Beach line
446 creative works found
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I grew up in the Dakota’s in the USA and was quite used to snow…sand was not so usual here. The first time I saw snow and sand together in Norway, I was amazed! I had always thought that when there was sand, there was warmth! WRONG!
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A flock of Sandpipers in Goleta Beach California. Nikon D70 / 80-200mm f2.8 @200mm / Image color adjusted and slightly saturated —-—-—-—-—-—-—-—-—-—-—-—-- / —-—-—-—-—-—-—-—-—-—-—-—-- I will donate 50% of all proceeds from the sale of this image and the ones below to the American Bird Conservancy And the T-Shirt below
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Caused but the ripples of the receding tide, the pattern reminded me of a Picasso painting of a face.
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“Tide line” is all about the aesthetic effect of the sea moving gracefully over the sand. The painting is divided into three sections. The top and bottom calmly restrain the fluctuating motions of the middle Oil on Stretched Canvas – No Airbrushing 26 X 64 inches / 66 X 163 cm contact my Agents at Gallery 112 / ....................................................................................
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Taken at the local beach…rocks made up of mainly clay..
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The old Port Willunga Jetty was taken at dusk at Port Willunga Beach, South Australia, Australia. This is my favourite beach in SA. Photoshop used to enhance the colour of the sunset with colour balance and filters. This was taken on a tripod using F32, 10 second exposure, ISO 200 and 75mm lens. This was taken using a Canon DSLR EOS 350D. This shot was featured in the Timber and Water Group.
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This was taken at St Clair Beach, Dunedin, New Zealand, in summer. This was taken with a Canon DSLR EOS 350D camera. This was featured in the Timber and Water group, 2 weeks ago.
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/ Frolicking Fifties Fashionista / created by karin taylor using ink pastel acrylic and charcoal / on canvas textured paper original available / matting and backing included / size 55×35cm
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This is Port Willunga Jetty in mono. Taken at Port Willunga, South Australia, Australia at sunset. I was going for a high key type image. This was taken on a tripod, no flash, f25, ISO 200, 1.3 sec exposure with a Canon DSLR EOS 350D. I was so fortunate to sell, on redbubble, a large mounted print of this work, with the white border and artist’s details, to a good friend, Nathan. Thank you so much.
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Taken at Point Henry, Geelong. Tidal activity had created the zig-zag formation of seaweed.
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ARRÁBIDA / PORTUGAL
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While waiting in line, Percy dreams of becoming a comedian was featured in Australian Travel Photography and Writing 2009. Canon 40D / 17-85mm lens / Visiting The Entrance, Central Coast NSW (c) Sooz 2008
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Time
by Jared RevellLondon Bridge, Portsea, taken the morning after the Mornington Peninsula group RedBubble meet. Canon 40D w/ EF-S 10-22mm / Focal length @ 10mm / Aperture: f/22 / Shutter: 1.3 sec / ISO: 100
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Australian Day Long Weekend – Rainbow Beach, Bonny Hills, NSW. Untouched photograph, effects achieved ‘in-camera’. Best viewed LARGE / /
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Rainbow Beach, Bonny Hills, NSW. Untouched photograph, effect achieved ‘in-camera’. Best viewed LARGE / /
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Channels in the sand at Half Moon Bay, Stanley Tasmania in the early morning light Nikon D40 / Sigma 10-20mm lens @ 10mm / ISO200 / F/22 / 1/20th second featured in Dimensions group 5th June 2009 / featured in Your Magic Places group 6th June 2009 / featured in Color and Light group 6th June 2009 / featured in The Fine Art of Landscape Photography group 9th June 2009 / featured in Tasmanian Art Writing Photography group 11th June 2009 / featured in Photography 101 group 20th June 2009
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“Cumins collapse of people in search of a destination” / Extract from the song “Nada más por hoy” by 091 rock group Beach of Chiclana, Cádiz (Andalusia, Southern Spain) / Canon 400D+texture layers
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Takes in the Keys in Florida. Kit: Canon 400D & Tokina AF193 19-35mm
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The larger of the two rock structures at Split Point. / The Great Ocean Road. / Canon 40d 10-22mm lens /
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