Hello, This is a little cute green tree frog that hopped on a water lilly. I thought it was so great, let me hear what you think.
Tulip of the spring brought together with the sanitary environment of the loo!
Taken at Toseland in Cambridgeshire late afternoon, it was a beautiful day.. Behind The Trees.. /
Mother Thames bursts her banks after months of heavy rainfall… what a beautiful spectacle she offers, the wonder and grace of nature. .. a formidable force indeed.. Her strength inspires me and her beauty leaves me breathless.
/ / Day Dreaming Geisha is a self-portrait taken from photographic artist Jaeda DeWalt’s Infusion of Color series and is a part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / About this Image / I love the mysterious veil of sleep and the magical realm of dreams. To create this image, I posed inside a life size wooden frame, and placed a sheer fabric behind me to fill the frame. If you look closely you can see the fabric and my left hand reaching around to grasp onto to one side of the frame. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Cards, Matted Prints, / Posters, Mounted Prints, Canvas Prints and Framed Prints / / Image featured in Artrageous RB Artists… group 11-18-2009 / Image featured in Photographers Self Portrait group 7-16-2009 / Image featured in Live, Love, Dream group 7-13-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in the Infusion of Color calendar / / / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
Based on a photo from another DeviantArt photographer – http://furtivelungs.deviantart.com/ Just can’t reach the heights / to where her adoring eyes rise
A fading bloom in my garden… the petals would curl up at the end of it’s life cycle.
Taken at around 12 AM in my yard. / The grass was due covered and I used an external flash to light up the background.
A photograph of a heart shape on a stamen of a small flower. / Diascia Hybrid :)
SOME THINGS LOOK MORE BEAUTIFUL AT NIGHT AND ONE OF THE THEM IS LAKE CHELAN AT NIGHT
Dumai, Indonesia A baby in mother’s arms Canon EOS Rebel XT, Canon 75-300mm Featured in Asian Photography Magazine India October 2009 Featured in Asian Photography Magazine Sinapore September 2009 2010 Sony World Photography Award Entry “Submission for Digital Camera Magazine “Your Best Shot Photography Contest *Top 10 in “Your Best Black and White Portrait” in Random Photography Challenge
A picture of my beautiful dog Ginny who begs dor food a lot! I was lucky to get this shot because as soon as I took the picture she moved! Enjoy and please buy!
A zebra I shot during a trip to the Melbourne Zoo. / I used photoshop to “draw” the shape with white stripes in black space. 10 June ‘09 Featured on RedBubble Home Page / Top10 in The Best of Black and White By Nature by First Things group Canon EOS 450D Ef-S 55-250mm / Tv 1/250sec / Av f/5.6 / ISO 800 / Converted form RAW / Lightroom 2 + Photoshop CS4
From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
She is regal, she is royal, she is every woman, she is you, she is me…she is strong in body mind and soul, she is timeless,...she is wise, she is free, this woman, “The Queen”... The Fourth in the series, her face is half turned to the viewer, looking away, conscious of her dignity, regal in her bearing, as if carved from the rarest wood... I have named you queen. / There are taller ones than you, taller. / There are purer ones than you, purer. / There are lovelier than you, lovelier. But you are the queen. When you go through the streets / no one recognizes you. / No one sees your crystal crown, no one looks / at the carpet of red gold / that you tread as you pass, / the nonexistent carpet. And when you appear / all the rivers sound / in my body, bells / shake the sky, / and a hymn fills the world. Only you and I, / only you and I, my love, / listen to it. Pablo Neruda Acrylic and Watercolour on Fabriano Artistico / The Masquerade / The Cameo
