Okay… I’ve recieved some quesstions about this shot. I took this at an airshow earlier in the year. The announcer warned the crowed that the plane was going to do a high speed pass approaching the sound barrier to create the cone effect (which appears just before breaking the speed of sound). Yes… it was very difficult to focus and pan to get this shot. Luckily, I managed to keep it in the frame. My equipment: Canon EOS 5D with 100-400L zoom. Thanks for your comments.
Imagine if this child could swap places with those on the other side of the wall. Even for a day. Imagine what he might find, what he might lose, what he might think. Imagine what he might do with his new-found privilege. Imagine. I imagine that’s what he’s imagining. The possibilities are endless.
Sitting, waiting for the others in a church in Northern Rwanda, my eyes wandered, taking in the room. To tell the truth I was tired and bored and in need of a day off. Over the other side of the room sat this young man, alone. I’m not sure what he was doing there. Waiting for his Mother maybe? I wondered, should I take a shot? If he saw me it could be really uncomfortable. I mean I was really close and I couldn’t pretend I was photographing anyone else. Anyway I thought, ‘I’ll sneak a shot in.’ So, I raised the camera and started to muck around with the shot. And then he looked up. I cringed behind the lens and just sat there, frozen. He didn’t divert his gaze. For several seconds we stared at each other me on one side of the camera, him on the other. Finally I pressed the shutter. His expression remained exactly the same. I lowered the camera and returned his stare, this time with no mechanical device between us. It sounds corny but something travelled between us. An absolute realisation that we were right there, in the same place at the same time. He didn’t dismiss me or put me down. He stood right on the same level. It was unique.
This shot is one of my favourites because it tells such a story. In the forground is a wallet being held by one of my colleagues Bart. He is buying the basket being held by the Rwandan woman in the middle of the shot. All eyes are on the transaction. This represents life and death in Africa as much as any other portrait. It is positive, but you can also feel the tension, the need, the hope. All proceeds to charity. I might even buy this myself. – Dog photography – Africa photography / - Beach photography - Black & white photography – Dog photography – Africa photography / - Beach photography - Monotone photography
It won’t make you any friends, but it will give them advance warning. / 8/11/07 – I have just shifted this into the Best T-Shirt group, replacing my previous entry. This is currently my most popular T, with 296 views, 8 faves, and – as of this week – one sale.
Imagine if this child could swap places with us? / Even for a day. / Imagine what he might find, what he might lose, what he might think. / Imagine what he might do with his new-found privilege. / Imagine. / I imagine that’s what he’s imagining. / The possibilities are endless. Also available as a Christmas card – Full size. /
Heartless: One without a soul, broken spirited, a skeleton without layers, the who who is pitiful. ©2007 Lisa C. Weber / . / . / . / . / Lisa C. Weber ©2007 (Created with Bryce 6.1) Visit My Complete Bubble for all My 3D Artwork. Thanks for dropping by and enjoy!
I was in northern Rwanda in April 2007 as a volunteer with an aid group and we had stopped to talk with people at a local church. The town was Rhuengeri, it sits close to the border with the Democratic Republic of Congo and has the unfortunate reputation as having been home to a number of those who perpetrated the horrific genocide of 1994. / The atmosphere in Rwanda is one of pervading ‘brokeness.’ Millions of orphans live side by side with those who tortured and massacred their families 14 few, short years ago. Millions more suffer the newer enemy – HIV Aids and countless others wander ghost like in a state it seems of perpetual shock, haunted by the past and overwhelmed by the concept of a future. / This was April. The official month of mourning. When people publicly face what privately never leaves them. / I was sitting on a step tired and desperate for fresh air when I looked into the crowd that inevitably gathered wherever we were. / This woman, is by my guess perhaps 30 and she is as are most, dirt poor. / I was absolutely transfixed by her and her child. / She seemed to me to sum up so much of what I saw. / Love and desperation and yes, compassion. / Her breast is bone dry and cracked and yet she tries to feed her baby. Perhaps it is the hope inherent in the action which feeds her. / At the same time, she looks totally preoccupied by her struggle for survival. / What is she thinking as she gazes into the middle ground? / My thought is, ‘where is the next meal.’ Where will she get it from? How will she share it? And upon finishing it, where will she find the next one? / I was overwhelmed by seeing the reality of those who live literally from hour to hour, day after exhausting day. / It confronted me then. / It continues to confront me now. / – Dog photography – Africa photography / - Beach photography - Black & white photography – Dog photography – Africa photography / - Beach photography - Monotone photography
The relatively small Heart Reef a mere 17m across sits proudly amidst the lagoon – Great Barrier Reef. / / -larger file coming/upon request. / / view this image large bubblesite / photography blog / portfolio ©T.Middleton2009 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——
This is a darker version of an image I like and that has been uploaded to RB in the past. Taken in an Adelaide cafe on Rundle Street East.
