Beautiful creative
967 creative works found
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Girl with flowers
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Words of love and lust
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The words of truth and the images of love.
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The wonder and the colour of the rainbow, dripping into the daisy!
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The glory of the sunflower and the wonder of the sunset!
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View All Art » 1 2 3 4 5 6 / / Haunted is a self-portrait taken from artist, Jaeda DeWalt’s, Haunting Hands series and is a part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / Image featured in First Things group on 7-23-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / About This Image / Image originally photographed using a self-timer and Kodak CN400 film (black & white film that’s processed in C-41 chemistry). / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s Surrealities calendar. / / / / View All Calendars » / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Haunted The eyes do not lie / Weakening the surface of the social masks we wear / A bruised and battered soul can betray the prettiest smile / As the pain seeps through to the surface / Speaking volumes to our emotions and life experience © Jaeda DeWalt listen to Jaeda recite Haunted / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / This image is featured in Jaeda’s Artography Book! / / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / You might also like . . . / / -—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / View All Art » 1 2 3 4 5 6 browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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/ / Reflection is a self-portrait taken from photographic artist Jaeda DeWalt’s Infusion of Color series and is a part of the DeWalt Gallery collection. About this image / Reflects that quiet place inside, that is hidden underneath the chaos of everyday life. That sacred space where dreams are born, wisdom breathes and love is experienced, from the inside out. It is serenity, peace, love, light and the bliss of simply BEING. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / Image featured in Self as Other on 8-4-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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View All Art » 1 2 3 4 5 6 / / Belted 1 is a self-portrait taken from photographic artist Jaeda DeWalt’s Belted series and is a part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Matted Prints, / Posters, Mounted Prints, Canvas Prints and Framed Prints / / Featured in The Community of Erotic Submission group on 10-30-2009 / Featured in The Blue Room on 7-20-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s Erotique calendar / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / about this series / The Belted series came about when my stability ball burst. I use it to do my stomach crunches and sit-ups. I remembered the movie, “The Professional” and decided to belt myself to the edge of my bed to do my sit-ups, the way Leon did in the movie, until my new stability ball arrived. I ended up hooking a bunch of belts together and thought to myself “Hey, that would make an awesome photo prop!” and the Belted series was conceived. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / visit the rest of this series . . . / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / View All Art » 1 2 3 4 5 6 browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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Visit My Online Store Acrylic on flat canvas. Self-portrait. / You can view and read a step by step tutorial of this work to show how I create such works and how I layer my skin tones. There are steps one through to 12 and each image has a detailed explanation. click here to see the tutorial. Photo used for reference. / /
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“DARE TO BE DIFFERENT” makes the perfect gift for the independent individual in your life. Could that be you? The image features a photograph of a real White Raven (also known as a “Spirit Raven” by local Haida people) born in May, 2008 on Vancouver Island, B.C., Canada. He is one of two rare white and 3 black Ravens born to 2 accepting (black) parents. The two rare birds are not albino which is what makes them so unusual. Their eyes are quite blue. All 5 siblings are getting along extremely well and all are thriving. White Ravens are very rare and hold sacred meaning for many groups and cultures throughout the World, including Native American Indian, Celtic, Norse and Wiccans. This artwork is another tribute to these remarkably intelligent and friendly birds. 50% proceeds from all sales go to the Mountainaire Avian Society in the beautiful Comox Valley on Vancouver Island. Check out our recently filmed Spirit Raven Youtube video*
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For MERGE Magazine, May ‘09 Issue [out now]. Editorial [Fashion] supplement using PROOF Cosmetics. Proof Website Concept/Styling/Hair/MUA/Art Direction: Stephanie Mountzouris / Photography/Editing: Moi Models [L-R]: Rose, Jackie, Bianca, Annalisa, Jessie & Moira MERGE website / MERGE on MySpace / MERGE on Facebook Copyright 2009 Harmony Nicholas & MERGE Magazine btw the shot got shrunk by RB so if you want to see a larger version check it out here
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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Japanese Koi fish pair in the pond treated with fractalius filter
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model – kat / mua – kelsey / hair – morgan / photographer – lisabella / equip used – nikon d80 w/ 18-135mm, a living room lamp for light in front, and a huge window for back lighting. now that is what I call improvisation! www.lisabellaphoto.com
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Blurry, Beautiful, Lensbaby
by RedBubbleWe have four Lensbaby winners in the Embrace the Blur...
We have four Lensbaby winners in the Embrace the Blur Lensbaby challenge. The winning entries (by popular vote and curatorial pick) are: The artists are sashdc, lywylde, Reynandi Susanto and JudyBJ. Each of these artists will receive a remarkable Lensbaby Composer. This has been a fabulous challenge at RedBubble with 1876 works entered. There are some of the most moving and imaginative images we have ever seen in one place. In recognition of this we have picked out a further 4 images as curatorial picks to receive a $100 RedBubble voucher. They are: There are innumerable other great images but here are the rest of the top 10 popular and a few others that just caught our eye. Congratulations to everyone who participated in this challenge. I want to particularly thank Lensbaby who have been a great sponsor. Now wouldn’t a Lensbaby be an eye-popping stocking filler? Pilgrim
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