I’ve uploaded this as a larger image to allow for print sales. Model is Joceline. This is from a series I’m working on mixing ballet and bondage’. I’m trying to relate to dancers being tied to their craft and the physical scars and effects such an art form has on the human body.
Emily, studio dance, 2007
I have the privilege to work with some of the most talented models and dancers in the world. Giulia is by far one of my favorites and a dear friend as well. To achieve these images takes a lot of work, on a normal day we can shoot over 400 jumps to get the best images. Each jump has to be adjusted to look right in the camera, and we experiment with different angles and lighting set-ups as well. There are no trampolines, she jumps from and lands on the floor. The model is Giulia Piolanti, and Italian gymnast turned modern dancer turned Cirque du Soleil performer, and she will be appearing in a new Cirque productiion in Tokyo later this year.
Model – Teagan
NOT FOR SALE / It will be show at Galleries in Israel and Seville as a Limit and numered Series of only 15 copies. / Price:1500 Euros / If you are interested please send me a mail. FROM LIMITED SERIES / TOKIO WOMAN / AFRICA / / LOOKING FOR THE SEPIA / EL EQUILIBRIO DE LA MUJER FLOR / / / NIRVANA / XXI CENTURY / / / THE SADNESS OF THE PHARAOH / / / DELIRIUM / / / ORGASM / CARNIVAL / THE SAXOPHONE /
oil on panel / 11×14
Taken with Canon 1Dmk2 using 70-200L 2.8 @ 1/50 f2.8 ISO 800.
“To dance is to be out of yourself. Larger, more beautiful, more powerful. This is power, it is glory on earth and it is yours for the taking.” ~Agnes De Mille One of the ballerinas at the ‘Move Me’ Shooters Gallery event, thanks to Producer/Art Director Alateia. Thanks to John Robb for the use of his camera for this shot too.
Varadero, Cuba. This photo is all natural, just as it came out of the camera (Canon 400D). Photoshop free. / / Vote for this photo to be published in JPG Magazine / / See more of my photgraphy from CUBA
Dance / Dance like nobody’s watching, love like you’ve never been hurt, sing like nobody’s listening and live like it’s heaven on earth. / attributed to Mark Twain. Around 7 years of age I entered the Madame Borovansky School of Ballet. / where you were taught the Russian style of classical ballet, It was strict, disciplined and often fearsome for a child but the company produced most of Australians greatest ballet dancers. Image copyright © 2008 Shanina Conway. / Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited
Studio shot.. mixed tungsten and flash, shutter 1/10 s. ( for those who might be interested..)
I have the privilege to work with some of the most talented models and dancers in the world. Giulia is by far one of my favorites and a dear friend as well. To achieve these images takes a lot of work, on a normal day we can shoot over 400 jumps to get the best images. Each jump has to be adjusted to look right in the camera, and we experiment with different angles and lighting set-ups as well. There are no trampolines, she jumps from and lands on the floor. The model is Giulia Piolanti, and Italian gymnast turned modern dancer turned Cirque du Soleil performer, and she will be appearing in a new Cirque productiion in Tokyo later this year.
Dark Cabaret / Available as a framed print, canvas (extra large, small, med and large posters and greeting card. Dark Cabaret draws on the decadent 1920’s German cabaret aesthetics. The dance mistress reminds me of my dance teacher lol! Image copyright © 2008 Shanina Conway. / Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited
Model is Katy T. Part of a series I’ve been working on. / © John Tisbury 2008 all rights reserved.
This is a collaboration with the incredible photographer Paul Louis Villani. I love his work so much I think I will do another one! All profits from the sale of this pic from red bubble go to the Fred Hollows Foundation.
Watercolor painting / 30cm x 21cm / 300g
Two pairs of graceful and elegant legs. Taken with Canon 1Dmk2 using 70-200 f2.8L @ f5 1/30 ISO 800.
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