Ballet dance Wall Art
869 creative works found
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Studio shot.. mixed tungsten and flash, shutter 1/10 s. ( for those who might be interested..)
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oil on panel / 11×14
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Varadero, Cuba. This photo is all natural, just as it came out of the camera (Canon 400D). Photoshop free. / / Vote for this photo to be published in JPG Magazine / / See more of my photgraphy from CUBA
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Studying dance and music, with chiaroscuro lighting techniques.
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Grace
by Erin Lyall“To dance is to be out of yourself. Larger, more beautiful, more powerful. This is power, it is glory on earth and it is yours for the taking.” ~Agnes De Mille One of the ballerinas at the ‘Move Me’ Shooters Gallery event, thanks to Producer/Art Director Alateia. Thanks to John Robb for the use of his camera for this shot too.
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Emily, studio dance, 2007
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Dance / Dance like nobody’s watching, love like you’ve never been hurt, sing like nobody’s listening and live like it’s heaven on earth. / attributed to Mark Twain. Around 7 years of age I entered the Madame Borovansky School of Ballet. / where you were taught the Russian style of classical ballet, It was strict, disciplined and often fearsome for a child but the company produced most of Australians greatest ballet dancers. Image copyright © 2008 Shanina Conway. / Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited
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I have the privilege to work with some of the most talented models and dancers in the world. Giulia is by far one of my favorites and a dear friend as well. To achieve these images takes a lot of work, on a normal day we can shoot over 400 jumps to get the best images. Each jump has to be adjusted to look right in the camera, and we experiment with different angles and lighting set-ups as well. There are no trampolines, she jumps from and lands on the floor. The model is Giulia Piolanti, and Italian gymnast turned modern dancer turned Cirque du Soleil performer, and she will be appearing in a new Cirque productiion in Tokyo later this year.
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I have the privilege to work with some of the most talented models and dancers in the world. Giulia is by far one of my favorites and a dear friend as well. To achieve these images takes a lot of work, on a normal day we can shoot over 400 jumps to get the best images. Each jump has to be adjusted to look right in the camera, and we experiment with different angles and lighting set-ups as well. There are no trampolines, she jumps from and lands on the floor. The model is Giulia Piolanti, and Italian gymnast turned modern dancer turned Cirque du Soleil performer, and she will be appearing in a new Cirque productiion in Tokyo later this year.
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NOT FOR SALE / It will be show at Galleries in Israel and Seville as a Limit and numered Series of only 15 copies. / Price:1500 Euros / If you are interested please send me a mail. FROM LIMITED SERIES / TOKIO WOMAN / AFRICA / / LOOKING FOR THE SEPIA / EL EQUILIBRIO DE LA MUJER FLOR / / / NIRVANA / XXI CENTURY / / / THE SADNESS OF THE PHARAOH / / / DELIRIUM / / / ORGASM / CARNIVAL / THE SAXOPHONE /
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I’ve uploaded this as a larger image to allow for print sales. Model is Joceline. This is from a series I’m working on mixing ballet and bondage’. I’m trying to relate to dancers being tied to their craft and the physical scars and effects such an art form has on the human body.
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Model – Teagan
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Watercolor painting / 30cm x 21cm / 300g
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Taken with Canon 1Dmk2 using 70-200L 2.8 @ 1/50 f2.8 ISO 800.
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Sales of this design so far – 1 sale / / / Mixed Media Painting on Aquarelle Arches Satine Hot Pressed Watercolour Paper (ink, pencil, acrylic, pastel, colour pencils, wax medium, tissue paper from old sewing pattern) approx size of original painting 56×762cm – original is available / (if interested in purchasing the original please contact karintaylor@exemail.com.au) NB: original painting is slightly different, as some extras were added in photoshop, the background of original is creamy white and the bottom panel is not on the original either.
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... at least you can listen to a sad old song… / model: ophelia. fashion: severine shoes. stock: sxc / thx@all
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Best Viewed Large “Will you walk into my parlour?” said the Spider to the Fly, / ‘Tis the prettiest little parlour that ever you did spy; / The way into my parlour is up a winding stair, / And I’ve a many curious things to show when you are there.” / Oh no, no,” said the little Fly, “to ask me is in vain, / For who goes up your winding stair can ne’er come down again.” “I’m sure you must be weary, dear, with soaring up so high; / Will you rest upon my little bed?” said the Spider to the Fly. / “There are pretty curtains drawn around; the sheets are fine and thin, / And if you like to rest awhile, I’ll snugly tuck you in!” / Oh no, no,” said the little Fly, “for I’ve often heard it said, / They never, never wake again, who sleep upon your bed!” Said the cunning Spider to the Fly, ” Dear friend what can I do, / To prove the warm affection I ‘ve always felt for you? / I have within my pantry, good store of all that’s nice; / I’m sure you’re very welcome—will you please to take a slice?” / “Oh no, no,” said the little Fly, “kind Sir, that cannot be, / I’ve heard what’s in your pantry, and I do not wish to see!” “Sweet creature!” said the Spider, “you’re witty and you’re wise, / How handsome are your gauzy wings, how brilliant are your eyes! / I’ve a little looking-glass upon my parlour shelf, / If you’ll step in one moment, dear, you shall behold yourself.” / “I thank you, gentle sir,” she said, “for what you ‘re pleased to say, / And bidding you good morning now, I’ll call another day.” The Spider turned him round about, and went into his den, / For well he knew the silly Fly would soon come back again: / So he wove a subtle web, in a little corner sly, / And set his table ready, to dine upon the Fly. / Then he came out to his door again, and merrily did sing, / “Come hither, hither, pretty Fly, with the pearl and silver wing; / Your robes are green and purple—there’s a crest upon your head; / Your eyes are like the diamond bright, but mine are dull as lead!” Alas, alas! how very soon this silly little Fly, / Hearing his wily, flattering words, came slowly flitting by; / With buzzing wings she hung aloft, then near and nearer drew, / Thinking only of her brilliant eyes, and green and purple hue - / Thinking only of her crested head - poor foolish thing! At last, / Up jumped the cunning Spider, and fiercely held her fast. / He dragged her up his winding stair, into his dismal den, / Within his little parlour—but she ne’er came out again! And now dear little children, who may this story read, / To idle, silly flattering words, I pray you ne’er give heed: / Unto an evil counselor, close heart and ear and eye, / And take a lesson from this tale, of the Spider and the Fly.” The Spider and the Fly / by Mary Howitt Part of “To Dance Between Shadow and Light” series. First image can be seen here Model: Danika / Photography / processing: Geoff Tv: 1/200 sec / Av: f/11 / ISO: 200
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