/ In my goal to portray women in all guises and emotions, here is the latetst addition to the collection..”The Temptation”....we all know what the feeling…temptation comes in many disguises…is she the temptress, or has she been tempted?make of her what you will… / When I was halfway through painting it, I remembered a picture I had seen in a magazine advertising lipstick….the model had her fingers on the open lips…. I thought they would be a perfect addititon to the painting, but I needed to see them again, just to be sure…. I frantically dug through my recycling bin (luckily we are having a garbage strike and everthing is still here) and found the picture…..the fingers were just what I needed…it was apparent that the picture had been buried in my subconscious, just waiting to emerge in this painting….I made the modifications to the image and here it is Acrylic and watercolour on Fabriano Paper.. 613 views…33 Favouritings.. FEATURED IN.. .. / CREATIVE CARDS / THE OUTSIDERS / THE DIVINE FEMININE / TOP TEN WINNER IN AVANTE GARDE CHALLENGE / TOP TEN CHALLENGE WIN IN PAINTED LADIES THE Demon, in my chamber high, / This morning came to visit me, / And, thinking he would find some fault, / He whispered: “I would know of thee Among the many lovely things / That make the magic of her face, / Among the beauties, black and rose, / That make her body’s charm and grace, Which is most fair?” Thou didst reply / To the Abhorred, O soul of mine: / “No single beauty is the best / When she is all one flower divine. When all things charm me I ignore / Which one alone brings most delight; / She shines before me like the dawn, / And she consoles me like the night. The harmony is far too great, / That governs all her body fair, / For impotence to analyse / And say which note is sweetest there. O mystic metamorphosis! / My senses into one sense flow— / Her voice makes perfume when she speaks, / Her breath is music faint and low!” ..Baudelaire / The Quiet / The Plea / Le Maquillage / The Queen / The Masquerade / The Cameo
“Beauty is not a need but an ecstasy. / It is not a mouth thirsting nor an empty hand stretched forth, / But rather a heart enflamed and a soul enchanted. / It is not the image you would see nor the song you would hear, / But rather an image you see though you close your eyes and a song you hear though you shut your ears. / It is not the sap within the furrowed bark, nor a wing attached to a claw, / But rather a garden forever in bloom and a flock of angels for ever in flight. / Beauty is life when life unveils her holy face. / But you are life and you are the veil. / Beauty is eternity gazing at itself in a mirror. / But you are eternity and you are the mirror”. Kahlil Gibran..”The Prophet… Gouache and Watercolour on Arches Not Paper… FEATURED IN THE FOLLOWING GROUPS.. / INSPIRED ART.. / THE PATCHWORK.. / CREATIVE CARDS / FINE ARTS INFLUENCED BY LITERATURE / The Star / The Night / The Disguise / The Temptation / The Quiet / The Plea / Le Maquillage / The Queen / The Masquerade / The Cameo
Who is Silvia? what is she, / That all our swains commend her? / Holy, fair, and wise is she; / The heaven such grace did lend her, / That she might admirèd be. / Is she kind as she is fair? / For beauty lives with kindness. / Love doth to her eyes repair, / To help him of his blindness, / And, being helped, inhabits there. / Then to Silvia let us sing, / That Silvia is excelling; / She excels each mortal thing / Upon the dull earth dwelling: / To her let us garlands bring...Shakespeare Watercolour on Arches Not Paper FEATURED IN THE FOLLOWING GROUPS… / CREATIVE CARDS.. / IMPRESSIONIST ART / FINE ART / The Riddle / Illusion / The Wish / Virtue / The Party / The Beauty / The Star / The Night / The Temptation / The Quiet / The Plea / Le Maquillage
As in Bathsheba Everdene, from Thomas Hardy’s “Far from the Madding Crowd”...within a short time of arriving at her aunt’s house, Bathsheba has the neighbouring young men at her feet…independent, beautiful and intelligent, she rises quickly when she inherits her uncle’s farm, then shocks everyone by deciding to manage it herself…..her three suitors are each determined to marry her.. / “The book (which I have read a zillion times), has been described as an early piece of feminist literature, since it features an independent woman with the courage to defy convention by running a farm herself. Although Bathsheba’s passionate nature leads her into serious errors of judgment, Hardy endows her with sufficient resilience, intelligence, and good luck to overcome her youthful folly”.wiki Watercolour on Arches Not Paper / Katharine / Sylvia / The Riddle / Illusion / The Wish / Virtue / The Party / The Beauty / The Star / The Night / The Temptation / The Quiet / The Plea / Le Maquillage
Another shapes inside shape design. (just love creating them). This was created using free vector shapes as well as some of my own. This song has been my own personal little anthem for over 10 years that always gets my heart through everything /
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