Beautiful fashioned
1975 creative works found
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Mannequins / They dress in the latest designer fashions, always look perfectly groomed yet have you ever wondered what’s beneath the glossy exterior…. Image copyright © 2007 Shanina Conway. Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited
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model: alice / hair & makeup: monica gingold
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model: lauren / hair & makeup: monica gingold
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/ Portrait / Architectural / people/culture / Macro / Landscape / Still live / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love —-—-—-—-—-—-—-—-—--
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Portrait / Architectural / people/culture / Macro / Landscape / Still Life / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. Inspired by the poem of Michael Gale / Blue Pierced Eyes Of Bluest Hue’d / / Striptease to my left… / Cock tease to my South. / Bring up thy lips, to meet my mouth… / Amass lo’ those emblazioned eyes of / Ocean’s bluest hue’d. / Pierce deeply of deepest inside of mine. Michael Gale / In case you miss it..my recents work..thanks in advance! / /
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Portrait / Architectural / people/culture / Macro / Landscape / Still live / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. —-—-—-—-—-—-—-—-—-- After We Make Love / / I’ve been waiting such a long time / For a love that’s real to come my way / Gonna take some getting used to / Now that love is here to stay After we make love / It’s good to be lost in the afterglow / All I’m dreaming of / I just can’t let the feeling go After we make love / I feel I’ve been touched by / All that heaven and earth will allow / All that matters here and now Now the world is full of wonder / You’ve turned my life around in just one day / I love the spell you’ve put me under / Just one kiss can take my breath away All the lonely days and nights / Were well wroth going through / I’m so glad I didn’t give my heart away / So I could give it all to you Whitney Houston / Words and music by: Michael Masser, Gerry Goffin
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Thank you everyone for your lovely comments !! Available as a matted print , laminated print, mounted print, canvas print framed print and card . Summer And Polkadots / / Patterns#2Red Hill All Origional art work can be purchased through the artist. —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- Copyright notice: / All rights reserved. All images contained on these pages are © copyright protected by Mariska and any use of these images in any form without written permission will be considered an infringement of these copyrights.
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Portrait / Architectural / people/culture / Macro / Landscape / Still live / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love / All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. / —-—-—-—-—-—-—-—-—-—-—-—-—-- Inspired by the poem of Gillian E. Shaw / X – Vis-à-Vis (Face to face) / / Suddenly, through a veil of tears I saw the knave. / Wearing guilt across a blighted face: / Like the ambitious wife hiding wrong and blood; / vile stubborn stain, longing to vanish. / Vainglorious conquests! Viewed from here; assonine / exploits with multiple illusions. / A magician with a box of tricks opening / up on the darkest day; winding down / to deeper proceedings. Charmed, stinking essence; / transparent, I saw the knave; hidden. France / November 2004 Gillian.E. Shaw / In case you miss it..my recents work..thanks in advance! / /
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View All Art » 1 2 3 4 5 6 / / My Red Melancholy is a self-portrait taken from photographic artist Jaeda DeWalt’s, The Red Realm series and is a part of the DeWalt Gallery collection. Self-portrait shot using a digital camera and remote control. Hair, styling and make-up also done by Jaeda DeWalt / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Matted Prints, Mounted Prints, Posters, Canvas Prints and Framed Prints / / Image featured in Models with a difference group 7-19-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s The Red Realm calendar / / visit the rest of this series . . . / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / My Red Melancholy Under the bright lights / And pristine haze / I look away As sick secrets sinuously sleep / Underneath a surface that is / Poised and pretty and sweet My raven hair scented / With traumatic experiences / Buried alive . . . refusing to die My crimson lips / Whisper / Of a quiet desperation My eyes refusing to shed / The tears of . . . / My Red Melancholy © Jaeda DeWalt listen to Jaeda recite My Red Melancholy / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / View All Art » 1 2 3 4 5 6 browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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Also available: / AUDREY_WHITE / / / / FROM CELEBRITIES SERIES: / MARILYN / / DEAN / / / LENNON /
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She has been created from a pencil drawing and her dress is digitally added.
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Melbourne Wedding Photography / Reflecting / / In the shadow / / Tired / / Just leaving
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PLEASE help me out by buying a print/card! It’s super cheap! :D Model is Rhiannon Skye / Hair and styling by Karyn Jacklin / Makeup by Loran Bean / Photography and Post by myself Shot at Franklin Villa for a Harper’s Bazaar competition / Comments are appreciated. Please take a second to leave one!
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Work featured on home page 06/01/2009 – Thank you very much dear Redbubble:0)) / First place of the Fabulous ts Gruop Challenge here One of my best sellers T-shirt on REDBUBBLE. / You can buy more products of this design in My Zazzle Store here / / / / / / / / / / Thank you for buying ! :0) Another favorite:White Flowers All Origional art work can be purchased through the artist. —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- Copyright notice: / All rights reserved. All images contained on these pages are © copyright protected by Mariska and any use of these images in any form without written permission will be considered an infringement of these copyrights.
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Vector illustration / 2008 / Work featured on home page 28/01/2009 / Work featured on home page 06/01/2009 / Thank you dear RedBubble and thank you my dear friends for your lovely comments and fav.I am totally thrilled:0)))) / Best selling tee, / /
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Studio Lighting / Canon 400D / Canon 100mm Macro lens
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Just a random one i did a while back.
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Model is Missy / Makeup and Hair by Loran Bean / Assistant – Adam / Photography and Post by myself Comments are very appreciated. please leave one! I thought I might say a little bit about how we got these Ophelia shots. Missy is a VERY talented photographer friend of mine (to view her work, go http://missyjanek.deviantart.com/) and she has also modeled for me in the past. I thought she’d be great for this concept, so we started about 3pm yesterday. All was going well until she got in the pool and said “I don’t know how to swim!” So we struggled and propped her up with pool noodles and floaties and Adam even held her legs while she tried to stay afloat. I felt like she really was going to drown a couple of times! (We kept her in the shallow end, of course! and my dog was keeping watch as life guard.) For someone who had not really been in water before, I think she did a great job. :)
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Graphite & PSCS4 / Best in larger version.:0) / I had intended to do a piece with minimal colour, gentle accentuating the illustration. It was inspired by a photo from a magazine. I love drawings girls and this was good practice for a stand. I am quite satisfied with what I got. / Hope you like it…:0) Available as a framed art print, canvas, mounted print and greeting card. / / / All Origional art work can be purchased through the artist. —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- Copyright notice: / All rights reserved. All images contained on these pages are © copyright protected by Mariska and any use of these images in any form without written permission will be considered an infringement of these copyrights.
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colour image of a girl walking through tall whispy grass, backlit with several flares; a selfportrait FEATURED IN REDBUBBLE ART&PHOTOGRAPHY May 2009 / FEATURED IN FIRST THINGS May 2009
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graphite, coloured pencil & water colour pencil Matt Print / Canvas Print /
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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