Taken on Michaelmas Cay, Great Barrier Reef. November 2007. Canon IXUS 900TI
I really hate to put so much work into something and then post / it as “Untitled.” Sometimes I just can’t thing of anything to call it, / but I will try my darndest to come up with a name. While I was contemplating this, I saw an aerial view of rooftops and city streets below. It made me think of the lengths we go through to compartmentalize ourselves and to protect our personal space with barriers, both concrete and emotional. Don’t get me wrong: civilization is good … I like my creature comforts. But I have always been able to feel lonely in a crowd.
It was a very wet Easter ‘08 in the Southern NSW Highlands – but all was not in vain! There was a lot of mist and rustic charm about the place. While taking this photo of the entrance to a rural property the owner suddenly materialised out of the mist and spooked the hell out of me. Thankfully he wasn’t carrying a pitchfork and didn’t seem to mind too much!
Aerial image of the famous heart-shaped Coral Reef in the Whitsundays, Australia
Taken in the Great Barrier Reef 100 nautical miles from Cairns Australia at Steve’s Bommie divesite. Great for Macro photography.
Taken in the Great Barrier Reef over 100 nautical miles from Cairns Australia. To be published in National Geographic’s ‘Your Shot’ section of the December issue.
Taken in the Great Barrier Reef at Steve’s Bommie divesite, off Cairns Australia. Using a Nikon D300 and 60mm Nikkor lens, Sea & Sea housing and dual ys250 strobes.
Heart Reef © Vicki Ferrari A scan of an original print, taken using a Minolta SLR, back in the early 1990’s. / Heart Reef is located north of Hamilton Island, on the Great Barrier Reef, in North Queensland, Australia. It was named Heart Reef because, and obviously, it looks like a heart! / This photograph was taken from one of my regular chopper rides up on the island. I never got sick of flying in choppers, or seeing the amazing reef from the air! When you are at the Whitsundays, well worth visiting the Reef by helicopter! The view is amazing! Vicki Ferrari Uploaded 21st May 2009
Taken at Steves Bommie divesite in the GBR.
/ Between the greater-soul & fleshed reality are particles, the final tangible reaches of our thought, seeming like something singing out beyond the rugged tabletops of testable existence, & if we had eyes to see this outlandish world, we might see a swirling of mysterious cloudy forms, a blending of ourselves & our surroundings in a mystical dancing light, in salty jewels, our cloudy arms & hands would try to reach our cloudy chairs & sink & blend into a mad phantasmagoria… / We should be afraid until we learned that we were part of it, our bodies swirling clouds of atoms; but what’s important is that we would be seeing at the gate just beyond which is the home of Mystery, source of Soul, which is our truest life, our centrum… / Now where would we be if we stepped forward, through the gate, through the mysterious clouds of unknowing? / This makeshift shadowy world is a metaphor which is our chariot of choice, our light-inducting dark-proof vehicle ready to ride the road & river of space & time, to deliver us from evil, which is all that isn’t, in the vision of the cloud-bodied hungry soul, when it goes through the gate to the mystery of unanswering love.. / We see from there how all things flow outward toward wisdom, & back upon themselves toward joy, & that love is always answering, is the cloud formed into self, which is others & all, at once. E.M. Shorb We stand always on this side of the gate looking through to what is on the other side…it is light sometimes, it is dark at others…dare we go through?...in his brilliant poem Shorb says it for us.. Watercolour on Arches Not Paper FEATURED IN CREATIVE CARDS
Abstract Macro Photography Close up photograph / Metal/ Steel crash barrier / kirkstall Road / leeds
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