Beach scotland 

839 creative works found

  • Moonrise over a frosty Duart castle on the Isle of Mull, Western Scotland.

  • Sunset over the small isles of Rhum and Eigg on the West Coast of Scotland. March 2008

  • Yet another west beach capture from Lossiemouth in Moray Scotland. One of these days I’ll make it round to the East beach in time for the dawn. ;-) ISO 100, 1/3sec at f11, Nikon 18mm-70mm at 18mm with 0.9 soft ND grad and poloriser. Nikon D80.

  • A storm approaches at Church Point near Pittwater in Sydney. / Landscapes Trees Cards EOD Rusty Flowers Architecture Macro CatchAll DM / / !http://images-1.redbubble.com/img/art/border:blackwithdetail/product:laminated-print/size:small/view:preview/1135216-1-approaching-storm No 1.jpg! / / /

  • Taken at sunset on the west coast of scotland, March 2008, between Arisaig and Mallaig, looking towards Skye.

  • Orange coloured clouds reflected in a rock pool and on the wet sand at Lossiemouth, Moray, Scotland. The blocks are part of coastal defences errected during the second World War. Many similar constructions are still visible in this part of the world. Nikon D80

  • A dawn shot from a series I shot from the East Beach in Lossiemouth, Moray, Scotland. The Bin of Cullen, which is further down the East coast, can be seen in the distance. Nikon D80 / Manual / 1.5s at f11.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.9 ND soft Grad. / tripod / remote release

  • Another dawn, another tide and another image from the East Beach in Lossiemouth, Moray, Scotland. Amazing but I’d never noticed this wreck before. Nikon D80 / Manual / 4s at f11.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.9 ND soft Grad. / tripod / remote release

  • From the East Beach in Lossiemouth, Moray, Scotland. Nikon D80 / Manual / 0.5s at f11.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.9 ND soft Grad. / tripod / remote release

  • I’ll say it was cold! / East Beach in Lossiemouth, Moray, Scotland. Nikon D80 / Manual / 3s at f16.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.9 ND soft Grad. / tripod / remote release

  • The low dawn sun just catching the tops of a roller as it heads towards the East beach at Lossiemouth, Moray Scotland. Nikon D80 / Manual / 1/3sec. at f13.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 70mm / 0.9 ND soft Grad. / tripod / remote release Featured at Sea Group and Masters of The Scenic Group

  • twilight from the shore of the small fishing village of Elgol, Isle of Skye….looking across to the Black Cuillins. November 2008

  • Another picture from Skye taken a week or so ago. The tide coming in rapidly on Elgol beach with the Black Cuillin mountains in the distance. Long exposure of 30 secs @f16

  • Cold early morning with an incoming tide at the East beach at Lossiemouth, Moray Scotland. Nikon D80 / Manual / 2 sec. at f11.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.3 ND soft Grad. / circular polarizer / tripod / hand release

  • Fell in deep like with Jake the Clydesdale on a visit to a working farm. He got bored after the carrots ran dry and wandered off in disgust. So, here he is, set free on a beach & processed with love. A tribute to all the pretty horses and the peace they breathe into our battered souls.

  • Stormy Sunset across the small Isles of Eigg and Rhum on the West Coast of Scotland. March 2009

  • Dunnet beach, Caithness, Scotland Featured in Fineart & Landscape Photography / Featured in Acromatic Nature

  • Loch Brittle is at the Southern end of the Isle of Skye looking out across the Atlantic Ocean. With the menace of the Black Cuillin hills behind, contrasted against the sea glittering in the sunset, this sandy bay is one of the most beautiful beaches in the world. / Oil on canvas / Original size 60×60cm SCOTT NAISMITH WEBSITE

  • Death-like sparks burn cold and hard / A symphony of sea salt soldiers / Shaping their invasion on awaiting land Leaping from splashes / Grasping for oxygen / A rush to do battle come the day, come the time Roaring to shore in spectacular voice / To crush the life from a million weeping pebbles / As they pray for forgiveness / Down on bended knee / Begging for second chances And all the while / Eyes peer from deep forbidden sea / For a slender gaze at the battle afoot / Gossiping like fishwives over sips of milky tea / As they twitch through heavy net curtains / And tut tut tut at the youth of today Then scuttle away / Chasing the tails of those who fled first / As the wounded and fallen lay still behind Time to draw a new breath whilst plans are redrawn / And commence another charge toward the quivering shore —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- Location: Auchmithie, Angus, Scotland © Donald Cameron 2009 / Monophotography.co.uk

  • Aberdeen’s wave cut rocks are brought to life as the side lighting plays on the textured surfaces. Taken at sunrise as the tide recedes on the North Sea. 1DS Featured at sea group. Thanks / Featured at MASTERS OF THE SCENIC. Thanks / Featured at WAVES. Thanks / Featured at all water in motion. Thanks

  • Once upon a tide / at the milkiest point of the planet / lay the underwater city of Seafield / under statues of dullest gray granite / though the timing could never be certain / it all points to a good while ago / some say it’s myth and some say it’s truth / but time’s passed and we’ll never quite know There’s talk of a fisherman named Old Penny Brown / a man of contradictions and many few words / who kept himself to himself / and fed his fish to the birds / he sailed the high seas for days and days and days / searching for a place he knew couldn’t be found / and when he never returned / folk assumed he had drowned But what really occurred / before you start feeling pity / was his little boat crashed / into this great long lost city / oh heck! oh hell! / as he mopped up his brow / where on earth am I? / and what will I do now? He stepped out of his craft / trying to deal with the strain / and watched disbelieving / as water started to drain / quickly scrambling for safety / he started to pray / scratching his skull / whilst the sea fled away There were palaces and castles / sunken ships and treasure / fairgrounds, casinos / unimaginable pleasures / I’m sure i’ve not seen such a place in my life! / he marvelled and wondered how there could come to be / such a magical wonder / hidden under the sea Every ounce of his good sense / implored him to leave / it’s risky! it’s danger! / run! hide! retreat! / but the sea soon returned / and left him no choice / he became their new leader / it became his new voice Of course it all took its toll / and the city soon crumbled / Old Penny passed on / and the buildings all tumbled / yet if you look closely / and keep your eyes peeled / you might glimpse what remains / of the long lost Seafield —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- Location: Seafield, Kirkaldy, Fife, Scotland © Donald Cameron 2009 / Monophotography.co.uk

  • conforming lines and scribbles / graffiti the shifting sky / as avalanches of calm descend / on the common day a traveller awaits / entry to the balloting portal / holding ballet dance poses / on most eager tiptoes as lab tests and case studies / spill from well travelled pockets / and withered surroundings are pierced / with fierce note jotting eyes now uniformed bodies are wrapping / themselves in creaky old tin foil / and surging to the deadline / past broken sound barriers what lessons were learned / from the curious race / remain locked in the thoughts / of this soon to depart traveller but as the portal splits open / they will do well to conclude / that this black and white world / was meant for you and me —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- Location: Auchmithie, Angus, Scotland © Donald Cameron 2009 / Monophotography.co.uk

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