Beautiful elegance
982 creative works found
-
Blue Heron wadding in the ocean shore I will donate 50% of all proceeds from the sale of this image and the ones below to the American Bird Conservancy —-—-—-—-—-—-—-—-—-—-—-—-- / —-—-—-—-—-—-—-—-—-—-—-—-- Consider these images as companions! / And the T-Shirt below
-
View All Art » 1 2 3 4 5 6 / / Belted 1 is a self-portrait taken from photographic artist Jaeda DeWalt’s Belted series and is a part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Matted Prints, / Posters, Mounted Prints, Canvas Prints and Framed Prints / / Featured in The Community of Erotic Submission group on 10-30-2009 / Featured in The Blue Room on 7-20-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s Erotique calendar / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / about this series / The Belted series came about when my stability ball burst. I use it to do my stomach crunches and sit-ups. I remembered the movie, “The Professional” and decided to belt myself to the edge of my bed to do my sit-ups, the way Leon did in the movie, until my new stability ball arrived. I ended up hooking a bunch of belts together and thought to myself “Hey, that would make an awesome photo prop!” and the Belted series was conceived. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / visit the rest of this series . . . / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / View All Art » 1 2 3 4 5 6 browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
-
Flourishing Beauty
-
Sensations pour in abundance when the rainforest waltzes with the morning mist…
-
Jean M. Laffitau 69 favoritings and 3442 views
-
Simple spur of the moment shot, taken whilst on location at a theatre. Model is Naomi Price, a Musical Theatre performer based in Brisbane, Australia.
-
Jean M. Laffitau 35 favoritings and 776 views
-
Jean M. Laffitau 63 favoritings and 1786 views
-
Digital Painting Large view recommended Dimensions: 3300×3900
-
White cat in night
-
Thanks for stopping by! :) Have a lovely sunday!!! :) / Andreas Stridsberg © My website -> www.mystic-pic.com / My Blog -> www.mystic-pic.com/apps/blog
-
Early morning at Santa Cruz, California Monarch refuge, before the air temperature warms and these delicate blossoms dissipate into the winds. Canon EOS-1D, Mark II, Canon 500 f4L IS – 1/100@ f/4.5, ISO 200 Bogen 3411 w Wimberley style head. Processed in Adobe Lightroom 2. “Elegant Blossoms” FEATURED IN: The Fine Art of Photography Insects, Bugs and Creepy Crawlys Americas; Rural, Urban, Wild & Free JPG Castoffs
-
drawing on paper, PS CS4 / THANK YOU VERY MUCH FOR YOUR SUPPORT EVERYBODY !!!! Things are slowly getting better now, thank you very very much for all your kind words ! Luv you all ! By the way, if you’ve sent me notes I’ve not replied yet, don’t worry, I’ll do so, when I’ll find some spare time (I won’t be able to do so for the next 2 weeks, but after this very hard period, I’ll have some free time). / All Origional art work can be purchased through the artist. —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- Copyright notice: / All rights reserved. All images contained on these pages are © copyright protected by Mariska and any use of these images in any form without written permission will be considered an infringement of these copyrights. / / /
-
Translucent Gerbera daisy image /
-
Wallpaper created with aloe vera plant
-
From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
-
From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
RedBubble is a great place to find art, design, photos and writing from over 80,000 talented people.
You can buy their stuff
On stunning greeting cards, awesome t-shirts or beautiful prints to hang on your walls.
Risk Free Returns
It’s really simple. If you’re not happy with your purchase for any reason, we’ll fix it.
About RedBubble
Since February 2007 we’ve shipped over 330,500 items to more than 70 countries around the world.
Join In
Sign up for your free account, upload your work, join some groups and share your creative genius with the world.