Beautiful
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57567 creative works found
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Prima Donna
by JarkoThis work has been favorited 93 times acrylic on wallpaper 60×40cm
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Lake Bohinj, Slovenia. I shouldn’t really advertise it because one of the delights of this place is that it’s not too crowded… Available for sale as: / Laminated Prints, Cards, Mounted Prints, Canvas Prints and Framed Prints
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I am lucky enough to live right next to a forest so I took the kids bush walking and got this photo of the sunset through the long grass.. I just really liked the golden tones and I had a different grass image but have taken it down and replaced it with this one.
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Writing Collabaration with Vanessa Cathleen / A beautiful writer….. You can check out her beautiful writings here: Vanesse In the meadow / The willows thrust / To and fro with each / Gentle caress of the wind. I gaze into the settling evening sky / The colors of the sunset begin to fade / and yet, another day comes to an end. In the horizon, the moon kisses / the darkness of night / Decorated with moonbeams and / glittering stars twilight that dance / before my adoring eye Alone, I weep… / and fall asleep. By: Vanessa Cathleen
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Aspen leaves after a fall rain. Eagle County Colorado / / /
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State flower of Coloado. The Orton effect was used to give this a soft feel. Image shot near Vail Colorado
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The meaning of mandala comes from the Sanskrit word for both “CIRCLE” and “CENTRE” Even though it may be dominated by other geometric shapes like squares or triangles, a mandala will always remain a concentric (CIRCLE) structure. Mandalas offer balancing visual elements, symbolizing unity and harmony. The meanings of individual mandalas is usually different and unique to each mandala. For some, the goal of the mandala is to serve as a tool on one’s spiritual journey as it symbolizes cosmic and psychic order. For others, the mandala is used as a counter-balancing mechanism of one’s own psyche, (The spirit or soul) and a way for us to focus or meditate our way into becoming a whole person.
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Pastels on colored canson paper. Photo reference. A larger detailed image of a part of this drawing
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a drawing using pastels on canson paper that I never finished… / used photo reference from some magazine cosmetics ad, probably CoverGirl :) close-up /
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Mordron Is the Welsh Mother Goddess. / Our earth, we need to came to fundamentals. / We must remember where we come from. I used many fractals here. I wanted to depict the “unreal” part of this world representated by Her Mother. / Tool of the trade is Paint Shop Pro. / One photo of the model, then about 40 layers of fractals. arf arf… i cut and pasted a lot, above all to make the details of the dress. If you look closely you’ll also find a dandelion over the dress ;) I usually embedded the layers using various blend mode, my faves are soft light, hard light & overlay! / The bg is also made using various fractals, merged together thanx to blending ;) —-—-—-—-—-— My gallery is Copyright © Wandering Soul. All rights reserved. / All the materials contained in my gallery may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission. My images do not belong to the public domain. / Please read the Etiquette Policy and respect it! / Modifying, tubing, cropping, using it for letters or stationeries, layouts, backgrounds, stock, copyrighting, stealing my work is not only against the law but unethical. / Altaring or using without express written permission is stealing. View More ART here!
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FROM PARIS SERIES: / CHARLESTON / / GLAMOUR / / BELLE DE JOUR / BELLE PARISIENNE / / / MARIE ANTOINETTE / / / FEMME EN BLEU /
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Wild flowers are everywhere throughout the fields and on the roadsides in Turkey this May! As you can imagine I didn’t get far on my bike… / :) A first macro on a borrowed Nikon coolpix 4800 compact and the step up in quality from my usual Fuji Finepix A500 shows! (I was never able to give it back and came to an amicable arrangement…lol…) Taken on macro setting with selftimer and using a pocket sized 4” tripod.. Straight from the camera apart from slight cropping and a great reminder of the swathes of these beautiful flowers
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design based on this drawing / detail /
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Bats symbolize good luck / First bat represents longevity, second represents wealth, third represents peaceful life, fourth represents giving, and fifth represents a good-after-life. 五福 / 第一福是”長壽”，第二福是”富貴”，第三福是”康寧”，第四福是”好德”，第五福是”善終”。
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one of my favorite photos… fall 2008 / henley street bridge, knoxville tennessee usa taken with a kodak easyshare dx6490 / ALL SALES OF THIS IMAGE WILL BE DONATED TO JUST GIVING – TRUEPOTENTIAL PROJECT 2009 terri
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Beautiful Eye Tutorial
by Sue NueckelThis is an older Tutorial I created while I was on Deviant Art…It proved to be very popular so I thought Id share it here with my favou…
This is an older Tutorial I created while I was on Deviant Art…It proved to be very popular so I thought Id share it here with my favourite Redbubblers :D / If you have any questions please feel free to post them here :) Below are some of my works in which Ive used this effect / Click images to go to full view
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Having tried the flower in a waterdrop photo, after getting Madam (aged nearly 9!) home from school, I took this picture in the evening sun, thought I better not waste the pretty little bloom! TEXTURE / / Sold matted print 17.12.09
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Hi Everyone!!! ☺ I´m sorry for possibly posting duplicates of something that i might already have posted at my original stridsberg-account Thanks for stopping by! ☺ And as always…keep an eye on my own website for my most recent work and my pointless blog: Sincerly Andreas Stridsberg www.mystic-pic.com
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Sam is my best friend, and has helped me through rough times recently, couldn’t imagine my life without him, so this means alot to me, and i dont care what people initally think of this photo. jusge all you want!
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a photo-manipulation…and digital painting / photshop CS4 and corel painterX © copyright jokiargu creations 2009
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This is a portrait of my daughter, Jessica in her wedding gown. I painted this in Pastel on sanded paper.
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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Abstract nude monochromatic bodyscape of shoulder, back and butt of female model
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