dawns, / More lovely far her beauty shows. / / Sweet the lark’s wild warbled lay, / Sweet the tinkling rill to hear; / But, Delia, more delightful still, / Steal thine accents on mine ear. / / The flower-enamour’d busy bee / The rosy banquet loves to sip; / Sweet the streamlet’s limpid lapse / To the sun-brown’d Arab’s lip. / / But, Delia, on thy balmy lips / Let me, no vagrant insect, rove; / O let me steal one liquid kiss, / For Oh! my soul is parch’d with love...Robert Burns..Delia.. / Watercolour on Arches 300lb Not Paper The entire Portrait Collection can be viewed by clickingHERE / Tara / Meiling / Could This be the Magic / Forever Autumn

  • Pa’ako Beach Makena Maui Hawai’i Kai Makani Ho’ohinuhinu Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Listen to a beautiful mele by Keali’i Reichel and view a beautiful video Okala Island Moloka’i Hawai’i Why is the ocean blue? / There are several theories: Blue wavelengths are absorbed the least by the deep ocean water and are scattered and reflected back to the observer’s eye Particles in the water may help to reflect blue light The ocean reflects the blue sky Most of the time the ocean appears to be blue because this is the colour our eyes see. But the ocean can be many other colours depending upon particles in the water, the depth of the water, and the amount of skylight. The colours we see depend upon the reflection of the visible wavelengths of light to our eyes. Besides being pretty to look at, colours and the light they come from really do have the power to impact people in many ways. Along with the aesthetics of light and colour, there is real science behind each and every sight we see. Each flash or ray of light, each shade of colour that light makes visible, and each time our eyes receive the messages to see them, we are reminded of a special relationship — one that is often overlooked because we simply take seeing for granted. We miraculously experience a bright, vivid world because of the workings of our eyes, the wonders of light, and the brilliance of colour. The Franklin Institute provides a good explanation of how we see colour. Canon EOS Digital Rebel XTi

  • Pa’ako Beach Makena Maui Hawai’i / Ano’i / Hawaiian translations: Beloved, the one desired Kai Makani Ho’ohinuhinu Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Canon EOS Digital Rebel XTi

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