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  • The original goddess image of me that inspired the Ophelia’s Garden Series.

  • Taken in a back alley of Fitzroy – looking towards the back of the shops that face Brunswick street. This rusty old shed on the right recently sold for approx $600k

  • This was a spontaneous shot taken at a local Adelaide cafe on Rundle Street East in Kent Town one day when I was out with Dan. It was included in the series ‘When He’s Away’ and was a part of the ‘Living Queer in Adelaide’ group exhibition for the 2006 Feast Arts Festival there (Exibited at the Town Hall) I really like this one – human body against unyielding cement wall and rigid geometric lines. The theme that I was working on with the shots in this series was an analysis and exploration of sexuality – but more specifically gay male sexuality and the universal themes relating to the divide between public and private, acceptibility and unacceptibility, connection and disconnection, and of course human vulnerability / sensitivity and the structures and systems which confine or limit this. Image copyright © 2007, Robert Knapman. Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited.

  • Surrealistic Digital Art / / 4th place in the Bubblers’ Weekly Challenge group – The Path in Life Challenge. / / Close up / / / / MCN:C7B12-080A7-B8FA9 / / © Imber 2007. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Imber. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved. / / Many thanks to Geir Floede who nominated this image to Pay It Forward group; this is what Geir had to say about the image: “She make so beautiful art and with a basic about meaning of life. She turned the persphective born-death around and created a genious kind of art. / This is an extrordinary and very powerful art and its moving me much”

  • Julia Heliconian butterfly, Dryas Iulia, / macro closeup. / Santa Barbara, CA Nikon D70 / Nikkor 50/2.8 Macro / Sb800 flash Top ten: Macro Photography Challenge Featured: Unlinited Quality Group, September 2009 / Featured: Accentuate The Eyes group, February 2009 / Featured: Photography 101 Group, February 2009 / —-—-—-—-—-—-—-—-—-—-—-—-- / —-—-—-—-—-—-—-—-—-—-—-—-- 2009 BUTTERFLIES CALENDAR / / / / / / Or a T-Shirt to go along with /

  • © Marbia Studios / This image cannot be reproduced in any format without the express written permission of Marbia Studios. Here are my resent vector art work’s, I think I just went vector crazy. I’m still working on a few other designs. Please feel free to look at my other work /

  • / “The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in a while and watch your answers change.” / Richard Bach

  • The name Mia is of Swedish origin, meaning “uncertain”....an appropriate name for this painting as I have been in two minds about something for a little while now. medium: charcoal and acrylic on stretched canvas / ............................................................................................. / size: 40cm x 40cm / ............................................................................................. / currently listening to: Sure Know Something by KISS

  • A man sitting on a ledge near a canyon.

  • . i wear the world on my skin / come rule the universe with me… . o2.28.2oo9 / charcoal on mi-teintes® pastel paper leaves and drop shadows- / layered and air brushed in photoshop the map- / she wears it on her skin :P 9”x 12” .

  • remember me after i’m gone… / i’ll always love you… / . o3.o1.2oo9 / charcoal on mi-teintes® pastel paper / 9”x 12” .

  • Night time shot, taken in the backwaters of the River Murray, near Lyrup in the Riverland area of South Australia. Beautiful still night with mirror image reflections of the majestic dead river gums. BEST Viewed large. Canon 400D 18-55 lens. Processed in Photoshop CS3.

  • Late afternoon, Lyrup flats between Renmark and Berri in the Riverland of South Australia. Afternoon shots whilst waiting for the sun to go down for a night time shoot. The clouds moved apart and left this diamond like section reflecting nicely on the still backwaters. Again a visit to one of my favourite places where these huge River gums stand defiant against nature, dead but not finished….... Canon 400D 18-55 lens, CIR Polarising filter. Three shot panoramic stitch in CS3 and converted to B&W in the same program.

  • my daily self portrait on flickr with my canon 1000d and my lovely 50mm at f1.8 / Spring is here and I’m wearing my polka dot dress again! Ok I’ll wash my clothes tomorrow lol So many photos to edit so little time! I had the busiest day i just havnt stopped working! / I changed the background, it wasn’t a sky it was trees took a few hours to do / I dig my toes into the sand / The ocean looks like a thousand diamonds / Strewn across a blue blanket / I lean against the wind / Pretend that I am weightless / And in this moment I am happy…happy / I wish you were here – Incubus

  • www.lalamartinresources.webs.com

  • I took that shot with the sun creating silhouettes and darked arround.My grand-children…..Angelica is 8 and James is 5 / 1300 + views / NIKON D 200 /

  • Abstract nude monochromatic bodyscape of shoulder, back and butt of female model

  • Original oil painting produced on stretched 91cm x 61cm canvas using a knife, mixing only on the canvas using a limited colour palette.There’s many more figurative, dance and portrait fine art original oil paintings, pastels and gicleé prints on my website: ryoung-art

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